School of Humanities and Sciences
Showing 21-30 of 30 Results
-
Vannessa Velez
Ph.D. Student in History, admitted Autumn 2017
BioVannessa Velez is a PhD Candidate in History at Stanford University. Her research broadly examines the environmental impact of globalization on urban centers, with particular attention to environmental inequality. Her dissertation traces the environmental and political history of metro-Atlanta’s rapid economic development in the second half of the twentieth century, when the city’s leaders embraced globalization both early and enthusiastically to great economic success, at the expense of the city’s built and natural environment.
Vannessa is the recipient of several fellowships and awards, including the Mellon Mays Fellowship, the Norall Award, and the Stanford Humanities Center Dissertation Prize. She is currently working on several projects, including a digital humanities project dedicated to research methods in Black Studies, an article on black environmental politics in the 1980s, and a co-authored article on race, globalization, and the 1996 Centennial Olympics in Atlanta. -
Blakey Vermeule
Albert Guérard Professor of Literature
BioBlakey Vermeule's research interests are neuroaesthetics, cognitive and evolutionary approaches to art, philosophy and literature, British literature from 1660-1820, post-Colonial fiction, satire, and the history of the novel. She is the author of The Party of Humanity: Writing Moral Psychology in Eighteenth-Century Britain (2000) and Why Do We Care About Literary Characters? (2009), both from The Johns Hopkins University Press. She is writing a book about what mind science has discovered about the unconscious.
-
Richard Vinograd
Christensen Professor of Asian Art
BioRichard Vinograd is the Christensen Fund Professor in Asian Art in the Department of Art & Art History at Stanford University, where he has taught since 1989. Dr. Vinograd’s research interests include Chinese portraiture, landscape painting and cultural geography, urban cultural spaces, painting aesthetics and theory, art historiography, and inter-media studies. He is the author of Boundaries of the Self: Chinese Portraits, 1600-1900 (Cambridge: Cambridge University Press, 1992); co-editor of New Understandings of Ming and Qing Painting (Shanghai: Shanghai Calligraphy Painting Publishing House, 1994); and co-author of Chinese Art & Culture (New York: Prentice Hall and Harry N. Abrams, 2001). He has published more than thirty journal articles, anthology chapters, conference papers, and catalogue essays on topics ranging from tenth-century landscape painting to contemporary transnational arts.
