Stanford University
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Angela Garcia
Roger and Cynthia Lang Professor of Environmental Anthropology
BioResearch Area(s)
Culture and Society
Environmental Anthropology
Gender and Sexuality
Medical Anthropology
Political Anthropology and Political Economy
Race, Ethnicity, and Collective Identity
Materiality
Field of Interest(s)
Violence
Addiction
Kinship
Care
Environment
Landscape
Writing
Professor Garcia works at the intersection of violence, care, and form, asking how suffering is both endured and narrated, and what is at stake, ethically and politically, in the telling. Her research focuses on the intimate lives of the dispossessed and on the attachments, affects, and daily practices through which they work to hold their worlds together against forces designed to break them apart. Increasingly, her work has turned toward the ways ecological transformation, dispossession, and the built and unbuilt environment shape ethical and social life. Garcia is also attentive to narrative form as a means of apprehending historical and lived experience.
Garcia's most recent book, The Way That Leads Among the Lost: Life, Death, and Hope in Mexico City's Anexos (Farrar, Straus and Giroux, 2024), takes readers inside Mexico City's anexos — informal, coercive rehabilitation clinics where the working poor treat drug addiction, and where violence itself is folded into the work of healing. Widely condemned as abusive, illegal, and unethical, anexos are nonetheless the primary resource for addiction treatment among Mexico's poor, spreading now across the United States as well. Garcia sets these spaces within the larger history and social fabric that produced them, showing how families turn to anexos not despite the violence of the drug war but because of it — as one of the only shelters available against a catastrophe that is at once historical, structural, and ongoing.
Garcia's first book, The Pastoral Clinic: Addiction and Dispossession Along The Rio Grande (University of California Press, 2010), traced intergenerational heroin use among Hispanos in northern New Mexico back to a longer history of colonial dispossession — arguing that addiction there is less a private affliction than a collective, historically produced longing for connection and release.
Garcia's current projects extend this attention to land and its histories. The first project is a narrative nonfiction book titled The Devil's Backbone, which turns to Santa Rita del Cobre and the Chino Mine district near Silver City, New Mexico — a landscape scarred by conquest, extraction, and ecological ruin. Drawing on Garcia's own family history alongside ethnographic and archival research, the book brings back to life a racially segregated company town that was erased as the mine expanded. Moving from present to past, surface to subsurface, the book traces four generations of labor and loss experienced by Mexican and Mexican-American miners, unearthing new ways of thinking about environmental, social, and family history. It also reveals the difficult necessity of remaining resilient amid ongoing environmental and existential catastrophe.
The second project examines Mexico City's desagüe — the vast drainage project Spanish colonists began carving into the Valley of Mexico in the seventeenth century, and which continues, centuries later, to reshape the city's water, bodies, and disease. Still incomplete and still consequential, the desagüe becomes a lens onto some of the most urgent questions of our moment: water scarcity, the human entanglement with changing ecologies, and the slow violence of chronic illness. Garcia asks how this centuries-old engineering project continues to remake neighborhoods, bodies, and social worlds from underground up.
Garcia’s work has received major awards in anthropology and writing. She is a 2026 Guggenheim Fellow. -
Gabriel Garcia, MD
Professor of Medicine (Gastroenterology and Hepatology) at the Stanford University Medical Center, Emeritus
Current Research and Scholarly InterestsThe natural history of common viral liver diseases of man is poorly understood, despite the fact that chronic liver diseases of man may result in death from liver failure or hepatocellular carcinoma.
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Roland Greene
Director, Stanford Humanities Center, Mark Pigott KBE Professor, Anthony P. Meier Family Professor of the Humanities and Professor of Comparative Literature and, by courtesy, of Iberian and Latin American Cultures
BioRoland Greene's research and teaching are concerned with the early modern literatures of England, Latin Europe, and the transatlantic world, and with poetry and poetics from the Renaissance to the present.
His most recent book is Five Words: Critical Semantics in the Age of Shakespeare and Cervantes (Chicago, 2013). Five Words proposes an understanding of early modern culture through the changes embodied in five words or concepts over the sixteenth century: in English, blood, invention, language, resistance, and world, and their counterparts in French, Italian, Spanish, and Portuguese.
