School of Humanities and Sciences
Showing 701-800 of 1,834 Results
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Miyako Inoue
Associate Professor of Anthropology and, by courtesy, of Linguistics
BioMiyako Inoue teaches linguistic anthropology and the anthropology of Japan. She also has a courtesy appointment with the Department of Linguistics.
Her first book, titled, Vicarious Language: the Political Economy of Gender and Speech in Japan (University of California Press), examines a phenomenon commonly called "women's language" in Japanese modern society, and offers a genealogy showing its critical linkage with Japan's national and capitalist modernity. Professor Inoue is currently working on a book-length project on a social history of “verbatim” in Japanese. She traces the historical development of the Japanese shorthand technique used in the Diet for its proceedings since the late 19th century, and of the stenographic typewriter introduced to the Japanese court for the trial record after WWII. She is interested in learning what it means to be faithful to others by coping their speech, and how the politico-semiotic rationality of such stenographic modes of fidelity can be understood as a technology of a particular form of governance, namely, liberal governance. Publication that has come out of her current project includes, "Stenography and Ventriloquism in Late Nineteenth Century Japan." Language & Communication 31.3 (2011).
Professor Inoue's research interest: linguistic anthropology, sociolinguistics, semiotics, linguistic modernity, anthropology of writing, inscription devices, materialities of language, social organizations of documents (filing systems, index cards, copies, archives, paperwork), voice/sound/noise, soundscape, technologies of liberalism, gender, urban studies, Japan, East Asia. -
Usha Iyer
Assistant Professor of Art and Art History
Current Research and Scholarly InterestsFilm studies, South Asia, Caribbean, Gender, Diaspora, Race and ethnicity
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Branislav Jakovljević
Sara Hart Kimball Professor of the Humanities
BioMy research is highly interdisciplinary. I find it very rewarding to study performance in the context of visual arts, film and digital media, literature and poetry, critical theory, as well as larger social and historical processes. Most recently, I have been focusing on climate change and environmental justice. Over the past year, I have co-edited with my colleagues from TAPS Diana Looser and Matt Smith a two-part special issue of TDR: The Drama Review on performance and climate change. This research and teaching interest comes from my more long-term engagement with performance and politics.
My most recent monograph in English is Alienation Effects: Performance and Self-Management in Yugoslavia 1945-1991 (University of Michigan Press, 2016) which received the Joe A. Callaway Prize for the Best Book on Drama or Theater for 2016-17 and Association for Theatre in Higher Education (ATHE) Outstanding Book Award, 2017. It has been translated into Serbian (2019) and Slovenian (2021). I co-translated and edited Radomir Konstantinović’s book The Philosophy of Parochialism, a groundbreaking analysis of the relation of the national literature and the formation of totalitarian ideas and political practices in a small European nation during the first half of the 20th century (University Michigan Press, 2021). My most recent book project is The Performance Apparatus: On Ideological Production of Behaviors (forthcoming from University of Michigan Press), in which I investigate the relationship between performance art and theories of ideological formations from the 1970s until the present.
I hail from Yugoslavia, the country that was located in central and western Balkans, in southeastern Europe. There, I attended Drama Schools at universities in Skopje and Belgrade (present-day Northern Macedonia and Serbia, respectively). I worked as Dramaturg in professional theaters during and immediately after the completion of my BFA studies.
Most of my views on politics, ethics, justice, and the arts were informed by the unraveling of Yugoslavia in a series of bloody civil wars in the 1990s. I was active in anti-war movements before I left the country and remained active in pro-democracy publications in Serbia and the region of the former Yugoslavia. Some of these writings have been collected in the book Frozen Donkey and Other Essays (Smrznuti magarac i drugi eseji, Komuna Links, Belgrade 2017).
Both my MA and PhD are from the Department of Performance Studies at New York University. While pursuing my PhD, I was active in the New York downtown theater and alternative press scene in the late 1990s and early 2000s. In the subsequent years, I served on the board of Performance Studies international (PSi) and chaired the 19th PSi conference held at Stanford in June of 2013.
