School of Humanities and Sciences
Showing 1-8 of 8 Results
Rosina Pierotti Professor in Italian Literature, Emerita
BioProfessor Carolyn Springer came to Stanford in 1985 after receiving a Ph.D. in Italian language and literature from Yale University. She has received fellowships and awards from the American Academy in Rome, the Andrew W. Mellon Foundation, the Harvard Center for Italian Renaissance Studies / Villa I Tatti, the Ford Foundation, and the Fulbright Foundation. Her research has focused primarily on Renaissance and nineteenth-century literature and cultural history. She has published articles and reviews in Annali d’italianistica, Boundary 2: A Journal of Postmodern Literature, Canadian Journal of Italian Studies, Forum Italicum, GRADIVA: International Journal of Literature, The International Journal of the Humanities, Italian Quarterly, The Italianist, Italica (Journal of the American Association of Italian Studies), Modern Language Studies, NEMLA Italian Studies, Quaderni d’italianistica, Renaissance Quarterly, Sixteenth Century Journal, Stanford Italian Review, Versus: Quaderni di studi semiotici, Woman’s Art Journal, The Wordsworth Circle, and Yale Italian Studies. Professor Springer’s books include The Marble Wilderness: Ruins and Representation in Italian Romanticism, 1775-1850 (Cambridge University Press, 1987; reprinted in paperback, 2010); Immagini del Novecento italiano (Macmillan, coeditors Pietro Frassica and Giovanni Pacchiano); and History and Memory in European Romanticism (special issue of Stanford Literature Review). Her latest book, Armour and Masculinity in the Italian Renaissance, appeared in 2010 with University of Toronto Press (reprinted in paperback, 2013).
Carl and Marilynn Thoma Provostial Professor of the Arts and Humanities and Professor, by courtesy, of English
BioA distinguished scholar of American culture, Alexander Nemerov explores our connection to the past and the power of the humanities to shape our lives. Through his empathetic, intuitive research and close readings of history, philosophy, and poetry, Nemerov reveals art as a source of emotional truth and considers its ethical demands upon us in our moment. Revered for his breadth of scholarship and celebrated for his eloquent public speaking, Nemerov inspires audiences with his belief in the affirming and transfiguring force of art.
An instinctive, nuanced author, Nemerov’s most recent book is The Forest: A Fable of America in the 1830s presenting tales of a visionary experience in the last years of America as a heavily forested land. His conjuring of a lost world of shade and sun has been praised by Annie Proulx ("deeply beautiful”, “astonishingly tender”, “one of the richest books ever to come my way") and Edmund de Waal (“moving and shocking and beautiful, an extraordinary achievement”).
Previous titles by Nemerov have gained further recognition: Fierce Poise: Helen Frankenthaler and 1950s New York was short-listed for the 2021 National Book Critics Circle Prize in Biography; Summoning Pearl Harbor, was praised by the novelist Ali Smith as "a unifying and liberating meditation”; Soulmaker: The Times of Lewis Hine, was short-listed for the Marfield Prize, a national award in arts writing; Wartime Kiss: Visions of the Moment in the 1940s was named one of Choice's Outstanding Academic Titles in 2013; Acting in the Night: Macbeth and the Places of the Civil War was a Choice Outstanding Academic Book; Icons of Grief: Val Lewton and 1940s America was praised by The New York Review of Books as "superbly original." Nemerov’s initial books include Silent Dialogues: Diane Arbus and Howard Nemerov, a meditation on his father, the poet Howard Nemerov, and his aunt, the photographer Diane Arbus; The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824; and Frederic Remington and Turn-of-the-Century America.
Nemerov, an engaging, eloquent speaker, gave the 2007 Andrew Wyeth Lecture at the National Gallery of Art, and in 2017, he delivered the 66th Andrew W. Mellon Lectures at the National Gallery of Art, becoming the first scholar to deliver them with a focus on American art. He has also published two exhibition catalogues: To Make a World: George Ault and 1940s America, the companion to a National Museum of American Art exhibition of that name and Ralph Eugene Meatyard: American Mystic.
