School of Humanities and Sciences
Showing 21-40 of 142 Results
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David Carson
Affiliate, JSK Journalism Fellowships
BioDavid Carson is a John S. Knight (JSK) Journalism Fellow for the 2024-2025 academic year. He's interested in examining the impacts of AI-generated images on photojournalism and what can be done to build public trust in news photos. He is on leave from his position as a staff photojournalist at the St. Louis Post-Dispatch where he has worked for more than two decades. During his career, he's covered the wars in Iraq and Afghanistan, two World Series, a Superbowl, U.S. Presidential and Vice Presidential debates and 9/11 on the ground in New York City during the early hours and days that followed the attacks.
Carson's work was featured extensively in the 2015 Pulitzer Prize for Breaking News Photography, awarded to the St. Louis Post-Dispatch photo staff "For powerful images of the despair and anger in Ferguson, MO, stunning photojournalism that served the community while informing the country." He also was a member of the newspaper’s staff that was a 2009 Pulitzer Prize finalist for its coverage of a mass-shooting during a Kirkwood, Mo. city council meeting.
Previously Carson worked at the Naples Daily News in Florida, The Providence Journal-Bulletin in Rhode Island, and as a freelance photographer in New England where he worked for The New York Times, USA Today and the Associated Press, among others. He's is also an avid Boston sports fan and still enjoys playing soccer.
A portfolio of his work can be seen at www.davidcarsonphotos.com and he is still active on Twitter @pdpj -
Steven Carter
Yamato Ichihashi Chair in Japanese History and Civilization, Emeritus
BioResearch Areas:
- Japanese Poetry, Poetics, and Poetic Culture
- The Japanese Essay (zuihitsu)
- Travel Writing
- Historical Fiction
- The Relationship between the Social and the Aesthetic -
Monica Carvalho Gimenes
Lecturer
BioMônica Carvalho Gimenes is a Lecturer in Portuguese at the Stanford Language Center. With over 10 years of experience in language and literature instruction, she integrates her expertise in Brazilian and broader Latin American literatures into her teaching practice. In the Portuguese-language classroom, she fosters collaborative spaces for cultural and linguistic exploration.
She is currently working on her first book, Writing Life: Creating Resistance to Feminicidal Violence in Latin America. The book examines how 21st-century Latin American writers and artists respond to ongoing violence against women. Drawing on decolonial feminist theories, she treats feminicide as a complex concept that encompasses different forms of violence affecting women and reveals how gender operates in Latin America. Her analysis focuses on novels, short stories, and other creative works that humanize women targeted by violence and create space for mourning and resistance. These works mobilize imagination, defamiliarizing readers from dominant narratives that make such violence seem ordinary or inevitable.
Before joining Stanford University, she was a Visiting Assistant Professor at Boston University. She earned her Ph.D. from UC Berkeley in 2024 and is a double alumna of Florida Atlantic University (M.A. '15, B.A. '13). Her pedagogical excellence was recognized in 2021 with UC Berkeley's Outstanding Graduate Student Instructor Award. -
Marina Del Cassio
Ph.D. Student in History, admitted Autumn 2022
Workshop Coordinator, History DepartmentBioMarina Del Cassio is a Ph.D. student in the Stanford Department of History and holds a J.D. from Harvard Law School. She is currently working on a legal and cultural history of wildfire and land burning in long-nineteenth-century California. Her interests more broadly lie in American legal history, indigenous history, environmental history, and history of capitalism. Before coming to Stanford, she represented tribes and municipalities in environmental law matters and clerked at the Ninth Circuit and the California Supreme Court.
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Terry Castle
Walter A. Haas Professor of the Humanities, Emerita
Current Research and Scholarly InterestsCompleting introductory essay for my book on the "Not-A-Woman"
Editing classic 1950s lesbian novel, The Price of Salt, by Patricia Highsmith -
Sasa Caval
Administrative Assistant, Institute for Research in the Social Sciences
Staff,BioDr Saša Čaval is an archaeologist whose research explores how landscapes, memory, and material culture shape communities across time. She leads the ERC project STONE, examining the origins and meanings of the medieval stećci tombstones of the Western Balkans. Her work integrates archaeology, geoarchaeology, and digital heritage technologies to study long-term human–environment relationships.
At Stanford, Dr Čaval is affiliated with the Stanford Archaeology Center and the Institute for Research in Social Sciences. She also works with the Mauritian Archaeology and Cultural Heritage project group, connecting archaeology with post-colonial histories and community-based conservation. She also contributes to GeoAI, Slovenia’s national research programme applying artificial intelligence to cultural-heritage risk modelling.
A Marie Skłodowska-Curie alumna (University of Reading, UK) and active member of the Marie Curie Alumni Association (Coordinator for the West Coast), she promotes inclusive, ethically grounded research that links local communities, digital innovation, and global heritage stewardship. -
Carlos Centeno Lairet
Affiliate, Ethics In Society
BioCarlos is a 2026 Ethics & Tech Practitioner Fellow at the McCoy Family Center for Ethics in Society. He co-founded SOMOS Civic Lab. At the lab, the team is researching and designing tools to democratize generative AI in Global Majority countries. Somos is part of the UNDP AI Trust & Safety Programme, and it's supported by the Pulitzer Center's AI Accountability program. As MIT Emerging Talent Director, he equips learners from migrant and refugee communities with computer science skills. He co-founded and directed MIT's Governance Innovation Initiative, as Associate Director of Innovation; co-designed and launched MIT's first Governance Innovation Research Fellowship, and hosted MIT's "Power to the Who" governance innovation podcast. He was previously at the UN for 10 years, where he worked in community and government preparedness to natural disasters based in Latin America, Asia and Africa. His AI (NLP) prototype ALIA was a Google launchpad finalist in Munich (2018). He has supported investigative journalism projects at Pro Publica on disappearances and detentions by the US federal government.
