School of Humanities and Sciences
Showing 1-50 of 1,833 Results
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Jonathan Abel
Adjunct Professor
BioJonathan S. Abel is a Consulting Professor at the Center for Computer Research in Music and Acoustics (CCRMA) in the Music Department at Stanford University, working in music and audio applications of signal and array processing, parameter estimation and acoustics. He is also a co-founder of Seismic Innovations, LLC, and Seismic Services, LLC, companies specializing in microseismic signal processing. Abel was a co-founder and Chief Technology Officer of the GRAMMY Award winning Universal Audio, Inc. He was previously a researcher at NASA/Ames Research Center, Chief Scientist of Crystal River Engineering, Inc., and a Lecturer in the Department of Electrical Engineering at Yale University. As an industry consultant, Abel has worked with Apple, Dolby, FDNY, LSI Logic, L3 Technologies, LR Baggs, Native Instruments, SAIC, Sennheiser, Sigma Cubed, Triple Ring, and the U.S. NRL on projects in professional audio, GPS, fire department siting and deployment, medical imaging, room acoustics measurement, audio effects processing, passive sonar, and microsiesmic signal processing. He holds Ph.D. and M.S. degrees from Stanford University, and an S.B. from MIT, all in electrical engineering. Abel is a Fellow of the Audio Engineering Society for contributions to audio effects processing.
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Shannon Sylvie Abelson
Postdoctoral Scholar, Philosophy
BioI work in philosophy of astronomy and astrophysics, environmental ethics, and space environmentalism. My research focuses on best practices and practical solutions to pressing ethical and policy issues in space exploration, including space debris mitigation, equitable access to Space, and the orbital and terrestrial environmental impacts of the space industry.
I am an associate member of NANOGrav and a member of the ngEHT HPC group. -
Oluwakemisola Adeusi
Ph.D. Student in German Studies, admitted Autumn 2022
Ph.D. Minor, Political ScienceBioKemi’s research interests include transnational, Afro-German, and migrant literature. She intends to explore the works of authors in these categories and examine how they narrate experiences from various perspectives defying single-stranded representations and how they foster future possibilities.
Before joining Stanford German Department as a Ph.D student in 2022, she earned a B.A degree in German from the University of Ibadan, Nigeria in 2019, and completed her M.A program in German from the University of Alabama Tuscaloosa in 2022. In 2021, she became a member of the Delta Phi Alpha Honours Society and the American Council on the Teaching of Foreign Languages. She received the DAAD Summer program scholarship in 2017 and 2022 and travelled to Aachen and Münster respectively.
She enjoys conversations about feminism, development of human rights, diversity and inclusion as well as cultural similarities and differences. She co-founded a language school in Nigeria in 2016 as a contribution to the development of multilingualism. -
Karen Ajluni
Academic Operations Mgr 1, Philosophy
BioKaren Ajluni is the Director of Finance and Operations in the Departments of Philosophy and Religious Studies within the School of Humanities and Sciences (H&S) at Stanford University. Previously, Karen worked for six years as the Finance Manager in the Physics Department, also within H&S. Before coming to Stanford, Karen worked for four years at Santa Clara University, most recently as Assistant Dean of Administration and Finance in the School of Education and Counseling Psychology. Prior to that she was the Operations and Administration Manager of the Miller Center for Social Entrepreneurship. Karen has been employed in non-profit and educational administration for over 25 years, and has experience with a wide variety of organizations, including Downtown College Prep High School, the Girl Scouts of Northern California, EHC Lifebuilders, Futures without Violence, and Project Match. She received a B.S. in Psychology from Santa Clara University and a Masters in Public Administration from San Jose State University. Karen lives in downtown San Jose with her husband and three children.