After receiving his B.A. in Art History and English with Cum Laude and Phi Beta Kappa honors from the University of Vermont and his Ph.D. in the History of Art from Yale University, Nemerov began his teaching career at Stanford University in 1992. Returning to Yale in 2001, Nemerov chaired the Department of the History of Art from 2009 to 2012 and in 2010 was named to the Vincent Scully Professorship. Nemerov returned to Stanford in 2012 as the Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities and served as chair of the Department of Art and Art History from 2015 to 2021. The Stanford Daily has named him one of the university's top ten professors.
Patrick Suppes Professor of Greek Mathematics and Astronomy and Professor, by courtesy, of Philosophy and of History
BioNetz's main field is the history of pre-modern mathematics. His research involves the wider issues of the history of cognitive practices, e.g. visual culture, the history of the book, and literacy and numeracy. His books from Cambridge University Press include The Shaping of Deduction in Greek Mathematics: a Study in Cognitive History (1999, Runciman Award), The Transformation of Early Mediterranean Mathematics: From Problems to Equations (2004), and Ludic Proof: Greek Mathematics and the Alexandrian Aesthetic (2009).
He is also the author of the translation and commentary of the works of Archimedes, also with CUP, a three-volume work of which the first has appeared, The Two Books on Sphere and Cylinder (2004). Together with Nigel Wilson, he prepares the edition of the recently rediscovered Archimedes Palimpsest (evidence from which already gave rise to two major discoveries: a text showing actual infinity in Archimedes, published in SCIAMVS 2001-2002, and a text showing, possibly, combinatorics in Archimedes, published in SCIAMVS 2004.) Two volumes, Transcription and Critical Edition, are forthcoming from the British Academy, of which the transcription is already available online. His popular book on the Archimedes Palimpsest Project, The Archimedes Codex, (co-authored with William Noel, Neumann Prize) was published by Widenfeld and Nicolson, 2007, and is translated into 20 languages.
Related to his research in cognitive history is his interest in ecological history, and he has published Barbed Wire: an Ecology of Modernity (Wesleyan University Press, 2004, finalist for PEN award). Reviel Netz is also a poet (Adayin Bahuc, 1999 Shufra: Tel Aviv, AMOS prize), one of a group of Hebrew poets active today whose work revives formal verse and he is the co-author, together with his wife, the Israeli author Maya Arad, of a collection of essays on Israeli literature, Positions of Stress (Meqom Hata'am, 2008 Axuzat Bayit: Tel Aviv).
Professor of ClassicsOn Leave from 10/01/2023 To 12/31/2023
Current Research and Scholarly InterestsI am completing a book entitled "Eros and Epiphany: Plato on the Soul's Ascent to Divine Beings"
Bryan Nelson Norton
BioBryan Norton is a member of the Stanford Society of Fellows, where he is currently completing a monograph on political ecology and technical media in German romanticism. He is the co- editor of a forthcoming volume on Bernard Stiegler, and his writings have appeared in Theory, Culture and Society, Symphilosophie, the Goethe Lexicon of Philosophical Concepts, and the LA Review of Books. In 2022, Norton received his PhD in Comparative Literature from the University of Pennsylvania. He has held visiting appointments at Goethe University Frankfurt, Humboldt University Berlin, and Paris Viii.
Miguel Novelo Cruz
BioExperimental media artist, filmmaker, and cultural arts programmer who graduated in 2013 from the Escuela Universitaria de Artes TAI in Madrid, and recently graduated from San Francisco Art Institute with a BFA degree in Film and minor in Art and Technology (2018).
In this past years Miguel has exhibited pieces and short films in cities such as Paris (La Jeune Martyre - Mex-Parismental 2015) , Mexico city (Mención Honorífica en el concurso universitario nacional 2015 - PRMR) , Tijuana (Concurso Nacional de Video Experimental 2014-2016 - Dualidad - PRMR - Telémocion 2), Madrid ( Dualidad -VIDEOTALENTOS, 2014), Morelia, (La Marea - FICM, 2018) San Francisco (ON LOC, Marchantes 2018) and many more.