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Chris Chafe
Duca Family Professor
BioChris Chafe is a composer, improvisor, and cellist, developing much of his music alongside computer-based research. He is Director of Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). In 2019, he was International Visiting Research Scholar at the Peter Wall Institute for Advanced Studies The University of British Columbia, Visiting Professor at the Politecnico di Torino, and Edgard-Varèse Guest Professor at the Technical University of Berlin. At IRCAM (Paris) and The Banff Centre (Alberta), he has pursued methods for digital synthesis, music performance and real-time internet collaboration. CCRMA's jacktrip project involves live concertizing with musicians the world over. Online collaboration software and research into latency factors continue to evolve. An active performer either on the net or physically present, his music reaches audiences in sometimes novel venues. An early network project was a simultaneous five-country concert was hosted at the United Nations in 2009. Chafe’s works include gallery and museum music installations which are now into their second decade with “musifications” resulting from collaborations with artists, scientists and MD’s. Recent work includes the Earth Symphony, the Brain Stethoscope project (Gnosisong), PolarTide for the 2013 Venice Biennale, Tomato Quintet for the transLife:media Festival at the National Art Museum of China and Sun Shot played by the horns of large ships in the port of St. Johns, Newfoundland.
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Enrique Chagoya
Professor of Art and Art History
BioDrawing from his experiences living on both sides of the U.S.-Mexico border in the late 70’s, and also in Europe in the late 90’s, Enrique Chagoya juxtaposes secular, popular, and religious symbols in order to address the ongoing cultural clash between the United States, Latin America and the world as well. He uses familiar pop icons to create deceptively friendly points of entry for the discussion of complex issues. Through these seemingly harmless characters Chagoya examines the recurring subject of colonialism and oppression that continues to riddle contemporary American foreign policy.
Chagoya was born and raised in Mexico City. His father, a bank employee by day and artist by night, encouraged his interest in art by teaching Chagoya color theory and how to sketch at a very early age. As a young adult, Chagoya enrolled in the Universidad Nacional Autónoma de México, where he studied political economy and contributed political cartoons to union newsletters. He relocated to Veracruz and directed a team focused on rural-development projects, a time he describes as “an incredible growing experience…[that] made me form strong views on what was happening outside in the world.” This growing political awareness would later surface in Chagoya’s art. At age 26, Chagoya moved to Berkeley, California and began working as a free-lance illustrator and graphic designer. Disheartened by what he considered to be the narrow political scope of economics programs in local colleges, Chagoya turned his interests to art. He enrolled in the San Francisco Art Institute, where he earned a BFA in printmaking in 1984. He then pursued his MA and MFA at the University of California, Berkeley, graduating in 1987. He moved to San Francisco in 1995. He has been exhibitng his work nationally and internationally for over two decades with a major retrospective organized by the Des Moines Art Center in Iowa in 2007 that traveled to UC Berkelye Art Museum and to the Palms Spring Art Museum in 2008 ( fully illustrated bilingual catalog was published). In the Fall of 2013, a major survey of his work opened at Centro Museum ARTIUM, in Vitoria-Gasteiz, capital city of the Basque Country, near Bilbao, Spain (with a trilingual catalog documenting the exhibition). The exhibition will travel to the CAAM in the Canary Islands in 2015.
He is currently Full Professor at Stanford University’s department of Art and Art History and his work can be found in many public collections including the Museum of Modern Art in New York, the Metropolitan museum, the Whitney Museum of American Art, San Francisco Museum of Modern Art, and the Fine Arts Museums of San Francisco among others. He has been recipient of numerous awards such as two NEA artists fellowships, one more from the National Academy of Arts and Letters in New York, residencies at Giverny and Cite Internationale des Arts in France, and a Tiffany fellowship to mention a few.
He is represented by Gallery Paule Anglim in San Francisco, George Adams Gallery in New York, and Lisa Sette Gallery in Scottsdale, AZ. His prints are published by Shark’s Ink in Lyons, Co, Electric Works in San Francisco, CA, Magnolia Editions in Oakland, CA, ULAE Bay Shore, NY, Segura Publishing in Pueblo, AZ, Trillium press in Brisbaine, CA, Made in California in Oakland, CA, and Smith Andersen Editions in Palo Alto, CA. -
Page Chamberlain
Professor of Earth and Planetary Sciences and of Earth System Science
Current Research and Scholarly InterestsResearch
I use stable and radiogenic isotopes to understand Earth system history. These studies examine the link between climate, tectonics, biological, and surface processes. Projects include: 1) examining the terrestrial climate history of the Earth focusing on periods of time in the past that had CO 2-levels similar to the present and to future projections; and 2) addressing how the chemical weathering of the Earth's crust affects both the long- and short-term carbon cycle. Field areas for these studies are in the Cascades, Rocky Mountains, Sierra Nevada, the European Alps, Tibet and the Himalaya and the Southern Alps of New Zealand.
International Collaborations
Much of the research that I do has an international component. Specifically, I have collaborations with: 1) the Senckenberg Biodiversity and Climate Research Center in Frankfurt Germany as a Humboldt Fellow and 2) the Chinese University of Geosciences in Bejiing China where I collaborate with Professor Yuan Gao.
Teaching
I teach courses at the undergraduate and graduate level in isotope biogeochemistry, Earth system history, and the relationship between climate, surface processes and tectonics.
Professional Activities
Editor American Journal of Science; Co-Director Stanford Stable Isotope Biogeochemistry Laboratory (present);Chair, Department of Geological and Environmental Sciences (2004-07); Co-Director Stanford/USGS SHRIMP Ion microprobe facility (2001-04)
