School of Humanities and Sciences
Showing 361-370 of 1,459 Results
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Enam Gbewonyo
Master of Fine Arts Student, Art Practice
BioEnam Gbewonyo is a British-Ghanian textile and performance artist, curator, and founder of the BBFA (Black British Female Artist) Collective - now defunct. Her art practice investigates identity – Black womanhood in particular, whilst advocating the healing benefits of craft. She uses performance as a vessel, creating live spaces of healing that direct audiences to a positive place of awareness, countering systems of oppression such as racism and sexism. Her work enables audiences to face the truth of the dark past surrounding colonial legacies and the emotions it brings forth.
Recent exhibitions include Memoria: récits d’une Histoire at Fondation H, Madagascar, Neo-Custodians: Woven Narratives of Heritage, Cultural Memory and Belonging at Bemis Center in Omaha, USA, DELLU her first institutional solo show at New Art Exchange, Nottingham, UK, Body Poetics at Southampton’s GIANT Gallery, and Rites of Passage at Gagosian London. Her work has been exhibited and showcased internationally at the 58th Venice Biennale, Art X Lagos, and UNTITLED Art Fair, Miami. Her performance films have been selected for notable film festivals including; Portland Dance Film Festival, Aesthetica Short Film Festival, Alchemy Film & Moving Image Festival and AVIFF Cannes Art Film Festival.
Gbewonyo’s works are in private and public collections including Fondation H, Madagascar and White & Case LLP, UK. She is a 2022 recipient of the Henry Moore Foundation Artist Award and winner of the 2022 Dentons Art Prize and New Art Exchange Future Exhibition Prize respectively. She is also a fellow of Black Rock Senegal, Bemis Center, (Omaha, USA) and Fondation H, Madagascar artist residencies. -
Vera Geranpayeh
Ph.D. Student in German Studies, admitted Autumn 2024
Current Research and Scholarly InterestsVera Geranpayeh is a PhD candidate in German Studies. Her current research examines female supernatural (übernatürlich) figures in literature transhistorically, spanning medieval to 19th-century German language works, with an emphasis on gender, identity, and spatiality. She engages with haunting, affect, and liminal frameworks to explore how these figures, positioned as the abject, gaze onto patriarchal structures from the periphery, transgress through and with their Otherness, and thus open transformative spaces for reevaluation. Vera amplifies the ancestral female voices in literature, both in terms of authorship and character representation, drawing on feminist and queer theoretical frameworks as well as knowledge traditions rooted in diverse global perspectives and systems of thought that exist beyond Eurocentric and patriarchal paradigms. Her work interrogates the ways in which these marginalized figures challenge dominant systems of power and knowledge.
During her Master’s studies at the University of Colorado Boulder, Vera examined the poetry and activism of May Ayim through a framework of hauntology, analyzing how Ayim’s work critiques racial and gender inequalities in post-reunification Germany from an Afro-German perspective while creating space for intersectional solidarity. Vera’s dedication to fostering educational equity and inclusive perspectives within institutionalized learning environments was deeply influenced by her experiences growing up as a first-generation German. During her Bachelor’s studies in English Philology and North American Studies at Georg-August-University Göttingen, she was first inspired by Critical Theory and began to appreciate the profound capacity of literary criticism and the humanities to challenge systems of power and spark social change.