Before joining Stanford in 2006, I taught at NYU’s Tisch School of the Arts and University of Minnesota. In addition to teaching undergraduate and graduate classes in my home department, over the years I served as Director of Undergraduate Studies, Director of Graduate Studies, and Chair (2015-2019). Some of the highlights from my tenure as Chair are: devising a strategic plan for the department that yielded the current structure of our undergraduate program, supervising the return of the department to the renovated Roble Gym, the establishment of Nitery Experimental Theater as the first fully student-run theater space on campus, working with the Dean’s office to set up Carl Weber graduate fellowships, and opening TAPS season-planning process to include all members of the department who are willing to participate (students, faculty, staff). -
Doug James
Professor of Computer Science and, by courtesy, of Music
Current Research and Scholarly InterestsComputer graphics & animation, physics-based sound synthesis, computational physics, haptics, reduced-order modeling
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Rachel Jean-Baptiste
Michelle Mercer and Bruce Golden Family Professor of Feminist and Gender Studies, Professor of History and of African and African American Studies
BioPh.D., Stanford University
M.A., Stanford University
A.B., Bryn Mawr College
Rachel Jean-Baptiste is a historian of 20th and 21st century French-speaking Central and West Africa and the Atlantic world. Her research interests include the histories of: marriage and family law; gender and sexuality; racial thought and multiracial identities; urban history; citizenship. Jean-Baptiste is currently researching the history of women, slavery, and urban history in Haiti and the French-speaking Atlantic world. -
Nicholas Jenkins
Associate Professor of English
Current Research and Scholarly Interests20th-century culture and literature, especially poetry; digital humanities; art
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Abidemi Jimoh
Ph.D. Student in German Studies, admitted Autumn 2023
Current Research and Scholarly InterestsAfrican and subaltern representations in German literature and writing.
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Adam Johnson
Phil and Penny Knight Professor of Creative Writing
BioAdam Johnson is a Professor of English with emphasis in creative writing at Stanford University. Winner of a Whiting Award and Fellowships from the Guggenheim Foundation, the National Endowment for the Arts and the American Academy in Berlin, he is the author of several books, including Fortune Smiles, which won the 2015 National Book Award, and the novel The Orphan Master’s Son, which was awarded the 2013 Pulitzer Prize. His fiction has appeared in Esquire, GQ, Playboy, Harper's Magazine, Granta, Tin House and The Best American Short Stories. His work has been translated into more than thirty-five languages.
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Gavin Jones
Frederick P. Rehmus Family Professor of Humanities
BioGavin Jones is the author of Strange Talk: The Politics of Dialect Literature in Gilded Age America (U of California, 1999), American Hungers: The Problem of Poverty in U.S. Literature, 1840-1945 (Princeton, 2007), Failure and the American Writer: A Literary History (Cambridge, 2014), and Reclaiming John Steinbeck: Writing for the Future of Humanity (Cambridge 2021). He has published articles on writers such as George W. Cable, Theodore Dreiser, W.E.B. DuBois, Sylvester Judd, Paule Marshall, Mark Twain, and Herman Melville, in journals including American Literary History, New England Quarterly, and African American Review. Jones has edited a new version of a neglected classic of American literature, Sylvester Judd's "transcendental novel," Margaret: A Tale of the Real and Ideal, Blight and Bloom (1845). He is also co-editing a much needed Cambridge Companion to the American Short Story, and is beginning a new project titled The Secret History of the Short Story.
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Roanne Kantor
Assistant Professor of English
On Leave from 10/01/2023 To 06/30/2024Current Research and Scholarly InterestsGlobal Anglophone literature and its relationship to other literary traditions of the Global South. The conditions for interdisciplinary research in the humanities, especially literature's relationship with medicine and the social sciences.
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Jarosław Kapuściński
Associate Professor of Music
BioJarosław Kapuściński is an intermedia composer and pianist born in Poland. He studied piano and composition at the Chopin Academy of Music in Warsaw and furthered his education in multimedia and intermedia art during doctoral studies at the University of California, San Diego, and a residency at Banff Centre for the Arts in Canada.
Kapuściński presented his works at numerous gallery and concert venues worldwide, including the Museum of Modern Art in New York, the National Reina Sofia Museum in Madrid, the Palais de Tokyo in Paris, National Arts Centre in Canada, EMPAC, ZKM and Yerba Buena Center for the Arts. He has also received awards for his intermedia art at the UNESCO Film sur l'Art Festival in Paris, the VideoArt Festival in Locarno, and the International Festival of New Cinema and New Media in Montréal.
