Michael Marrinan
Professor of Art and Art History, Emeritus
Art & Art History
Bio
Areas of Specialization:
European Art - 17th through 19th Centuries
Academic Appointments
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Emeritus Faculty, Acad Council, Art & Art History
Administrative Appointments
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Professor of Art History, Department of Art & Art History Stanford University (2004 - Present)
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Professor by Courtesy, Department of French & Italian, Stanford University (2004 - Present)
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Interim Chair of the Department of Art & Art History, Stanford University (2005 - 2006)
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Associate Professor by Courtesy, Department of French & Italian, Stanford University (1999 - 2004)
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Associate Professor of Art History (tenured), Department of Art & Art History Stanford University (1991 - 2004)
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Associate Professor of Art History, Department of Art & Art History Stanford University (uncensored) (1989 - 1991)
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Associate Professor, Department of Art History & Archaeology Columbia University (1988 - 1989)
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Assistant Professor, Department of Art History & Archaeology Columbia University (1983 - 1988)
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Lecturer, Department of Art History & Archaeology, Columbia University (1980 - 1983)
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Instructor, "Parsons in Paris", Parsons School of Design (1979 - 1980)
Honors & Awards
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Senior Fellow, The J.P. Getty Research Institute (2011)
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Senior Fellow, John Simon Guggenheim Memorial Foundation (1989-90)
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Honorable Mention for the David Pinkney Prize, for the book Painting Politics for Louis-Philippe, Society for French Historical Studies (1989)
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Research Fellowship for recent recipients of the Ph.D., American Council of Learned Societies (1984-1985)
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Robert Goldwater Memorial Fellowship, NYU Institute of Fine Arts (1978-79)
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Robert Lehman Fellowship, NYU Institute of Fine Arts (1975-1978)
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Summa cum Laude in Humanities; Cum laude in Philosophy, University of Minnesota (1973)
Boards, Advisory Committees, Professional Organizations
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Member, American Society for Eighteenth-Century Studies
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Member, College Art Association
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Member, American Historical Association
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Member of the Architecture Historian Search Committee, Department of Art & Art History, Stanford University (2012 - 2013)
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Chair of the Native American Culture Search Committee, Department of Art & Art History, Stanford University (2011 - 2012)
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Member of the Design Search Committee, Department of Art & Art History, Stanford University (2011 - 2012)
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Member of the Architecture Historian Search Committee, Department of Art & Art History, Stanford University (2009 - 2010)
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Chair of the C-LIB Sub-Committee on Digital Information Technologies, Research Library Environment at Stanford University (2007 - 2008)
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Member of the Senior Open Search Committee, Department of Art & Art History, Stanford University (2007 - 2008)
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Member of the University Committee on Libraries (C-LIB), Stanford University (2007 - 2008)
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Chair of the Renaissance Search Committee, Department of Art & Art History, Stanford University (2006 - 2007)
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Member of the University Committee on Libraries (C-LIB), Stanford University (2006 - 2007)
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Member of the University Committee on Libraries (C-LIB), Stanford University (2004 - 2005)
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Member of the Early Modern Search Committee, Department of Art & Art History, Stanford University (2003 - 2004)
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Member of the Renaissance Search Committee, Department of Art & Art History, Stanford University (2003 - 2004)
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Member of the University Committee on Libraries (C-LIB), Stanford University (2003 - 2004)
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Member of the Medieval Search Committee, Department of Art & Art History, Stanford University (2002 - 2003)
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Chair of the Modern Search Committee, Department of Art & Art History, Stanford University (2001 - 2002)
