School of Humanities and Sciences


Showing 281-290 of 377 Results

  • Roland Greene

    Roland Greene

    Director, Stanford Humanities Center, Mark Pigott KBE Professor, Anthony P. Meier Family Professor of the Humanities and Professor of Comparative Literature and, by courtesy, of Iberian and Latin American Cultures

    BioRoland Greene's research and teaching are concerned with the early modern literatures of England, Latin Europe, and the transatlantic world, and with poetry and poetics from the Renaissance to the present.

    His most recent book is Five Words: Critical Semantics in the Age of Shakespeare and Cervantes (Chicago, 2013). Five Words proposes an understanding of early modern culture through the changes embodied in five words or concepts over the sixteenth century: in English, blood, invention, language, resistance, and world, and their counterparts in French, Italian, Spanish, and Portuguese.

    Other books include Unrequited Conquests: Love and Empire in the Colonial Americas (Chicago, 1999), which follows the love poetry of the Renaissance into fresh political and colonial contexts in the New World; and Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence (Princeton, 1991), a transhistorical and comparative study of lyric poetics through the fortunes of the lyric sequence from Petrarch to Neruda. Greene is the editor with Elizabeth Fowler of The Project of Prose in Early Modern Europe and the New World (Cambridge, 1997). His essays address topics such as the colonial baroque, Edmund Spenser's Faerie Queene and Amoretti, Sir Thomas Wyatt's poetry, and Shakespeare's The Tempest.

    Greene is editor in chief of the fourth edition of the Princeton Encyclopedia of Poetry and Poetics, which was published in 2012. Prepared in collaboration with the general editor Stephen Cushman and the associate editors Clare Cavanagh, Jahan Ramazani, and Paul Rouzer, this edition represents a complete revision of the most authoritative reference book on poetry and poetics.

    In 2015-16 he served as President of the Modern Language Association.

    At Stanford Greene has been co-chair and founder of two research workshops in which most of his Ph.D. students participate. Renaissances brings together early modernists from the Bay Area to discuss work in progress, while the Poetics Workshop provides a venue for innovative scholarship in the broad field of international and historical poetics.

    Greene has taught at Harvard and Oregon, where for six years he was chair of the Department of Comparative Literature. He has held fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, and the Danforth Foundation, among others. He is a member of the American Academy of Arts and Sciences.

  • Rima Greenhill

    Rima Greenhill

    Senior Lecturer in the Language Center

    BioRima Greenhill has taught all levels of Russian at Stanford, and prior to that at the School of Slavonic and East European Studies, University College London, England.

    Rima's research interests are Shakespeare and the Age of Discovery. Her book 'Shakespeare, Elizabeth and Ivan: The Role of English-Russian Relations in Love's Labours Lost' came out in April 2023.

    Ph.D. Russian Language and Literature. School of Slavonic and East European
    Studies, University College London, England. Dissertation: “Lexical and Stylistic
    Devices in the Novels of I. Il’f and E. Petrov’s 'Twelve Chairs' and 'The Golden Calf'.

    M.A. History of the Russian Language and the 19th c. Russian Novel.
    School of Slavonic and East European Studies, University College London, England.

    M.A. Foreign Language Teaching Methodology. Garnet College of Education, London University, England.

    B.A. (double major) Russian Language and Linguistics. University of Essex, England.

  • J. Christian Greer

    J. Christian Greer

    Lecturer

    BioDr. J. Christian Greer is a scholar of Religious Studies and American culture, who specializes in psychedelic religion and spirituality. In addition to earning a BA (summa cum laude) from Boston University and a MDiv at Harvard Divinity School, he received his MA and PhD (cum laude) in Western esotericism from the History of Hermetic Philosophy department at the University of Amsterdam. While a postdoctoral researcher at Harvard Divinity School, he led a series of research seminars on psychedelic culture, which culminated in the creation of the *Harvard Psychedelic Walking Tour,* a free audio guide detailing how the Harvard community has shaped the modern history of psychedelic culture. His research addresses popular culture & religion, radical politics & religious activism, esotericism and occultism, ecological spiritualities, pilgrimage, countercultures and subcultures, and drugs & religion.

    His latest book, *Kumano Kodo: Pilgrimage to Powerspots* (co-authored with Dr. Michelle Oing) analyzes the pilgrimage folklore associated with the rainforests of Japan's Kii Peninsula. His forthcoming book, *Angelheaded Hipsters: Psychedelic Militancy in Nineteen Eighties North America* (Oxford University Press), explores the growth, diversification, and expansion of psychedelic culture within fanzine networks in the late Cold War era.

    Before accepting his position at Stanford, he held research and teaching appointments at Yale, Harvard, and the University of Amsterdam. As director of the University of Amsterdam's summer/winter school program on esotericism, he teaches an intensive seminar focusing on the global history of esotericism each winter (“Visions of the Occult: Introduction to Esotericism"), and likewise teaches an advanced version of the course each summer ("Arcane Worlds: New Directions in the Study of esotericism").

    Some of his scholarship & artwork can be found at www.jchristiangreer.com

  • Mark Greif

    Mark Greif

    Associate Professor of English and, by courtesy, of Comparative Literature

    BioMark Greif’s scholarly work looks at the connections of literature to intellectual and cultural history, the popular arts, aesthetics and everyday ethics. He taught at the New School and Brown before coming to Stanford.

    He is the author of The Age of the Crisis of Man: Thought and Fiction in America, 1933-1973 (Princeton, 2015), which received the Morris D. Forkosch Prize from the Journal of the History of Ideas, and the Susanne M. Glasscock Prize for interdisciplinary humanities scholarship. His book Against Everything: Essays (Pantheon, 2016) was a finalist for the National Book Critics’ Circle Award in Criticism. His current book concerns the history and aesthetics of pornography from the eighteenth century to the internet age.

    In 2003, Greif was a founder of the journal n+1, and has been a principal member of the organization since. His books as co-editor and co-author have included The Trouble is the Banks: Letters to Wall Street (n+1/FSG, 2012), Occupy!: Scenes from Occupied America (Verso, 2011), and What Was the Hipster?: A Sociological Investigation (n+1/HarperCollins, 2010). His books and articles have been translated into German, Spanish, French, Dutch, Polish, Chinese, Japanese, and Korean.

    He has been a Marshall Scholar, and has received fellowships from the Institute of Advanced Study in Princeton, the Center for Advanced Study in the Behavioral Sciences at Stanford, and the American Council of Learned Societies. He is a member of the New York Institute for the Humanities at NYU.

    Greif has written for publications including the London Review of Books, New York Times, Guardian, Süddeutsche Zeitung, and Le Monde, and his essays have been selected for Best American Essays and the Norton Anthology. He remains interested in the relationships between high scholarship, literary and arts journalism, low culture, and small magazines.

  • Thomas Grey

    Thomas Grey

    Professor of Music, Emeritus

    Current Research and Scholarly InterestsThis book project will involve a series of essays about the status of "beauty" as an aesthetic and critical concept in musical discourse and practice from the later 18th century through the advent of musical "modernism," starting with the reception of Wagner in the 1880s to c. 1900. The project seeks to mediate between philosophical conceptions of beauty (Kant and British aestheticians of the 18th century), criticism (Eduard Hanslick, centrally), and compositional practice over the long 19thC.