
Jean-Marie Apostolides
William H. Bonsall Professor of French and Professor of Theater and Performance Studies, Emeritus
French and Italian
Bio
Professor Apostolidès was educated in France, where he received a doctorate in literature and the social sciences. He taught psychology in Canada for seven years and sociology in France for three years. In 1980 he came to the United States, teaching at Harvard and then Stanford, primarily French Classical literature (the seventeenth and eighteenth centuries) and drama. He is interested in avant-garde artistic movements such as dada, surrealism, and situationist international; as well as the theory of image, literary theory, and Francophone literature. He is also a playwright, whose work has been staged in Paris, Montreal, and New York.
His literary criticism focuses on the place of artistic production in the French classical age and in modern society. Whether it be the place of court pageantry during the reign of King Louis XIV (Le Roi-Machine, 1981), or the role of theater under the ancien régime (Le Prince Sacrificié, 1985), or even the importance of mass culture in the 1950s (Les Métamorphoses de Tintin, 1984), in each case Professor Apostolidès analyzes a specific cultural product both in its original context and in the context of the contemporary world. His most recent books are Les Tombeaux de Guy Debordin 1999, L'Audience in 2001, Traces, Revers, Ecarts in 2002, Sade in The Abyss in 2003, Héroïsme et victimisation in 2003,Hergé et le mythe du Surenfant in 2004. The tools required for such analysis are borrowed from literary criticism and from the social sciences, particularly psychoanalysis, anthropology, and sociology.
In his books, Professor Apostolidès interprets the works of the past as witnesses of our intellectual and emotional life. His examination of the distant or near past seeks to make us more sensitive to the social changes that are taking place now, in order to improve our understanding of the direction in which contemporary society is moving.
Academic Appointments
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Emeritus Faculty, Acad Council, French and Italian
Boards, Advisory Committees, Professional Organizations
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Executive Editor, Stanford Literature Review
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Executive Editor, Stanford French Review
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Chair of the Department of French and Italian, Stanford University
All Publications
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Guy Debord, twenty years later
CRITIQUE
2015; 71 (814): 225-234
View details for Web of Science ID 000352034600007
- Guy Debord, le naufrageur, Paris, Éditions Flammarion, 2015 Flammarion. 2015
- Lettre à Hergé Bruxelles, Belgique: Les Impressions nouvelles. 2013
- Konoshiko Les Impressions Nouvelles. 2012
- Trois Solitudes: D.A.F. de Sade, Marie Lafarge, Josefa Menéndez Harmattan. 2012
- Les rituels de Luc Giard Colosse 2012
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The Big and Small Theatres of Guy Debord
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2011; 55 (1): 84-103
View details for Web of Science ID 000290011400008
- Dans la peau de Tintin Paris: Les Impressions Nouvelles. 2011
- Héroïsme et victimisation Paris: Editions du Cerf. 2011
- Buvons, buvons et moquons-nous du reste Paris: L'Harmattan. 2011
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The ghost of Cyrano in the works of Jean Anouilh
ETUDES LITTERAIRES
2010; 41 (1): 29-?
View details for Web of Science ID 000279975300003
- The metamorphoses of Tintin, or, Tintin for adults Stanford, CA: Stanford University Press. 2010
- Theodore Kaczynski: Le Manifeste de 1971 et L'avenir de la société industrielle (preface and translation) Paris: Editions Climats. 2009
- L'audience: roman familial Bruxelles: Les Impressions Nouvelles. 2008
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Herge and the myth of the superchild
YALE FRENCH STUDIES
2007: 45-57
View details for Web of Science ID 000246654100004
- Ivan Chtcheglov, profil perdu Paris: Allia. 2006
- Les métamorphoses de Tintin Paris: Editions Flmmarion. 2006
- Cyrano: qui fut tout et qui ne fut rien Paris: Les Impressions Nouvelles. 2006
- Il faut construire l'hacienda Paris: Impressions Nouvelles. 2006
- Les Tombeaux de Guy Debord Paris: Editions Flammarion. 2006
- Sade in the Abyss Nel Mezzo della Vita Press. 2003
- Tintin et le mythe du surenfant: essai Bruxelles: Moulinsart. 2003
- Héroïsme et victimisation: une histoire de la sensibilité Paris: Exils. 2003
- L'archipel Tintin Paris: Impressions Nouvelles. 2003
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The royal entrance and urban ideology in the 17th century
DIX-SEPTIEME SIECLE
2001: 509-520
View details for Web of Science ID 000171553100010
- L'audience: récit Paris: Exils éditeur. 2001
- Les tombeaux de Guy Debord: précédé de Portrait de Guy-Ernest en jeune libertin Paris: Exils éditeur. 1999
- L'affaire unabomber Monaco: Editions du Rocher. 1996
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FROM SURREALISM TO THE SITUATIONIST INTERNATIONAL - THE QUESTION OF IMAGE
MLN-MODERN LANGUAGE NOTES
1990; 105 (4): 727-749
View details for Web of Science ID A1990EJ97900008
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CORNEILLE,LIVY AND THE BUILDING OF ROME + 'HORACE'
POETIQUE
1990: 203-222
View details for Web of Science ID A1990EF73000006
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THE PARADOX OF THE 'ENCYCLOPEDIE' + DIDEROT,DENIS
STANFORD FRENCH REVIEW
1990; 14 (3): 47-63
View details for Web of Science ID A1990FD97900003
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THE GUILLOTINE AS A REPRESENTATION OF THE REVOLUTION IN FRENCH-LITERATURE
FRENCH REVIEW
1989; 62 (6): 985-996
View details for Web of Science ID A1989U443900006
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PINOCCHIO, OR MALE EDUCATION AS SEEN BY COLLODI,CARLO AND DISNEY,WALT - A COMPARATIVE-STUDY
LITTERATURE
1989: 19-28
View details for Web of Science ID A1989AF48700002
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MOLIERE AND THE SOCIOLOGY OF EXCHANGE
CRITICAL INQUIRY
1988; 14 (3): 477-492
View details for Web of Science ID A1988N206800005
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17TH-CENTURY THEATER AS A PLACE OF (IMAGINARY) SACRIFICES OF KINGS
STANFORD FRENCH REVIEW
1985; 9 (1): 5-16
View details for Web of Science ID A1985AGN6800001
- Le prince sacrifié: théâtre et politique au temps de Louis XIV Paris: Editions de Minuit. 1985
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THE UNIQUE AND THE PROBLEM OF DOUBLES + FIGURE OF THE DOUBLE IN THE WORKS OF HERGE - TINTIN IN 'OREILLE CASSEE'
STANFORD FRENCH REVIEW
1984; 8 (1): 87-103
View details for Web of Science ID A1984SX01300007
- Les métamorphoses de Tintin Paris: Segher. 1984
- La nauf des fous: drame en cinq actes Paris: A. Michel. 1982
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ROYAL ENTERTAINMENT AT THE VERSAILLES-COURT UNDER LOUIS-XIV
ESPRIT CREATEUR
1981; 21 (3): 26-34
View details for Web of Science ID A1981MK27900003
- Le roi-machine: spectacle et politique au temps de Louis XIV Paris: Editions de Minuit. 1981
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FATHER FIGURE AND FEAR OF TYRANT IN 17TH-CENTURY
REVUE FRANCAISE DE PSYCHANALYSE
1980; 44 (1): 5-14
View details for Web of Science ID A1980KF78200001
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PERCEPTION OF TIME AND DRAMATIC CATEGORIES IN THE 17TH-CENTURY
STANFORD FRENCH REVIEW
1979; 3 (3): 383-395
View details for Web of Science ID A1979JE88200008