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Samer Al-Saber
Assistant Professor of Theater and Performance Studies
BioSamer is Assistant Professor of Theatre And Performance Studies, and a member of the faculty at the Center for the Comparative Study of Race and Ethnicity (CCSRE) and the Abbasi Program in Islamic Studies. Before coming to Stanford, he has taught at various institutions (Davidson College, Florida State University) on a wide range of topics, including Conflict and Theatre, Arab Theatre and Culture, Palestinian Theatre, Staging Islam and American Politics, and Orientalism and the Victorians. At Stanford, he teaches courses concerned with identity, race, and ethnicity at the intersection of Islam and the Arts His international research is focused on the cultural dimensions of the Arab World, the Middle East, and Islamicate regions. He has taught widely on topics of Western and non-Western theater as well as American, Middle Eastern, and Global performance. As artist/scholar, his fieldwork intersects with theatre practice as a director and writer. His work appeared in Theatre Research International, Alt.Theatre, Performance Paradigm, Critical Survey, Theatre Survey, Jadaliyya, Counterpunch, This Week In Palestine, and various edited volumes, such as Palgrave’s Performing For Survival, Edinburgh Press’ Being Palestinian, and the Freedom Theatre’s recently published Performing Cultural Resistance in Palestine. He is the co-editor of the anthology Stories Under Occupation and Other Plays from Palestine (Seagull Press/University of Chicago Press) and Arab, Politics, Performance (Routledge - Forthcoming). He edited a collection of plays: Youth Plays from Gaza (Bloomsbury Press). Courses taught include: Performing Identities, Race and Performance, Advanced Directing: Actor-Director Dialog, Making Your Own Solo Show, Edward Said: Scholar Vs Empire, Performing Arabs, Introduction to Comparative Race and Ethnicity, New Play Development, and World Theater History. Samer serves on the advisory boards of Arab Stages and Golden Thread Productions in San Francisco.
Areas of expertise: Theory; History; Criticism; Middle East Studies, Western Theater, Non-Western theater, Race and Performance, Middle Eastern Theatre; Islam and the Arts; Arab Theatre; Directing; Historiography; Postcolonialism; Nationalism; Ethnography; Performance, Politics, Casting, and Collaboration. -
Cecile Alduy
Professor of French and Italian
Current Research and Scholarly InterestsMy current research focuses on France's contemporary political discourse; specifically the far right (National Front) and Presidential campaigns. I use digital humanities text analysis tools and semiotic/semantic/rhetoric analysis to look at political mythologies, communication strategies and representations of identity.
Past research projects include national sentiment and poetry; obscenity and obstetrics, lyric economies in Renaissance France. -
Patricia Alessandrini
Assistant Professor of Music
Current Research and Scholarly InterestsComputer-assisted analysis, composition
Physical computing and robotics
Multimedia interactive performance, aesthetics and paradigms of multimedia interaction
Feminist perspectives on electronic music practices
Use of technology in inclusive music, interfaces for the disabled
Music Information Retrieval (MIR), concatenative synthesis, and physical modelling
Motion capture, gestural control of electronics, and kinetics in electronics
Music and sound design for film, video and installation art -
Mark Algee Hewitt
Associate Professor of English
BioMark Algee-Hewitt’s research combines literary criticism with digital and quantitative analyses of literature and other textual corpora. Although his work primarily focuses on the development and transmission of aesthetic and philosophic concepts during the long eighteenth-century in both Britain and Germany, his research interests also include other literary forms, such as poetry and the Gothic novel, and broadly reach from the eighteenth-century to contemporary literary practice. As director of the Stanford Literary Lab, he has led projects on a variety of topics, including the use of extra-disciplinary discourse in novels, the narratological theory of the short story, and science-fiction world building. In addition to these literary projects, he has also worked in collaboration with the OECD's Working Group on Bribery to explore the effectiveness of public writing as an enforcement strategy, with the Smithsonian Museum of American History on the history of American celebrity in newspapers, and with faculty in the school of law at Columbia University on court decisions regarding environmental policy.
