School of Humanities and Sciences
Showing 21-40 of 49 Results
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Michael Shanks
Professor of Classics
BioProfessor at Stanford University, Michael Shanks is one of the most original and influential of contemporary archaeologists. He has been at the forefront of archaeological thought and practice since the 1980s, pioneering new ways of understanding and explaining, engaging with Graeco-Roman antiquity and European prehistory, mobilizing remains of the past all around us — instigating changes in archaeology and how we all work with remains of the past. A specialist in long-term perspectives on design and creativity, innovation and social change, he explores connections across the sciences, humanities, and arts in research collaborations and outreach through and beyond the academy, tapping more than $32m of funding over the last 25 years.
Current projects
MS is currently completing four long-running and interrelated projects.
Archaeological history — building scenarios.
Greece and Rome: a new model of antiquity. With Gary Devore. A project concerned with how one might conceive of antiquity as a kind of archaeological prehistory, retold through speculative fabulation. Against conventional narrative is offered a model of ancient lifeworlds conveyed through 45 personae and scenarios. Estimated delivery end of 2026.
Archaeological sites — encountering location.
Against place: a border archaeology. Based on archaeological itineraries in the northern borders of England/Scotland, including prehistoric and Roman field research, this project explores border crossings, trespass and transgression in questioning the character of space and place, site and region. Estimated delivery 2027.
Archaeological praxis — performance design.
Theatre/Archaeology: performing remains. With Mike Pearson. This book sums up 30 years of collaboration with performance artist Mike Pearson. In five portfolios of case studies in performance design they set out a pragmatics and methodology of deep mapping contemporary antiquity and prehistory. Estimated delivery end of 2025.
Archaeological actuality — for the future.
Archaeologies of Nature in Art: from Landscape to Climate Breakdown. With Gabriella Giannachi. This project mobilizes an archaeology of arts practices, from prehistory to contemporary art, to offer action-oriented responses to climate change in a reframing of the concept of nature. Estimated delivery autumn 2025.
The following is part of his continuing exploration of Applied Archaeology — design foresight.
Project Athena: Innovation in and through Learning. With Aisin Corporation led by Kenji Suzuki and in collaboration with Kimihiko Iwamura. Developing learning community and competencies in creative pragmatics — designing and implementing a strategy of corporate culture change. Ongoing 2025 – 2026. -
Vered Karti Shemtov
Eva Chernov Lokey Senior Lecturer in Hebrew Language and Literature
BioSee bio at: https://dlcl.stanford.edu/people/vered-karti-shemtov
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Sandra Wright Shen
Lecturer
BioSteinway Artist Sandra Wright Shen has been described as “a classical pianist of the first order.” With her passion, musicality and inspiration, she aims to move hearts and uplift spirits through music.
Sandra has performed across 16 countries in over 600 concerts. Her appearances include prestigious venues such as the Kennedy Center in Washington, D.C., the Chicago Cultural Center, Monte Carlo Opera House, Palau de la Música Catalana in Barcelona, Frankfurt Cultural Center, the Forbidden City Concert Hall in Beijing, Taiwan National Concert Hall, Seoul Arts Center, Hong Kong City Hall, and festivals including the Granada International Music Festival, Recontres Musicales de Chaon in France, Brevard Music Festival, Tanglewood BUTI, Chelsea Music Festival, MasterWorks Festival and Steinway Society Concert Series.
She has been featured as guest artist with orchestras appearances around the world displaying a broad repertoire of 26 concertos. She served as Artist-in-Residence with the Charleston Symphony during the 2017–18 season. As a chamber musician, Sandra has performed with renowned artists including Vesselin Paraschkevov (former concertmaster of the Vienna Philharmonic), Brinton Smith (Houston Symphony), bassoonist Sergio Azzolini, and toured Asia with cellist Nina Kotova.
Sandra received first prize from several major international piano competitions, including First Prize at the 2012 France International Piano Competition, the 1997 Hilton Head International Piano Competition, the 1996 Mieczysław Munz Piano Competition, and the 1990 Taiwan National Piano Competition.
Her recordings include a debut CD featuring Rachmaninoff’s Piano Concerto No. 3 and Saint-Saëns’ Carnival of the Animals, both released by Taiwan’s Rolling Stone Music. Her latest album, Momentum, with cellist Miriam Smith, was released on Azica Records in 2022.
Sandra is a piano lecturer at the Stanford University and the piano chair at the San Francisco Conservatory of Music Pre-College Division. She has served on the faculty of the Brevard Music Festival, Tanglewood BUTI Young Artists Piano Program, Masterworks Music Festival, Music@Tetauchi, and American Fine Arts Festival in Europe and others. Previous academic appointments include Southern Illinois University and frequent invitations as Distinguished Guest Faculty at Furman University. Her students have won top prizes in competitions such as the International Piano Competition of Orléans (France), Stockholm International Piano Competition, the Chopin Foundation, Young Arts and the MTAC competitions.