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Occasional Peer Review Reader, French Historical Studies (1998 - Present)
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Chair of the Film Studies Search Committee, Department of Art & Art History and Department of Comparative Literature, Stanford University (1996 - 1997)
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Member of Steering Committee, Stanford Seminar on Enlightenment and Revolution, Stanford University (1994 - 1997)
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Occasional Peer Review Reader, The Art Bulletin (publication of the College Art Association) (1991 - Present)
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Occasional Peer Review Reader, Yale University Press (1990 - Present)
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Special Coordinator for "Cezanne: The Late Work", The Museum of Modern Art, New York (1976 - 1977)
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Member, Phi Beta Kappa, Alpha Chapter of Minnesota (1972 - Present)
Professional Education
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Ph.D., NYU Institute of Fine Arts, European and American Art (1983)
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M.A., NYU Institute of Fine Arts, European and American Art (1976)
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B.A., University of Minnesota, Philosophy and General Humanities (1973)
All Publications
- Gustave Caillebotte : Painting the Paris of Naturalism, 1872-1887 The Getty Research Institute. 2016
- Caillebotte's Deep Focus Gustave Caillebotte : The Painter's Eye National Gallery of Art, Washington. 2015: 23–37
- The Culture of Diagram Stanford: Stanford University Press. 2010
- Review of La Modernite et le metropole: Pour une lecture de l'espace urbain au X!Xe siecle edited by Jelena Jovicic Nineteenth-Century French Studies 2010; 39 (1-2): 167-171
- Romantic Paris: Histories of a Cultural Landscape, 1800-1850 Stanford: Stanford University Press. 2009
- Regimes of Description: In the Archive of the Eighteenth Century edited by Marrinan, M., Bender, J. Stanford: Stanford University Press. 2005
- Mapping Benjamin: The Work of Art in the Digital Age edited by Gumbrecht, H. U., Marrinan, M. J. Stanford: Stanford University Press. 2003
- Caillebotte as Professional Painter: From Studio to the Public Eye Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris edited by Broude, N. New Brunswick, NJ: Rutgers University Press. 2002: 21–65
- Schauer der Eroberung: Strukturen des Zuschauens und der Simulation in den NordafrikaGalerien von Versailles Bilder der Macht-Macht der Bilder edited by Germer, S., Zimmermann, M. Miinchen: Klinkhardt & Biermann. 1997: 267–296
- Vivre en marge: Gericault et Ia vie rnilitaire Gericault: Dessins et estampes des collections de l'Ecole des Beaux-Arts, exhibition catalogue Paris: Ecole nationale superieure des Beaux-Arts. 1997: 89–106
- "Dreams of History," review article of Dreams of Happiness by Neil McWilliam The Oxford Art Journal 1997; 20 (2): 76-80
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The practice of theory: Poststructuralism, cultural politics, and art history - Moxey,K (Book Review)
AMERICAN HISTORICAL REVIEW
1996; 101 (4): 1175-1176
View details for Web of Science ID A1996VP49700010
- Narrative Space and Heroic Form: Gericault and the Painting of History Gericault: Ouvrage co/lectifdirigtf par Regis Michel. Paris: La documentation Fran,aise. 1996: 59–87
- Historical Vision and the Writing of History at Louis-Philippe's Versailles The Popularization of Images: Visual Culture under the July Monarchy edited by Chu, P., Weisberg, G. Princeton: Princeton University Press. 1994: 113–143
- Cultural Institutions and the Topography of Art History The Philosophy of the Visual Art edited by Alperson, P. Oxford: Oxford University Press. 1992: 521–529
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LITERAL LITERARY LEXIE - HISTORY, TEXT, AND AUTHORITY IN NAPOLEONIC PAINTING
WORD & IMAGE
1991; 7 (3): 177-200
View details for Web of Science ID A1991GG84900001
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THE ART OF THE JULY MONARCHY
ART JOURNAL
1990; 49 (3): 301-305
View details for Web of Science ID A1990DY56000018
- The Modernity of Middleness: Rethinking the Juste-Milieu Porticus: Journal of the Memorial Art Gallery of the University of Rochester 1990; XII/Xlll: 42-63
- Painting Politics for Louis-Philippe: Art and Ideology in Orteanist France. 1830-1848 New Haven: Yale University Press 1988
- Critical Introduction and Bibliography Du Romantisme au Realisme edited by Rosenthal, L. Paris: Macula. 1987
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ROMANTICISM AND REALISM - ROSEN,C, ZERNER,H (Book Review)
ART IN AMERICA
1984; 72 (6): 29-?
View details for Web of Science ID A1984SV53600002
- Neo-Classical Art and Architecture Funk and Wagnalls Encyclopedia 1982
- Resistance, Revolution, and the July Monarchy: Images to Inspire the Chamber of Deputies The Oxford Art Journal 1980; III (2): 26-37
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IMAGES AND IDEAS OF CORDAY,CHARLOTTE - TEXTS AND CONTEXTS OF AN ASSASSINATION
ARTS MAGAZINE
1980; 54 (8): 158-176
View details for Web of Science ID A1980JM66500041
- Cezanne: The Late Work The Museum of Modern Art. 1977
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PICASSO AS AN INGRES YOUNG CUBIST
BURLINGTON MAGAZINE
1977; 119 (896): 756-?
View details for Web of Science ID A1977EN50300004