School of Humanities and Sciences
Showing 51-60 of 65 Results
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Jonathan Rosa
Associate Professor of Education and, by courtesy, of Linguistics, of Anthropology and of Comparative Literature
Current Research and Scholarly InterestsI am currently working on two book projects through which I am continuing to develop frameworks for understanding ethnoracial, linguistic, and educational formations. The first examines racial reckonings across distinctive societal contexts by interweaving ethnographic analysis of diasporic Puerto Rican experiences and broader constructions of Latinidad that illustrate race and ethnicity as colonial and communicative predicaments. The second spotlights decolonial approaches to the creation of collective well-being through educational and societal transformations based on longstanding community collaborations in Chicago.
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Janice Ross
Professor (Teaching) of Theater and Performance Studies, Emerita
BioJanice Ross, Professor in the Department of Theatre and Performance Studies and former faculty director of ITALIC, Stanford's residence based Freshman arts immersion program, has a BA with Honors from UC Berkeley and MA and Ph.D degrees from Stanford. Her research interests and books focus on the intersections of social issues and their expression through performance. They include, Like A Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia (Yale Univ. Press 2015), Anna Halprin: Experience as Dance (University of California Press 2007),winner of a de la Torre Bueno Award 2008 Special Citation, San Francisco Ballet at 75 (Chronicle Books 2007), Moving Lessons: The Beginning of Dance in American Education, (University of Wisconsin Press 2001/ University of Florida Press, Second Edition/2020) and, co-edited with Susan Manning and Rebecca Schneider, The Futures of Dance Studies, (University of Michigan Press (2020). Her research interests concern performance and social justice with a particular focus on tensions between political and aesthetic expression. Her essays on dance have been published in several anthologies including The Oxford Handbook of Contemporary Ballet (Oxford Univ. Press, 2020), The Aging Body in Dance: A Cross Cultural Perspective, (Routledge, 2017),The Oxford Handbook of Improvisation (2019) Soloists and The Modern Dance Canon (Univ. Press of Florida, 2012), Dignity in Motion: Dance, Human Rights and Social Justice, edited by Naomi Jackson (Scarecrow Press 2008), Perspectives on Israeli and Jewish Dance, ed. Judith Brin Ingber, (Wayne State University Press, 2008), Performance and Ritual, edited by Mark Franco (Routledge 2007), Everything Was Possible (Re) Inventing Dance in the 1960s, edited by Sally Banes (University of Wisconsin Press 2003), Caught by Surprise: Essays on Art and Improvisation, edited by Ann Cooper Albright and David Gere (Wesleyan University press 2003). Her awards include a Guggenheim Fellowship, two Stanford Humanities Center Fellowships, a Fulbright Fellowship to Israel, as well as research grants from the Iris Litt Fund of the Clayman Institute for Research on Women and Gender, the Memorial Foundation for Jewish Culture, the 2016 CORD Award for Outstanding Contributions to Dance Research , an NYU Fellowship for the Center for Ballet and the Arts (2018) and a Bogliasco Foundation Fellowship (Italy 2022). Her articles on dance have appeared in numerous publications including The New York Times and The Los Angeles Times. She is past President of the international Society of Dance History Scholars.
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Daniela Rossell
Lecturer
BioDaniela Rossell was born and raised in Mexico City. She is an interdisciplinary artist and teacher who works solo and collaboratively in the fields of visual art and writing. Her first book, Ricas y Famosas, was described by historian Cuauhtémoc Medina as “among the most significant political works of the art of her country,” and by the New York Times as a “photographic journey through Mexico's twilight zone.” Solo exhibitions of Rossell’s work have been organized by Greene Naftali gallery in New York City, by Spruth Magers Projekte in Munich and by kurimanzutto gallery in Mexico City (in collaboration with Galen Jackson and as part of Siembra). Her work has appeared in numerous books such as Witness to Her Art, Things with a History, An Exhibition About the Exchange Rates of Bodies and Values; in publications such as ArtForum, El País, Le Point, Der Tagesspiegel, The Guardian, Proceso, TvNovelas, Le Monde; and has been shown around the world in museums and cultural institutions such as MoMA PS1, Tate Modern, Hammer Museum, SF MOMA, Les Recontres d'Arles, Kunst-Werke Berlin, Fondazione Palazzo Strozzi and Museo del Palacio de Bellas Artes to name a few.
Professor Rossell will be joining Stanford’s Department of Art & Art History again for the 2025 Spring quarter. She will be teaching ARTSTUDI 242: Drawing and Creative Writing—a hands-on, interdisciplinary course that gives students both the tools to claim the complexity of their own stories and the opportunity to plunge into contemporary art from the double perspective of the visual and the verbal.
