School of Humanities and Sciences
Showing 341-360 of 1,411 Results
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Enam Gbewonyo
Master of Fine Arts Student, Art Practice
BioEnam Gbewonyo is a British-Ghanian textile and performance artist, curator, and founder of the BBFA (Black British Female Artist) Collective - now defunct. Her art practice investigates identity – Black womanhood in particular, whilst advocating the healing benefits of craft. She uses performance as a vessel, creating live spaces of healing that direct audiences to a positive place of awareness, countering systems of oppression such as racism and sexism. Her work enables audiences to face the truth of the dark past surrounding colonial legacies and the emotions it brings forth.
Recent exhibitions include Memoria: récits d’une Histoire at Fondation H, Madagascar, Neo-Custodians: Woven Narratives of Heritage, Cultural Memory and Belonging at Bemis Center in Omaha, USA, DELLU her first institutional solo show at New Art Exchange, Nottingham, UK, Body Poetics at Southampton’s GIANT Gallery, and Rites of Passage at Gagosian London. Her work has been exhibited and showcased internationally at the 58th Venice Biennale, Art X Lagos, and UNTITLED Art Fair, Miami. Her performance films have been selected for notable film festivals including; Portland Dance Film Festival, Aesthetica Short Film Festival, Alchemy Film & Moving Image Festival and AVIFF Cannes Art Film Festival.
Gbewonyo’s works are in private and public collections including Fondation H, Madagascar and White & Case LLP, UK. She is a 2022 recipient of the Henry Moore Foundation Artist Award and winner of the 2022 Dentons Art Prize and New Art Exchange Future Exhibition Prize respectively. She is also a fellow of Black Rock Senegal, Bemis Center, (Omaha, USA) and Fondation H, Madagascar artist residencies. -
Vera Geranpayeh
Ph.D. Student in German Studies, admitted Autumn 2024
Ph.D. Minor, Feminist, Gender, and Sexuality StudiesCurrent Research and Scholarly InterestsVera Geranpayeh is a PhD candidate in German Studies. Her dissertation investigates how Vera Geranpayeh is a PhD Student in German Studies and PhD Minor in Feminist, Gender, and Sexuality Studies at Stanford University. Her dissertation investigates how gender structures narrative movement in medieval German romance, focusing on minor female figures who remain structurally marginal yet narratively indispensable. She develops a framework for understanding how these figures catalyze plot progression through epistemic authority, mediation, and mobility, while remaining excluded from patriarchal mechanisms of narrative closure, such as minne and marriage.
In addition to her dissertation, she is developing a critical edition and English translation of a vernacular 1593 Franconian aristocratic household cookbook Ein koch büchlein vonn allerley speiß wie man sie kochen soll (1593). This project examines domestic authorship, women’s custodianship of culinary and medical knowledge, and the transmission of embodied expertise across generations.
Her research is further informed by training in Yiddish and a focused interest in early modern Yiddish texts, particularly domestic and practical writing, charms and magical materials, and the Yiddish Epic tradition.
She is also the student initiator of SCRIPTA, an interdisciplinary research group on gender, knowledge, and agency in premodern manuscript cultures, which combines theoretical discussion with hands-on archival work in Stanford’s Special Collections and hosts workshops with invited scholars.
She is the recipient of the Clayman Institute’s 2025 Marilyn Yalom Research Prize.
Her broader research spans queer survival, female bonds, and desire in nineteenth-century and fin-de-siècle German literature. She is the recipient of the Clayman Institute’s 2025 Marilyn Yalom Research Prize.
