School of Humanities and Sciences


Showing 11-19 of 19 Results

  • Richard Vinograd

    Richard Vinograd

    Christensen Professor of Asian Art

    BioRichard Vinograd is the Christensen Fund Professor in Asian Art in the Department of Art & Art History at Stanford University, where he has taught since 1989. Dr. Vinograd’s research interests include Chinese portraiture, landscape painting and cultural geography, urban cultural spaces, painting aesthetics and theory, art historiography, and inter-media studies. He is the author of Boundaries of the Self: Chinese Portraits, 1600-1900 (Cambridge: Cambridge University Press, 1992); co-editor of New Understandings of Ming and Qing Painting (Shanghai: Shanghai Calligraphy Painting Publishing House, 1994); and co-author of Chinese Art & Culture (New York: Prentice Hall and Harry N. Abrams, 2001). He has published more than thirty journal articles, anthology chapters, conference papers, and catalogue essays on topics ranging from tenth-century landscape painting to contemporary transnational arts.

  • Nicholas Virzi

    Nicholas Virzi

    Lecturer

    BioDr. Nick Virzi (b. 1991) is a composer from New York City living in the San Francisco Bay Area, California. His recent work explores the mystical nature of music through imagistic representation, orchestration of complex numerical systems, and use of original natural sound recordings. In addition to composing, Nick is a field recording artist, electric guitarist, conductor, researcher, and educator. He also hosts the international composer interview series Composer OverTime.

    ​Nick’s music has been performed throughout the USA and internationally by established artists such as cellist Séverine Ballon (France), soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar (Mexico), Distractfold (United Kingdom), the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. His work has been featured at such venues as the Juilliard School at Lincoln Center, the Center for New Music in San Francisco, and the Royal Academy of Music in Aarhus, Denmark. His recent commissions include a new work for Line Upon Line Percussion from the Novalis Music and Art Festival, along with artist residencies at the Kopački Rit Nature Preserve in Osijek, Croatia.

    He has participated in such international festivals as Gaudeamus Muziekweek (The Netherlands), and Impuls (Austria), and New Music on the Bayou (Louisiana), including fellowships granted by the Imani Winds Chamber Music Festival (New York City), the Cortona Sessions for New Music (Italy), the soundSCAPE Composition and Performance Exchange (Italy), and the New Music for Strings Festival (Denmark). He has presented his work at the Conrad Prebys Music Center at UC San Diego, the Center for New Music and Audio Technologies (CNMAT) at UC Berkeley, the College of Creative Studies at UC Santa Barbara, as well as the American Beethoven Society at San José State University, the California Interdisciplinary Consortium of Italian Studies (CICIS) at the Italy’s Centers and Peripheries Conference hosted by Stanford University, and the Society for Electro-Acoustic Music in the United States (SEAMUS) at the SEAMUS 2021 Virtual National Conference.

    As a field recording artist specializing in natural sound, Nick has held artist and research residencies at wilderness locations throughout California, such as the Sagehen Creek Field Station in Sagehen Experimental Forest, the Landels-Hill Big Creek Reserve in Big Sur, and the Poto Festival in Grass Valley. He has presented his research in soundscape ecology and bioacoustics at NYU’s Steinhardt School as part of the Precarious Sounds/Sounding Sanctuary Conference (New York City), The Catholic University of America at the Eleventh International Conference on Climate Change: Impacts and Responses (Washington, D.C.), and the Centro Cultural Vila Flor at the Ninth International Conference on the Constructed Environment (Guimarães, Portugal).

    Dr. Virzi is currently a Lecturer in the Department of Music and H&S Dean’s Fellow at Stanford University. His research is based at the Center for Computer Research in Music and Acoustics (CCRMA) and Jasper Ridge Biological Preserve. He completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He also completed his B.M. at the SUNY Purchase Conservatory of Music, where he studied with Du Yun, Huang Ruo, Laura Kaminsky, and Suzanne Farrin.

  • Peter Vitousek

    Peter Vitousek

    Clifford G. Morrison Professor of Population and Resource Studies, Senior Fellow at the Woods Institute for the Environment and Professor, by courtesy, of Earth System Science

    Current Research and Scholarly InterestsVitousek's research interests include: evaluating the global cycles of nitrogen and phosphorus, and how they are altered by human activity; understanding how the interaction of land and culture contributed to the sustainability of Hawaiian (and other Pacific) agriculture and society before European contact; and working to make fertilizer applications more efficient and less environmentally damaging (especially in rapidly growing economies)

  • Barbara Voss

    Barbara Voss

    Professor of Anthropology

    Current Research and Scholarly InterestsI am a historical archaeologist who studies the dynamics and outcomes of transnational cultural encounters: How did diverse groups of people, who previously had little knowledge of each other, navigate the challenges and opportunities of abrupt and sustained interactions caused by colonialism, conflict, and migration? I approach this question through fine-grained, site-specific investigations coupled with broad-scale comparative and collaborative research programs.

  • Jelena Vuckovic

    Jelena Vuckovic

    Jensen Huang Professor of Global Leadership and Professor, by courtesy, of Applied Physics

    Current Research and Scholarly Interestsphotonics, quantum technologies, quantum optics, inverse design