School of Humanities and Sciences
Showing 381-390 of 454 Results
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Ory Shihor
Lecturer
BioOry Shihor is an internationally acclaimed pianist and educator, serving on the piano faculty at Stanford University as Lecturer in Piano. His students have won major international competitions—including the Walter W. Naumburg International Piano Competition, Montreal International Piano Competition, Hilton Head International Piano Competition, and the Bösendorfer and Yamaha USASU International Piano Competition—and have gained admission to leading conservatories and universities such as Juilliard, Yale, and Curtis.
A graduate of the Curtis Institute of Music and The Juilliard School, Mr. Shihor has been a frequent guest lecturer and master class teacher at major institutions worldwide, including the Beijing and Shanghai Conservatories, Seoul National University, National Taiwan Normal University, Northwestern University, San Francisco Conservatory of Music, Boston Conservatory, Oberlin Conservatory, and the Royal Northern College of Music.
Prior to joining Stanford, he served for over a decade as Professor of Piano Performance at the Colburn Conservatory, where he was also the founding dean of the Colburn Music Academy, a highly selective pre-college program for gifted young musicians. He is the co-founder of the Ory Shihor Institute, where he continues to teach advanced pianists and mentor the next generation of piano educators.
Mr. Shihor is a prizewinner of the Young Concert Artists International Auditions, the Washington International Piano Competition, the Arthur Rubinstein International Piano Master Competition, and the Gina Bachauer Piano Competition. He is a Bösendorfer and Yamaha artist. -
Partha Pratim Shil
Assistant Professor of History
BioI am an historian of modern South Asia, specializing in nineteenth and early twentieth century eastern India, with a developing research interest in the late eighteenth century. My work is located at the intersection of the fields of histories of state formation and labour history. I am particularly interested in the histories of government workers and how this labour history intrinsic to the state apparatus recasts our understanding of state formation.
I am currently working on the manuscript of my first book, provisionally entitled 'Sovereign Labour: Constables and Watchmen in the Making of the Modern State in India, c. 1860-1950'. This monograph is a study of police constables and village watchmen in Bengal from the promulgation of the Police Act in 1861 until the upheavals of decolonisation in the mid-twentieth century. It reframes the history of constables and village watchmen, usually represented as government functionaries, as the history of a distinctive form of labour.
The most important methodological innovation of this study is to bring methods from the historiography of labour in South Asia in conversation with the vast archive of the colonial police and to demonstrate how we can rewrite police history as labour history. Sovereign Labour charts the contours of the market of security labour in eastern India and locates the emergence of colonial police workforces within the rhythms of this labour market. It reveals the patterns in the history of constabulary recruitment; examines the implications of the conditions of police work for the nature of police power; delineates the internal segmentation within the world of police labour, and the defining role of caste in shaping modern policing apparatuses in colonial India; and brings out fresh evidence about the myriad modes of politics devised by police workers in this region. More broadly, my aim is to clear a conceptual ground for the study of forms of labour within the apparatuses of the modern state as well as demonstrate how the history of the labouring lives of government workers can provide a fresh entry point into the nature of the modern state in South Asia.
Before joining Stanford, I was a Junior Research Fellow in History at Trinity College, Cambridge. -
Gi-Wook Shin
William J. Perry Professor, Senior Fellow at the Freeman Spogli Institute for International Studies and Professor, by courtesy, of East Asian Languages and Cultures
Current Research and Scholarly InterestsKorean democratization; Korean nationalism; U.S.-Korea relations; North Korean politics; reconciliation and cooperation in Northeast Asia; global talent; multiculturalism; inter-Korean relations
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Julius Smith
Professor of Music, Emeritus
BioSmith is a professor emeritus of music and (by courtesy) electrical engineering (Information Systems Lab) based at the Center for Computer Research in Music and Acoustics (CCRMA). Teaching and research pertain to music and audio applications of signal processing. Former software engineer at NeXT Computer, Inc., responsible for signal processing software pertaining to music and audio. For more, see https://ccrma.stanford.edu/~jos/.
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Matthew Smith
Professor of German Studies and of Theater and Performance Studies
BioMatthew Wilson Smith’s interests include modern theatre and relations between science, technology, and the arts. His book The Nervous Stage: 19th-century Neuroscience and the Birth of Modern Theatre (Oxford, 2017) explores historical intersections between theatre and neurology and traces the construction of a “neural subject” over the course of the nineteenth century. It was a finalist for the George Freedley Memorial Award of the Theater Library Association. His previous book, The Total Work of Art: From Bayreuth to Cyberspace (Routledge, 2007), presents a history and theory of attempts to unify the arts; the book places such diverse figures as Wagner, Moholy-Nagy, Brecht, Riefenstahl, Disney, Warhol, and contemporary cyber-artists within a coherent genealogy of multimedia performance. He is the editor of Georg Büchner: The Major Works, which appeared as a Norton Critical Edition in 2011, and the co-editor of Modernism and Opera (Johns Hopkins, 2016), which was shortlisted for an MSA Book Prize. His essays on theater, opera, film, and virtual reality have appeared widely, and his work as a playwright has appeared at the Eugene O’Neill Musical Theater Conference, Richard Foreman’s Ontological-Hysteric Theater, and other stages. He previously held professorships at Cornell University and Boston University as well as visiting positions at Columbia University and Johannes Gutenberg-Universität (Mainz).