Sandra performed live for WCQS Radio in Asheville, filmed a four-part television series “The Movements of the Master Composers” for Hong Kong TV and "Inspiration From Above" for US Creation TV, and hosted a classical music program for Taiwan’s IC Broadcast Radio FM97.5. Mixing music and philanthropy, Sandra has given benefit concerts for disaster victims, foster children, firefighters, music education for underprivileged children and San Jose Chamber Series.
Born in Taiwan, Sandra earned her Bachelor and Master of Music degrees in Piano Performance from the Peabody Conservatory of Music, where she studied with legendary pianist Ann Schein. Her teachers also include Zalina Gurevich and Jörg Demus.
www.sandrashen.com -
stephanie sherriff
Lecturer
BioStephanie Sherriff is an interdisciplinary artist, composer, and performer currently based in San Francisco, California. Their work with sound, video, and physical phenomena is ephemeral in nature and culminates as time-based installations and performances that deconstruct fragments of daily life through experimental processes. They received a BA from San Francisco State University in 2014 and an MFA in Art Practice from Stanford University in 2019. Their work has been featured both nationally and internationally at creative centers such as the Institute for Research Coordination in Acoustics/Music (IRCAM), the Sfendoni Theater, the Brooklyn Academy of Music (BAM), O. Festival, Gray Area, The Lab, Artists Television Access (ATA), and the Center for New Music (C4NM).
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Ory Shihor
Lecturer
BioOry Shihor is an internationally acclaimed pianist and educator. His students have won major competitions, including the Walter W. Naumburg International Piano Competition, Montreal International Piano Competition, Hilton Head International Piano Competition, Bosendorfer and Yamaha USASU International Piano Competition, and gained admission to top music conservatories and universities, such as Juilliard, Yale and Curtis.
A graduate of Juilliard and Curtis, Mr. Shihor is a frequent speaker and master class teacher at major conservatories and universities around the globe such as the Beijing and Shanghai Conservatories, Seoul National University, Taiwan National Normal University, Northwestern University, San Francisco Conservatory, Boston Conservatory, Oberlin Conservatory and the Royal Northern College of Music.
For over a decade, he served as piano professor at the Colburn Conservatory and as founding dean of its pre-college academy for highly gifted young musicians. In 2015, he founded the Ory Shihor Institute (OSI) with his wife, Maria Liu, where he continues to teach young gifted pianists and train a new generation of piano teachers using his proven teaching approach.
Mr. Shihor is a winner of the Young Concert Artists International Auditions, Washington International Piano Competition, a prize winner at the Rubinstein International Master Piano Competition, and recipient of the Gina Bachauer Prize at Juilliard. Based in San Jose, California, Ory Shihor is a Bösendorfer and Yamaha artist.
HONORS & COMPETITIVE AWARDS
Washington International Piano Competition, First Prize
Arthur Rubinstein International Piano Master Competition, Prize Winner
Gina Bachauer Juilliard Piano Competition, First Prize
Young Concert Artists International Auditions, Winner
Maurice M. Clairmont Piano Competition, Winner
America-Israel Cultural Foundation Scholarship, Piano
America-Israel Cultural Foundation Scholarship, Composition
POSITIONS HELD
Lecturer, Piano Pedagogy, Ory Shihor Institute
Instructor, Piano Performance, Ory Shihor Institute
Professor, Piano Performance, Colburn Conservatory
Dean, Colburn Music Academy
Director, Colburn Music Academy Piano Festival and Competition
Co-chair, Piano Department, Colburn School of Performing Arts Community School
Faculty, Keyboard Studies, Colburn Conservatory
Faculty, Piano Performance, Colburn School of Performing Arts Community School
Faculty, Piano Performance, Idyllwild Arts Academy
Faculty, Keyboard Studies, Idyllwild Arts Academy
Teaching Assistant, Piano Performance, University of Southern California -
Partha Pratim Shil
Assistant Professor of History
BioI am an historian of modern South Asia, specializing in nineteenth and early twentieth century eastern India, with a developing research interest in the late eighteenth century. My work is located at the intersection of the fields of histories of state formation and labour history. I am particularly interested in the histories of government workers and how this labour history intrinsic to the state apparatus recasts our understanding of state formation.
I am currently working on the manuscript of my first book, provisionally entitled 'Sovereign Labour: Constables and Watchmen in the Making of the Modern State in India, c. 1860-1950'. This monograph is a study of police constables and village watchmen in Bengal from the promulgation of the Police Act in 1861 until the upheavals of decolonisation in the mid-twentieth century. It reframes the history of constables and village watchmen, usually represented as government functionaries, as the history of a distinctive form of labour.
The most important methodological innovation of this study is to bring methods from the historiography of labour in South Asia in conversation with the vast archive of the colonial police and to demonstrate how we can rewrite police history as labour history. Sovereign Labour charts the contours of the market of security labour in eastern India and locates the emergence of colonial police workforces within the rhythms of this labour market. It reveals the patterns in the history of constabulary recruitment; examines the implications of the conditions of police work for the nature of police power; delineates the internal segmentation within the world of police labour, and the defining role of caste in shaping modern policing apparatuses in colonial India; and brings out fresh evidence about the myriad modes of politics devised by police workers in this region. More broadly, my aim is to clear a conceptual ground for the study of forms of labour within the apparatuses of the modern state as well as demonstrate how the history of the labouring lives of government workers can provide a fresh entry point into the nature of the modern state in South Asia.
