School of Humanities and Sciences
Showing 51-97 of 97 Results
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Julia Hirsch
Ph.D. Student in Religious Studies, admitted Autumn 2021
Graduate student worker, Buddhist StudiesBioJulia Hirsch is a Ph.D. student in the Religious Studies Department at Stanford University, where she focuses on Indo-Tibetan Buddhism. She holds a B.A. from Boston College in Philosophy with minors in Psychoanalytics and Women’s & Gender Studies (2015). She received her M.A. in the History of Art and Archaeology: Religious Arts of Asia from SOAS University of London (2020).
Julia’s current research explores Buddhist material religion and visual culture, power objects, and ritual from an art-historical perspective. Of particular interest are relic cults, funerary rites, and the importance—and soteriological potential—of sensory encounter in South Asian and Himalayan traditions.
Prior to joining Stanford, Julia worked for several years at Tricycle: The Buddhist Review, where she continues to serve as a contributing editor covering Buddhist art, film, and publishing. -
Allyson Hobbs
Associate Professor of History
BioAllyson Hobbs is an Assistant Professor in the History Department at Stanford University. She graduated magna cum laude from Harvard University and she received a Ph.D. with distinction from the University of Chicago. She has received fellowships from the Ford Foundation, the Michelle R. Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford. Allyson teaches courses on American identity, African American history, African American women’s history, and twentieth century American history. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize, the Graves Award in the Humanities, and the St. Clair Drake Teaching Award. She gave a TEDx talk at Stanford, she has appeared on C-Span, MSNBC, National Public Radio, and her work has been featured on cnn.com, slate.com, and in the Los Angeles Times, The Chronicle of Higher Education, the Christian Science Monitor, and the New York Times.
Allyson’s first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press in October 2014, examines the phenomenon of racial passing in the United States from the late eighteenth century to the present. A Chosen Exile won two prizes from the Organization of American Historians: the Frederick Jackson Turner Prize for best first book in American history and the Lawrence Levine Prize for best book in American cultural history. A Chosen Exile has been featured on All Things Considered on National Public Radio, Book TV on C-SPAN, The Melissa Harris-Perry Show on MSNBC, the Tavis Smiley Show on Public Radio International, the Madison Show on SiriusXM, and TV News One with Roland Martin. A Chosen Exile has been reviewed in the New York Times Book Review, the San Francisco Chronicle, Harper’s, the Los Angeles Review of Books, and the Boston Globe. The book was selected as a New York Times Book Review Editor’s Choice, a “Best Book of 2014” by the San Francisco Chronicle, and a “Book of the Week” by the Times Higher Education in London. The Root named A Chosen Exile as one of the “Best 15 Nonfiction Books by Black Authors in 2014.” -
Ian Hodder
Dunlevie Family Professor, Emeritus
BioIan Hodder joined the Department of Cultural and Social Anthropology in September of 1999. Among his publications are: Symbols in Action (Cambridge 1982), Reading the Past (Cambridge 1986), The Domestication of Europe (Oxford 1990), The Archaeological Process (Oxford 1999). Catalhoyuk: The Leopard's Tale (Thames and Hudson 2006), and Entangled. An archaeology of the relationships between humans and things (Wiley and Blackwell, 2012). Professor Hodder has been conducting the excavation of the 9,000 year-old Neolithic site of Catalhoyuk in central Turkey since 1993. The 25-year project has three aims - to place the art from the site in its full environmental, economic and social context, to conserve the paintings, plasters and mud walls, and to present the site to the public. The project is also associated with attempts to develop reflexive methods in archaeology. Dr. Hodder is currently the Dunlevie Family Professor Emeritus.