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William Tanner Allread
Ph.D. Student in History, admitted Autumn 2019
Current Research and Scholarly InterestsIndigenous History, U.S. Legal History, History of U.S. Empire, Federal Indian Law, Tribal Law, Law of the Territories, Race and the Law, Constitutional Law, Property Law, Environmental Law
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R. Lanier Anderson
Vice Provost for Undergraduate Education, J. E. Wallace Sterling Professor of the Humanities, Professor of Philosophy and, by courtesy, of German Studies
BioR. Lanier Anderson (Professor of Philosophy, J.E. Wallace Sterling Professor in Humanities) works in the history of late modern philosophy and has focused primarily on Kant and his influence on nineteenth century philosophy. He is the author of The Poverty of Conceptual Truth (OUP, 2015) and many articles on Kant, Nietzsche, and the neo-Kantian movement. Some papers include “It Adds Up After All: Kant’s Philosophy of Arithmetic in Light of the Traditional Logic” (Philosophy and Phenomenological Research, 2004), “Nietzsche on Truth, Illusion, and Redemption” (European Journal of Philosophy, 2005), “What is a Nietzschean Self?” in Janaway and Robertson, eds., Nietzsche, Naturalism, and Normativity (OUP, 2011), and “‘What is the Meaning of our Cheerfulness?’: Philosophy as a Way of Life in Nietzsche and Montaigne” (European Journal of Philosophy, 2018). Current research interests include Kant’s theoretical philosophy, Nietzsche’s moral psychology, Montaigne, and special topics concerning existentialism and the relations between philosophy and literature (see, e.g., “Is Clarissa Dalloway Special?” Philosophy and Literature, 2017). He has been at Stanford since 1996, and has also taught at Harvard, Haverford, Bryn Mawr, and Penn. With Joshua Landy (Comparative Literature, French), he has been instrumental in Stanford’s Philosophy and Literature Initiative. He currently serves Stanford as Senior Associate Dean for Humanities and Arts.
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Arto Anttila
Associate Professor of Linguistics
Current Research and Scholarly InterestsPhonology, morphology, language variation
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Mark Applebaum
Leland and Edith Smith Professor
BioStudied with Brian Ferneyhough, Joji Yuasa, Rand Steiger; additional studies with Roger Reynolds, Phillip Rhodes, Mary Ellen Childs, Conlon Nancarrow.
Selected commissions: Fromm Foundation, Merce Cunningham Dance Company, Vienna Modern Festival, Paul Dresher Ensemble, American Composers Forum, Betty Freeman, Zeitgeist, Meridian Arts Ensemble, MANUFACTURE (Tokyo), Belgium’s Champ D’Action, ADEvantgarde / Bayerische Theaterakademie (Munich), Electronic Music Midwest, Jerome Foundation, Harmida Trio.
Recipient of the American Music Center’s Stephen Albert Award, Hincks Fellowship at Villa Montalvo Artist Colony, Jazz Society of Southern California Prize, 2005 2nd place emsPrize from Electronic Music Stockholm, Stanford’s 2003 Gores Award for Teaching Excellence.
Performances include: Darmstadt New Music Courses, ICMC, Festival Spaziomusica, Young Nordic Music Festival, Sonic Circuits Hong Kong, SEAMUS, Southeastern Composers League, SIGGRAPH, the American Composers Orchestra’s OrchestraTech, Piano Spheres, Northwestern University New Music Marathon, the College Music Society, BONK Festival, Borges Festival in France, UNYAZI Festival South Aftrica, Time Canvas and TRANSIT Festivals in Belgium, the Essl Museum in Vienna, NIME at IRCAM in Paris, and the Kennedy Center.
Papers include Experience Music Project’s Popular Music Studies conference, an article in New Music and Aesthetics in the 21st Century.
Additional fields of interest include sound-sculpture design, jazz performance, collaborations with neural artists, animators, architects, florists, choreographers, laptop DJs. Recordings released on Innova, Tzadik, SEAMUS, & Capstone. Taught at Mississippi State University, Carleton College, and the University of California, San Diego.