Other books include Unrequited Conquests: Love and Empire in the Colonial Americas (Chicago, 1999), which follows the love poetry of the Renaissance into fresh political and colonial contexts in the New World; and Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence (Princeton, 1991), a transhistorical and comparative study of lyric poetics through the fortunes of the lyric sequence from Petrarch to Neruda. Greene is the editor with Elizabeth Fowler of The Project of Prose in Early Modern Europe and the New World (Cambridge, 1997). His essays address topics such as the colonial baroque, Edmund Spenser's Faerie Queene and Amoretti, Sir Thomas Wyatt's poetry, and Shakespeare's The Tempest.
Greene is editor in chief of the fourth edition of the Princeton Encyclopedia of Poetry and Poetics, which was published in 2012. Prepared in collaboration with the general editor Stephen Cushman and the associate editors Clare Cavanagh, Jahan Ramazani, and Paul Rouzer, this edition represents a complete revision of the most authoritative reference book on poetry and poetics.
In 2015-16 he served as President of the Modern Language Association.
At Stanford Greene has been co-chair and founder of two research workshops in which most of his Ph.D. students participate. Renaissances brings together early modernists from the Bay Area to discuss work in progress, while the Poetics Workshop provides a venue for innovative scholarship in the broad field of international and historical poetics.
Greene has taught at Harvard and Oregon, where for six years he was chair of the Department of Comparative Literature. He has held fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, and the Danforth Foundation, among others. He is a member of the American Academy of Arts and Sciences. -
Adan Griego
Curator for Latin American, Mexican American & Iberian Collections, Humanities Resource Group
Current Role at StanfordCurator for Latin American, Mexican American & Iberian Collections
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David Grusky
Edward Ames Edmonds Professor of Economics and Senior Fellow at the Stanford Institute for Economic Policy Research
BioDavid B. Grusky is Barbara Kimball Browning Professor in the School of Humanities and Sciences, Director of the Stanford Center on Poverty and Inequality, and coeditor of Pathways Magazine. His research addresses the changing structure of late-industrial inequality and addresses such topics as (a) the role of rent-seeking and market failure in explaining the takeoff in income inequality, (b) the amount of economic and social mobility in the U.S. and other high-inequality countries (with a particular focus on the “Great Gatsby” hypothesis that opportunities for social mobility are declining), (c) the role of essentialism in explaining the persistence of extreme gender inequality, (d) the forces behind recent changes in the amount of face-to-face and online cross-class contact, and (e) the putative decline of big social classes. He is also involved in projects to improve the country’s infrastructure for monitoring poverty, inequality, and mobility by exploiting administrative and other forms of “big data” more aggressively. His recent books include Social Stratification (2014), Occupy the Future (2013), The New Gilded Age (2012), The Great Recession (2011), The Inequality Reader (2011), and The Inequality Puzzle (2010).
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Hans Ulrich Gumbrecht
Albert Guerard Professor of Literature and Professor of Comparative Literature, Emeritus
BioHans Ulrich Gumbrecht is the Albert Guérard Professor in Literature in the Departments of Comparative Literature and of French & Italian (and by courtesy, he is affiliated with the Department of Iberian and Latin American Cultures/ILAC, the Department of German Studies, and the Program in Modern Thought & Literature). As a scholar, Gumbrecht focuses on the histories of national literatures in Romance language (especially French, Spanish, and Brazilian), but also on German literature, while, at the same time, he teaches and writes about the western philosophical tradition (from a "non-analytic" perspective) with an emphasis on French and German nineteenth- and twentieth-century texts. In addition, Gumbrecht tries to analyze and to understand forms of aesthetic experience in 21st-century everyday culture. Over the past forty years, he has published more than two thousand texts, including books translated into more than twenty languages. In Europe and in South America, Gumbrecht has a presence as a public intellectual; whereas, in the academic world, he has been acknowledged by nine honorary doctorates in six different countries: Canada, Denmark, Germany, Hungary, Portugal, and Russia . He has also held a number of visiting professorships, at the Collège de France, University of Budapest, Universidade de Lisboa, University of Manchester, Université de Montréal, Catholic University of Rio de Janeiro, and Catholic University of Santiago de Chile.
