School of Humanities and Sciences


Showing 11-20 of 55 Results

  • Shane Denson

    Shane Denson

    Assistant Professor of Art and Art History

    BioShane Denson is Assistant Professor of Film and Media Studies in the Department of Art & Art History at Stanford University. His research and teaching interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. He is the author of Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (Transcript-Verlag/Columbia University Press, 2014) and co-editor of several collections: Transnational Perspectives on Graphic Narratives (Bloomsbury, 2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and the open-access book Post-Cinema: Theorizing 21st-Century Film (REFRAME Books, 2016). His next book, Discorrelated Images, is forthcoming with Duke University Press.

    See also shanedenson.com for more info.

  • Usha Iyer

    Usha Iyer

    Assistant Professor of Art and Art History

    Current Research and Scholarly InterestsFilm studies, South Asian cinema, Dance, Gender, Diaspora, Indentured labor

  • Srdan Keca

    Srdan Keca

    Assistant Professor of Art and Art History

    BioSrdan Keca has made documentaries, essay films and video installations in the space of his native former Yugoslavia, the UK, and the Middle East. After studying physics at the University of Belgrade, he moved on to documentary filmmaking at the Paris-based Ateliers Varan. He received his M.A. from the UK National Film and Television School (NFTS) in 2011.

    His projects include "Mirage", an experimental documentary exploring the marks of displacement and longing in the city of Dubai; "A Letter to Dad", an essay-film about family, war and forgetting; and "Museum of the Revolution", a multi-channel video installation on one of the most prominent architectural projects of socialist Yugoslavia, which never got built.

    Keca's documentary films have consistently screened at leading festivals: IDFA, DOK Leipzig, Full Frame, Jihlava IDFF, etc., winning multiple awards and critical acclaim. More recently, his installation "Museum of the Revolution" was on display at the 2014 Venice Biennale of Architecture and has been touring venues including the Whitechapel Gallery in London and Project 88 in Mumbai. "Flotel Europa", a found-footage essay film he edited and co-produced, premiered at the 2015 Berlinale, winning the Tagesspiegel Jury Award.

  • Jan Krawitz

    Jan Krawitz

    Sadie Dernham Patek Professor in Humanities

    BioJan Krawitz has been independently producing documentary films for many years. Her work has been exhibited at film festivals in the United States and abroad, including Sundance, the New York Film Festival, Visions du Réel, Edinburgh, SilverDocs, London, Sydney, Full Frame, South by Southwest and the Flaherty Film Seminar. Her most recent film, Perfect Strangers, is a documentary that follows Ellie, a woman who embarks on an unpredictable, four-year journey of twists and turns, determined to give away one of her kidneys. The film was broadcast on the national PBS series, America ReFramed. Krawitz’s previous documentary, Big Enough, was broadcast on the PBS series P.O.V. and internationally in eighteen countries. Her films, Mirror Mirror, In Harm’s Way, Little People, and Drive-in Blues were all broadcast on national PBS and her short film Styx is in the permanent collection of the Museum of Modern Art. Little People was nominated for a national Emmy Award and was featured on NPR’s All Things Considered. Krawitz has had one-woman retrospectives of her films at venues including the Portland Art Museum, Hood Museum of Art, Rice Media Center, the Austin Film Society, and the Ann Arbor Film Festival. In 2011, she was awarded an artist’s residency at Yaddo. Krawitz is a Professor at Stanford University in the M.F.A. Program in Documentary Film and Video.

  • Marci Kwon

    Marci Kwon

    Assistant Professor of Art and Art History

    BioMarci Kwon specializes in art and culture of the United States. Her research and teaching interests include the intersection of fine art and vernacular practice, theories of modernism, cultural exchange between Asia and the Americas, "folk" and "self-taught" art, and issues of race and objecthood. Her current book project considers the work of Joseph Cornell and the desire for a populist art in the mid-century United States. She is also working on a study of the intersections of art and anthropology in American modernism.