Before joining Stanford, I was a Junior Research Fellow in History at Trinity College, Cambridge. -
Gi-Wook Shin
William J. Perry Professor, Senior Fellow at the Freeman Spogli Institute for International Studies and Professor, by courtesy, of East Asian Languages and Cultures
Current Research and Scholarly InterestsKorean democratization; Korean nationalism; U.S.-Korea relations; North Korean politics; reconciliation and cooperation in Northeast Asia; global talent; multiculturalism; inter-Korean relations
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Julius Smith
Professor of Music, Emeritus
BioSmith is a professor emeritus of music and (by courtesy) electrical engineering (Information Systems Lab) based at the Center for Computer Research in Music and Acoustics (CCRMA). Teaching and research pertain to music and audio applications of signal processing. Former software engineer at NeXT Computer, Inc., responsible for signal processing software pertaining to music and audio. For more, see https://ccrma.stanford.edu/~jos/.
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Matthew Smith
Professor of German Studies and of Theater and Performance Studies
BioMatthew Wilson Smith’s interests include modern theatre and relations between science, technology, and the arts. His book The Nervous Stage: 19th-century Neuroscience and the Birth of Modern Theatre (Oxford, 2017) explores historical intersections between theatre and neurology and traces the construction of a “neural subject” over the course of the nineteenth century. It was a finalist for the George Freedley Memorial Award of the Theater Library Association. His previous book, The Total Work of Art: From Bayreuth to Cyberspace (Routledge, 2007), presents a history and theory of attempts to unify the arts; the book places such diverse figures as Wagner, Moholy-Nagy, Brecht, Riefenstahl, Disney, Warhol, and contemporary cyber-artists within a coherent genealogy of multimedia performance. He is the editor of Georg Büchner: The Major Works, which appeared as a Norton Critical Edition in 2011, and the co-editor of Modernism and Opera (Johns Hopkins, 2016), which was shortlisted for an MSA Book Prize. His essays on theater, opera, film, and virtual reality have appeared widely, and his work as a playwright has appeared at the Eugene O’Neill Musical Theater Conference, Richard Foreman’s Ontological-Hysteric Theater, and other stages. He previously held professorships at Cornell University and Boston University as well as visiting positions at Columbia University and Johannes Gutenberg-Universität (Mainz).
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Kathryn Starkey
Edward Clark Crossett Professor of Humanistic Studies and Professor, by courtesy, of English, of History and of Comparative Literature
BioKathryn Starkey is Professor of German in the Department of German Studies and, by courtesy, Professor of English, History, and Comparative Literature. Her work focuses primarily on medieval German literature from the eleventh to the thirteenth century, and her research topics encompass visuality and materiality, object/thing studies, manuscript illustration and transmission, language, performativity, and poetics. She has held visiting appointments at the Universities of Palermo (2011) and Freiburg im Breisgau (2013 and 2018).
Recent book publications (since 2012) include:
* Things and Thingness in European Literature and Visual Art, 800-1600, edited with Jutta Eming (Berlin/New York, 2021).
* Animals in Text and Textile. Storytelling in the Medieval World, edited with Evelin Wetter. Riggisberger Berichte, Vol. 24 (Riggisberg, Switzerland, 2019).
* Sensory Reflections. Traces of Experience in Medieval Artifacts, edited with Fiona Griffiths (Berlin/New York, 2018).
* Neidhart: Selected Songs from the Riedegger Manuscript, edited and translated with Edith Wenzel, TEAMS series in bilingual medieval German texts (Kalamazoo, MI, 2016).
* A Courtier’s Mirror: Cultivating Elite Identity in Thomasin von Zerclaere’s “Welscher Gast” (Notre Dame, 2013).
* Visuality and Materiality in the Story of Tristan, edited with Jutta Eming and Ann Marie Rasmussen (Notre Dame, 2012).
Professor Starkey is the PI for the Global Medieval Sourcebook (https://sourcebook.stanford.edu/) for which she received a NEH Digital Humanities Advancement Grant (2018) as well as awards from the Roberta Bowman Denning Fund for Humanities and Technologies at Stanford (2016, 2017, 2018).
Her current research projects include a co-authored (with Fiona Griffiths) textbook for the Cambridge Medieval Textbook series on A History of Medieval Germany (900-1220).
Professor Starkey has been the recipient of fellowships from the National Humanities Center, the Alexander von Humboldt Foundation, the UNC Institute for the Arts and the Humanities, and the Social Sciences and Humanities Research Council of Canada (SSHRCC).
Before joining the faculty at Stanford in 2012 she taught in the Department of Germanic and Slavic Languages and Literatures at the University of North Carolina at Chapel Hill.
