School of Humanities and Sciences
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Senior Lecturer in Music
BioGREGORY WAIT, the Billie Bennett Achilles Director of Vocal Studies on the Stanford University Music Department faculty, maintains a dynamic and enthusiastic teaching schedule. In recognition of his commitment to the principles of successful higher education, Wait received the Deans' Award for Distinguished Teaching in 1998, and was honored by his students and colleagues for his years of service to the university. In 2010 he was an ABBY honoree from the Arts Council Silicon Valley for his arts leadership in the Santa Clara valley. During his thirty year tenure as conductor of the Stanford Memorial Church Choir, the membership commissioned Stanford alumnus Kirke Mechem to compose his Missa Brevis Trinity as a tribute to his direction. As tenor soloist, he has made his mark in recital, in opera, and on the concert stage, having made his Carnegie Hall debut singing the Requiem of Alfred Schnittke. Hailed as one of the leading exponents of (Benjamin) Britten's vocal works, he premiered works by Lou Harrison and William Kraft, and gave the first American performance of Alessandro Scarlatti's Magnificat from his Vespers of St. Cecilia. He served as soloist at the prestigious Carmel Bach Festival for over fifteen seasons, and came to national recognition as tenor soloist in the Davies Symphony Hall (San Francisco) televised Sing-it-Yourself Messiah on PBS, and has subsequently concertized throughout the United States, from the Anchorage Music Festival to Santa Fe. He recently conducted and sang the Evangelist in Bach's Matthus-passion. Now in his twenty-third season as music director of Schola Cantorum, he has received accolades from critics and the public alike for his vivid interpretations of choral masterworks, and for his commitment to the performance of new music. Under Wait's leadership, Schola Cantorum has commissioned and performed numerous premieres, notably the Missa Gaia (Mass for the Earth) by Libby Larson and, most recently, Alva Henderson and Dana Gioia's Winter Requiem. As director of the Congregational Oratorio Society, he has performed countless choral/orchestral works, and has led seven European tours in performances at historic venues throughout England, France, Italy, Switzerland, Russia and Scandinavia. Mr. Wait is also a choral arranger, and is frequently engaged as a lecturer and clinician for choral and vocal festivals.
Associate Professor of Music and, by courtesy, of Computer Science
BioGe Wang is an Associate Professor at Stanford University in the Center for Computer Research in Music and Acoustics (CCRMA). He specializes in the art of design and computer music — researching programming languages and interactive software design for music, interaction design, mobile music, laptop orchestras, expressive design of virtual reality, aesthetics of music technology design, and education at the intersection of computer science and music. Ge is the author of the ChucK music programming language, the founding director of the Stanford Laptop Orchestra (SLOrk). Ge is also the Co-founder of Smule (reaching over 200 million users), and the designer of the iPhone's Ocarina and Magic Piano. Ge is a 2016 Guggenheim Fellow, and the author of ARTFUL DESIGN: TECHNOLOGY IN SEARCH OF THE SUBLIME—a book on design and technology, art and life‚ published by Stanford University Press in 2018 (see https://artful.design/)
Senior Lecturer in Music
BioStudied with Charles Fisher, Marion Owen, Martin Katz, and Eugene Bossart.
Performances throughout U.S., Canada, and Europe; debut at Carnegie Recital Hall, New York; soloist with the Rochester Philharmonic, Utah Symphony, symphonies in Warsaw, Costa Rica.
Prizewinner in Gina Bachauer International Piano Competition; winner, East and West Artists International Auditions and Music at La Gesse Foundation Fellowship
Recipient of National Endowment for the Arts Solo Recitalist Fellowship.