Apart from his career as a composer and performer, Kapuściński is also an educator. He has lectured internationally and held positions at institutions such as McGill University in Montreal and the Conservatory of Music at the University of the Pacific. Currently, he is an Associate Professor of Composition at Stanford University. -
Srdan Keca
Assistant Professor of Art and Art History
BioSrdan Keca's films A LETTER TO DAD, MIRAGE and ESCAPE screened at leading documentary film festivals, including IDFA, DOK Leipzig, Jihlava IDFF and Full Frame, while his video installations have been exhibited at venues like the Venice Biennale of Architecture and the Whitechapel Gallery.
The found-footage film FLOTEL EUROPA, produced and edited by Keca, premiered at the 2015 Berlin Film Festival, winning the Tagesspiegel Jury Prize. His upcoming feature documentary MUSEUM OF THE REVOLUTION (in postproduction) centers around a community living inside the remnants of one of the most ambitious, and never completed, architectural projects of socialist Yugoslavia. It is supported by the Sundance Documentary Film Fund, the MEDIA Fund of the European Commission, and Al Jazeera Documentary Channel, among others. His upcoming film THAT SOUND HIGH IN THE AIR (in development) explores climate change and migration. It was pitched at CPH:FORUM in 2020.
Keca is a graduate of the Ateliers Varan and the UK National Film and Television School (NFTS). Since 2015 he has worked as Assistant Professor in the Department of Art & Art History at Stanford University, teaching in the MFA Documentary Film Program. -
Ari Y. Kelman
Jim Joseph Professor of Education and Jewish Studies and Associate Professor, by courtesy, of Religious Studies
Current Research and Scholarly InterestsProfessor Kelman's research focuses on the forms and practices of religious knowledge transmission. His work emerges at the intersection of sociocultural learning theory and scholarly/critical studies of religion, and his methods draw on the social sciences and history. Currently Professor Kelman is at work on a variety of projects ranging from a history of religious education in the post-war period to an inquiry about Google's implicit definitions of religion.
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Burçak Keskin Kozat
Director of Finance & Operations, History Department
Current Role at StanfordDirector of Finance & Operations
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Alex Ketley
Advanced Lecturer
BioAlex Ketley is an independent choreographer, filmmaker, and the director of The Foundry. Formerly a classical dancer with the San Francisco Ballet and LINES Ballet, he left dancing professionally to create The Foundry as a platform to explore his interests in alternative methods of devising performance. The company has allowed Ketley the freedom to pursue projects that would be difficult to realize within his commissioning career. A few examples of these are: Syntax, an hour long duet systemically using the mechanics of language as an organizing mechanism; Lost Line researched how the application of environment affects the generation of movement and studied in direct response to California's diverse physical landscapes; Please Love Me jettisoned the structure of performing in a theater context and was developed with a curiosity about how people genuinely connect and experience artwork; the No Hero Trilogy which was a multi-year project that explored what dance and performance means to the lives of people living throughout rural America, and Distal Imprint was a film created in collaboration with artist and Death-Row inmate Bill Clark. The Foundry’s diverse work has been enthusiastically received by audiences, the press, and funders.
For his independent work as a choreographer he has been commissioned extensively throughout the United States, as well as projects in Germany and Italy, and has received acknowledgement from the Hubbard Street National Choreographic Competition, the International Choreographic Competition of the Festival des Arts de Saint-Saveaur, the Choo-San Goh Award, the Princess Grace Award for Choreography, four Maggie Allesee National Center for Choreography Residencies, the Gerbode-Hewlett Choreographer Award, the Eben Demarest Award, the National Choreographic Initiative Residency, a Kenneth Rainin Foundation New and Experimental Works Grant, three CHIME Fellowships, the Artistry Award from the Superfest International Disability Film Festival, and his work was featured on national television through an invitation from the show So You Think You Can Dance. His pieces and collaborations have also been awarded Isadora Duncan Awards for Outstanding Achievement in the categories of; Choreography, Company, and Ensemble, as well as nominated for Outstanding Achievement in Visual Design. In 2020 he became a Fellow of the John Simon Guggenheim Memorial Foundation, one of the most prestigious honors in the United States recognizing “individuals who have demonstrated exceptional creative ability in the arts”.