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Ariel Horowitz
Ph.D. Student in Comparative Literature, admitted Autumn 2021
Research Assistant to Prof. Eshel, Comparative LiteratureBioAriel Horowitz is a graduate student in Comparative Literature, focusing on Jewish literature and the ways in which twentieth-century Jewish writers, both Israeli and American, understand History. He holds a B.A. in Comparative Literature and Philosophy from the Hebrew University, and an M.A. (Summa Cum Laude) from the Hebrew University, where he wrote his thesis about Gershom Scholem's influence on Yaakov Shabtai's magnum opus, Past Continuous. Other interests include political theology, literary theory and continental philosophy. Ariel is also a novelist: his debut novel, Our Finest, was published with Keter Publishing House in 2021.
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Blair Hoxby
Professor of English
BioBlair Hoxby writes on literature and culture from 1500 to 1800. Two of his foremost interests are the commercial culture and the theatrical practices of the period. Mammon's Music: Literature and Economics in the Age of Milton (New Haven: Yale University Press, 2002) examines the impact of the commercial revolution on writings of major seventeenth-century poets such as Milton and Dryden. Together with Ann Coiro, he is editing a large multi-author collection of essays on Milton in the Long Restoration. Two of his new books nearing completion focus on tragic dramaturgy. What Is Tragedy? Theory and the Early Modern Canon seeks to free the early modern poetics of tragedy and the early modern theatrical repertoire from the expectations erected by the romantic and post-romantic philosophy of the tragic that has dominated tragic theory from Schelling to the present. Reading for the Passions: Performing Early Modern Tragedy argues that the passions, not deeds or character, hold the keys to early modern tragic performance.
Recent and forthcoming articles include Passion, for 21st-Century Approaches: Early Modern Theatricality, ed. Henry Turner (forthcoming, OUP); What Was Tragedy? The World We Have Lost, 1550-1795, Comparative Literature 64 (2012): 1-32; Allegorical Drama, in The Cambridge Companion to Allegory, ed. Rita Copeland and Peter Struck (Cambridge: Cambridge University Press, 2009); The Function of Allegory in Baroque Tragic Drama: What Benjamin Got Wrong, in Thinking Allegory Otherwise, ed. Brenda Machowsky (Stanford: Stanford University Press, 2009); and "Areopagitica and Liberty," in The Oxford Handbook of Milton, ed. Nicholas McDowell and Nigel Smith (Oxford: Oxford University Press, 2009). -
Hector Hoyos
Professor of Iberian and Latin American Cultures and, by courtesy, of Comparative Literature
BioHéctor Hoyos is a scholar of modern Latin American and comparative literature. He writes about ideological critiques of globalization in the post-1989 Latin American novel, the articulation of critical theory and new materialism in the region’s cultural production, and related topics. His current monograph in progress examines the works of Gabriel García Márquez from a law and humanities perspective.
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Elise Huerta
Ph.D. Student in Chinese, admitted Autumn 2015
Ph.D. Minor, Feminist, Gender, and Sexuality StudiesBioElise Huerta is a PhD candidate in East Asian Languages and Cultures with a concentration in modern Chinese literature and a minor in Feminist, Gender, and Sexuality Studies. Her dissertation, Untouchable: On the Cultural Politics of Hands in Modern China, aims to produce new understandings of intimacy, alienation, labor, and violence in the modern era through the interdisciplinary study of tactile culture. The project explores the many powers invested in human hands through narrative, taking a particular interest in the discourses and social mechanisms that contribute to the construction of "untouchable" people and groups. Her research will be supported by a Mellon Foundation Dissertation Fellowship in 2021-2022 and an AAUW American Fellowship in 2022-2023.
