School of Humanities and Sciences
Showing 171-180 of 303 Results
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Vahe Petrosian
Professor of Physics and of Applied Physics
BioHow do things evolve in the universe? How are particles accelerated in the universe?
Professor Petrosian’s research covers many topics in the broad area of theoretical astrophysics and cosmology, with a strong focus on high-energy astrophysical processes.
Cosmological studies deal with global properties of the universe, where the main focus is the understanding of the evolution of the universe at high redshifts, through studies of the evolutions of population of sources such as galaxies and quasars or active galactic nuclei, gamma-ray bursts, using new statistical techniques developed in collaboration with Prof. B. Efron of the Department of Statistics. Another area of research is the use of gravitational lensing in measuring mass in the universe.
High-energy astrophysics research involves interpretation of non-thermal astronomical sources where particles are accelerated to very high energies and emit various kinds of radiation. These processes occur on many scales and in all sorts of objects: in the magnetosphere of planets, in the interplanetary space, during solar and stellar flares, in the accretion disks and jets around stellar-size and super-massive black holes, at centers of galaxies, in gamma-ray bursts, in supernovae, and in the intra-cluster medium of clusters of galaxies. Plasma physics processes common in all these sources for acceleration of particles and their radiative signature is the main focus of the research here. -
Dmitri Petrov
Michelle and Kevin Douglas Professor in the School of Humanities and Sciences
Current Research and Scholarly InterestsEvolution of genomes and population genomics of adaptation and variation
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Kate Petrova
Ph.D. Student in Psychology, admitted Autumn 2021
BioKate Petrova is a third-year PhD student at the Stanford Psychophysiology Laboratory. In her research, Kate uses the tools of computational affective science to better understand how people use affect as a source of information in decision-making. Her other interests include applying computational modeling to formalize existing theories of emotion generation and regulation, as well as using a combination of behavioral experiments and intensive longitudinal methods to study interpersonal emotion regulation, Kate earned her A.B. in Psychology from Bryn Mawr College and spent several years working on the Harvard Study of Adult Development before joining SPL.
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Peggy Phelan
Ann O'Day Maples Professor of the Arts and Professor of English
BioPeggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic criticism 1997-1999); the survey essay for Art and Feminism, ed. by Helena Reckitt (Phaidon, 2001, winner of “The top 25 best books in art and architecture” award, amazon.com, 2001); the survey essay for Pipilotti Rist (Phaidon, 2001); and the catalog essay for Intus: Helena Almeida (Lisbon, 2004). She edited and contributed to Live Art in Los Angeles, (Routledge, 2012), and contributed catalog essays for Everything Loose Will Land: 1970s Art and Architecture in Los Angeles (Mak Center, 2013), Haunted: Contemporary Photography, Video, and Performance (Guggenheim Museum, 2010); WACK! Art and the Feminist Revolution (Museum of Contemporary Art, 2007); and Andy Warhol: Giant Size (Phaidon, 2008), among others. Phelan is co-editor, with the late Lynda Hart, of Acting Out: Feminist Performances (University of Michigan Press, 1993; cited as “best critical anthology” of 1993 by American Book Review); and co-editor with Jill Lane of The Ends of Performance (New York University Press, 1997). She contributed an essay to Philip Ursprung’s Herzog and De Meurron: Natural History (CAA, 2005).
She has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. She has written about Samuel Beckett for the PMLA and for The National Gallery of Ireland. She has also written about Robert Frost, Michael and Paris Jackson, Olran, Marina Abramovic, Dziga Vertov and a wide range of artists working in photography, dance, architecture, film, video, music, and poetry. She has edited special issues of the journals Narrative and Women and Performance. She has been a fellow of the Humanities Institute, University of California, Irvine; and a fellow of the Humanities Institute, The Australian National University, Canberra, Australia. She served on the Editorial Board of Art Journal, one of three quarterly publications of the College Art Association, and as Chair of the board. She has been President and Treasurer of Performance Studies International, the primary professional organization in her field. She has been a fellow of the Getty Research Institute and the Stanford Humanities Center. She won a Guggenheim Fellowship in 2004. She chaired the Department of Performance Studies at New York University and the Drama Department at Stanford University.