As an educator he has taught extensively throughout the country and currently holds the position of Advanced Lecturer at Stanford University’s Theater and Performance Studies Department. He was the founding Resident Choreographer at the San Francisco Conservatory of Dance for fourteen years until its closure in 2018.
Since 2020 he has been collaborating with his friend Bill Clark who is a prolific artist and writer currently incarcerated on Death Row at San Quentin State Prison. They teach a class together at Stanford University called DanceAcution: Performance Practice, Death Row, and the Evolution of Cultural Reform. The class uses Bill’s vast experience as an artist and incarcerated individual as the platform for the student’s to develop new performance work. Bill is also collaborating with The Foundry on a new evening length work titled An Approximation of Resilience set to premiere in in 2024.
In addition to his artistic projects Alex has a daughter, Amara, who each day inspires him to see and experience the world from her unique vantage point. His wife Aline is a dancer and an integral collaborator in all of The Foundry’s projects created this decade. He is also on the Board of Directors of Death Penalty Focus, an organization whose work focuses on abolishing both the death penalty and LWOP (Life Without Parole). -
Kevin Khadavi
Undergraduate, Classics
BioI'm a member of the Class of 2026 at Stanford University, studying classics, history, and politics. I’m a seasoned public speaker with experience in speechwriting, research (both in the sciences and humanities), debate, and communication.
I’m a published author of historical papers and have undertaken numerous oral history projects with prominent historical figures, including Vice President Walter F. Mondale and Freedom Rider Jerome Smith; the topics of my work range from the 2nd Russo-Persian War to the 1963 meeting between James Baldwin and Robert Kennedy. I also have experience lecturing on military history.
I am deeply passionate about addressing societal challenges in our country and around the world. I care particularly about education inequality—what I believe is the root of many other societal problems—and am devoting time and energy to this cause through my work with RFK Human Rights and the Memorial Foundation.
In my free time, I enjoy listening to historical speeches (RFK’s Cleveland City Club Address is my favorite), reading Stoic philosophy, and jumping into Stanford’s fountains. I’m fascinated by spaceflight and am a big fan of Transcendental poetry. -
Suchismito Khatua
Ph.D. Student in Modern Thought and Literature, admitted Autumn 2023
Research Assistant, EnglishBioIf art is contingent rather than necessary, and often distinct from lived experience, how can it be mobilized to effect political change? In broaching this question, Suchismito Khatua’s research girdles the idea of the avant-garde, and its many figurations in a transnational and translational frame. Thus far, Smito has studied, presented, and published on the theory of the avant-garde, modernist “minor”/ “underground” literary cultures in the Bangla, Hindi, and Marathi languages, and concomitant histories of far-left militancy in post-independence India. His current interests span the critical theory of the Frankfurt School, histories of labor, subalternity, and resistance, theories of affect and sexuality, psychoanalysis, and translation.
Smito was formerly affiliated with the Centre for English Studies, Jawaharlal Nehru University, New Delhi, where he worked as a UGC Research Fellow and Undergraduate Course Instructor. In 2022, he was a visiting fellow in the research cluster “Temporal Communities: Doing Literature in a Global Perspective” and the Friedrich Schlegel Graduate School at Freie Universität Berlin.
Much of Smito’s thinking on living, and love, sweeps along a scissored trajectory of anarcho-communism and intersectional, anti-assimilationist queer politics. Poetry sustains him. -
John Kieschnick
Robert H. N. Ho Family Foundation Professor of Buddhist Studies and Professor, by courtesy, of East Asian Languages and Cultures
BioProfessor Kieschnick specializes in Chinese Buddhism, with particular emphasis on its cultural history. He is the author of the Eminent Monk: Buddhist Ideals in Medieval China and the Impact of Buddhism on Chinese Material Culture. He is currently working on a book on Buddhist interpretations of the past in China, and a primer for reading Buddhist texts in Chinese.
John is chair of the Department of Religious Studies and director of the Ho Center for Buddhist Studies at Stanford.
Ph.D., Stanford University (1996); B.A., University of California at Berkeley (1986).