As an educator, Huerta is committed to supporting student success while promoting diversity, equity, and inclusion in higher education. She currently serves as a graduate mentor through the First-Generation and/or Low-Income (FLI) and Enhancing Diversity in Education (EDGE) programs at Stanford. She is a published Chinese to English translator and holds a BA in Chinese with a minor in Creative Writing from the University of Michigan-Ann Arbor. -
Michael Huether
Adjunct Professor, German
BioFrom 1982 to 1987 I studied Economics and History at Justus-Liebig-University Giessen, Germany; main fields: microeconomics, economic policy, public finance, international economics, economic history, German political history; from 1987 to 1990 Graduate Studies in Economics (Dr. rer. pol., summa cum laude). From 1991 to 1999 I served as Staff member and Secretary General of the German Council of Economic Experts; than I worked as Chief Economist at DekaBank (1999-2004). In 2001 I became Honorary Professor for Economics at the European Business School. Since 2004 I am Director of the German Economic Institute (Cologne), a private think tank that covers all aspects of economic development and economic policy in the national, European and global context. In 2009 I received the Order of Merit of the Federal Republic of Germany from the Federal President. 2016 I was Gerda Henkel Visiting Professor, Department of German Studies, Stanford.
Among other things, I am Member of the Supervisory Board of Allianz Global Investors, Munich (since 2008); Chairman of the Supervisory Board of TÜV Rheinland AG, Cologne (since 2019), Deputy Chairman of the Board of Atlantik-Brücke (since 2019), and Member of the Board of Trustees of the German Development Institute, Bonn (since 2020).
Selected current publications: Exhausted Globalisation. Between the Transatlantic Orientation and the Chinese Way, Cambridge Scholars Publishing, Cambridge, 2018 (with Matthias Diermeier and Henry Goecke); When Low Interest Rates Cause Low Inflation (with Markus Demary), Intereconomics, Review of European Economic Policy, Vol. 50 (2015), No.6, pp. 350-354; Regional convergence in Europe (with Henry Goecke), Intereconomics, Review of European Economic Policy, Vol. 51 (2016), No. 3, pp. 165-171; Perception and Reality—Economic Inequality as a Driver of Populism? (with Matthias Diermeier), Analyse&Kritik, Journal of Philosophy and Social Theory, Vol. 41/2 (2019), pp. 337-357; Looking Back to the Future: Time Strata and Economic Analysis; Journal of Contextual Economics, Vol. 138 (2018), pp. 89-116; Why the COVID-10 Pandemic Could Increase the Corporate Saving Trend in the Long run (with Markus Demary and Stefan Hasenclever), Intereconomics, Review of European Economic Policy, Vol. 56 (2021), No. 1, pp. 40-44. -
Stephanie Jane Hunt
Lecturer
BioStephanie is an actor, director, and teacher of voice and acting. As a core member of the Bay Area theatre company, Word for Word, Stephanie has acted in numerous productions, including Tobias Wolff’s Sanity, Colm Tóibín’s Silence, Upton Sinclair’s Oil! and Susan Glaspell’s A Jury of her Peers. She played Lizzie Borden in The Fall River Axe Murders by Angela Carter directed by Amy Freed. For Word for Word, she directed the productions of Bullet in the Brain and Lady's Dream by Tobias Wolff, and All Aunt Hagar’s Children by Edward P. Jones, which played at the Z Space before touring France. She has acted with Berkeley Repertory Theatre, Campo Santo, Aurora Theatre, the Magic Theatre, Berkeley Shakespeare, the One Act Theater, and in New York at La Mama. For two years with Pulp Playhouse, Stephanie performed late-night comedy improv with O-Lan Jones and Mike McShane at the Eureka Theater. She has taught voice at ACT in the Summer Training Congress, and at the University of San Francisco, Chabot College, and Sonoma State University. She has directed a number of university productions, most recently at USF, where she directed Twelfth Night, and adapted and directed Alice Munro’s The View from Castle Rock. Her training includes an MFA from the American Conservatory Theater and certification as an Associate Teacher of Fitzmaurice Voicework. Stephanie is committed to creating and teaching ensemble-based theater with a focus on heightened language.
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Nadeem Hussain
Associate Professor of Philosophy and, by courtesy, of German Studies
BioI received my B.S. in Symbolic Systems from Stanford University in 1990. I then went to the Department of Philosophy at The University of Michigan, Ann Arbor. I completed a Ph.D. there in 1999. I also spent the academic year of 1998-99 at Universität Bielefeld in Germany. I have been teaching at Stanford since 2000.
