School of Humanities and Sciences
Showing 1-10 of 63 Results
-
Stephen Haber
A.A. and Jeanne Welch Milligan Professor, Senior Fellow at the Hoover Institution and at the Stanford Institute for Economic Policy Research, Professor of History and, by courtesy, of Economics
BioStephen Haber is A.A. and Jeanne Welch Milligan Professor in the School of Humanities and Sciences and Peter and Helen Bing Senior Fellow of the Hoover Institution at Stanford University. He is also Professor of Political Science, Professor of History, and Professor of Economics (by courtesy), a Senior Fellow of the Stanford Institute for Economic Policy Research, and a Senior Fellow of the Stanford Center for International Development. Haber’s research spans a number of academic disciplines, including comparative politics, financial economics, and economic history. He has authored, coauthored, or edited ten books, and his papers have been published in journals such as American Political Science Review, World Politics, International Security, the Journal of Economic History, the Hispanic American Historical Review, the Journal of Banking and Finance, and the Journal of International Business Studies. Haber's most recent book, Fragile by Design: The Political Origins of Banking Crises and Scarce Credit (coauthored with Charles Calomiris) was published by Princeton University Press in 2014. His current research focuses on two areas: the impact of geography on the long-run evolution of economic and political institutions; and the political conditions under which societies sustain intellectual property systems that promote innovation.
-
Heather Hadlock
Associate Professor of Music
BioHeather Hadlock studies 18th- and 19th-century French and Italian opera, with a focus on changing norms for representing masculinity in opera on nineteenth century stages and in contemporary productions of classic operas. Her research repertoire encompasses Italian bel canto opera, Berlioz, Offenbach, operatic masculinities, opera in the age of its digital mediation, and divas and technology. She approaches operatic voices and performance through feminist theories of difference, vocality, and embodiment; gender and sexuality studies; and dynamics of adaptation between opera, literature, and video. She has directed Stanford's interdisciplinary Program in Feminist, Gender, and Sexuality Studies, and served on the Phiip Brett Award committee and board of the AMS LGBTQ Study Group. She serves on the editorial board of the journal Nineteenth-Century Music.
