School of Humanities and Sciences
Showing 1-10 of 58 Results
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Stephen Haber
A.A. and Jeanne Welch Milligan Professor, Senior Fellow at the Hoover Institution and at the Stanford Institute for Economic Policy Research, Professor of History and, by courtesy, of Economics
BioStephen Haber is A.A. and Jeanne Welch Milligan Professor in the School of Humanities and Sciences and Peter and Helen Bing Senior Fellow of the Hoover Institution at Stanford University. He is also Professor of Political Science, Professor of History, and Professor of Economics (by courtesy), a Senior Fellow of the Stanford Institute for Economic Policy Research, and a Senior Fellow of the Stanford Center for International Development. Haber’s research spans a number of academic disciplines, including comparative politics, financial economics, and economic history. He has authored, coauthored, or edited ten books, and his papers have been published in journals such as American Political Science Review, World Politics, International Security, the Journal of Economic History, the Hispanic American Historical Review, the Journal of Banking and Finance, and the Journal of International Business Studies. Haber's most recent book, Fragile by Design: The Political Origins of Banking Crises and Scarce Credit (coauthored with Charles Calomiris) was published by Princeton University Press in 2014. His current research focuses on two areas: the impact of geography on the long-run evolution of economic and political institutions; and the political conditions under which societies sustain intellectual property systems that promote innovation.
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Heather Hadlock
Associate Professor of Music
BioSpecial fields: 18th- and 19th-century French and Italian opera, feminist criticism and gender studies, and French Romanticism. Her current research encompasses Italian bel canto, Berlioz, Offenbach, operatic masculinities, opera in the digital age, and divas and technology.
Publications: Mad Loves: Women and Music in Offenbach’s "Les Contes d’Hoffmann" (Princeton University Press, 2000) and chapters in Rethinking Difference in Music Scholarship (Cambridge University Press, 2015); Music's Obedient Daughter: The Opera Libretto from Source to Score (Rodopi, 2014); The Cambridge Companion to Rossini (Cambridge University Press, 2003); Women’s Voices Across Musical Worlds (Northeastern University Press, 2003); Berlioz: Past Present, Future (U of Rochester Press, 2003); Siren Songs (Princeton University Press, 2000). She wrote the annotated bibliography on "Women and Music" for the Oxford Bibliographies Online: Music (Oxford University Press, 2011). Articles and reviews in Cambridge Opera Journal, Journal of the American Musicological Society, Journal of Musicological Research, repercussions, Opera Quarterly.
