School of Humanities and Sciences
Showing 1-10 of 21 Results
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Rotimi Agbabiaka
Lecturer
BioRotimi Agbabiaka is an actor, director, writer, corporate coach, and teacher of acting, solo performance, and theatre-making. Most recently, Rotimi played the EmCee in Cabaret (Center Repertory Company), Hook in Peter Pan (Panto In The Presidio), Oberon and Theseus in A Midsummer Night’s Dream (Folger Theatre, Washington D.C.), and Cellphone/Narrator in If Pretty Hurts Ugly Must Be a Muhf*cka (Playwrights Horizons, Off-Broadway).
Other acting credits include roles at Yale Repertory Theatre, American Conservatory Theater, Berkeley Repertory Theatre, California Shakespeare Theater, Marin Theatre Company, Shotgun Players, and TheatreWorks. Rotimi is a company member of Word for Word, Black Artists Contemporary Cultural Experience (BACCE), the Tony Award-winning San Francisco Mime Troupe; and is a resident artist at Brava Theater Center and the Magic Theatre.
Rotimi most recently directed The Tempest (San Francisco Shakespeare Festival), The Red Shades: A Trans Superhero Rock Opera (Z Space); and assistant directed the opera Harvey Milk Reimagined (Opera Parallèle).
As a playwright, Rotimi penned and toured the solo shows Homeless, Type/Caste (Theatre Bay Area award), and MANIFESTO; the musical, Seeing Red—co-written with Joan Holden and Ira Marlowe and produced by the San Francisco Mime Troupe; and workshopped a new play, The Soul Never Dwells In A Dry Place, inspired by the art of Romare Bearden, at Cutting Ball Theater in 2024.
Rotimi has taught acting, movement, and play creation at the Yale School of Drama, Middlebury College, Bennington College, Southern Illinois University, the California Institute of Integral Studies, and American Conservatory Theatre, among others. Rotimi trained at the Moscow Art Theatre, received an MFA in Acting from Northern Illinois University, and has presented work at museums (the deYoung), in parks (with We Players), on street corners (with Jess Curtis’s GRAVITY), and on nightlife stages around the world (as alter ego Miss Cleo Patois). -
Cecile Alduy
Professor of French and Italian
Current Research and Scholarly InterestsMy current research focuses on France's contemporary political discourse; specifically the far right (National Front) and Presidential campaigns. I use digital humanities text analysis tools and semiotic/semantic/rhetoric analysis to look at political mythologies, communication strategies and representations of identity.
Past research projects include national sentiment and poetry; obscenity and obstetrics, lyric economies in Renaissance France. -
Mark Algee Hewitt
Associate Professor of English
BioMark Algee-Hewitt’s research combines literary criticism with digital and quantitative analyses of literature and other textual corpora. Although his work primarily focuses on the development and transmission of aesthetic and philosophic concepts during the long eighteenth-century in both Britain and Germany, his research interests also include other literary forms, such as poetry and the Gothic novel, and broadly reach from the eighteenth-century to contemporary literary practice. As director of the Stanford Literary Lab, he has led projects on a variety of topics, including the use of extra-disciplinary discourse in novels, the narratological theory of the short story, and science-fiction world building. In addition to these literary projects, he has also worked in collaboration with the OECD's Working Group on Bribery to explore the effectiveness of public writing as an enforcement strategy, with the Smithsonian Museum of American History on the history of American celebrity in newspapers, and with faculty in the school of law at Columbia University on court decisions regarding environmental policy.
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Morehshin Allahyari
Assistant Professor of Art and Art History
BioMorehshin Allahyari (Persian: موره شین اللهیاری), is an Iranian-Kurdish artist, using 3D simulation, video, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of MENA (Middle East and North Africa).
