School of Humanities and Sciences
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Morehshin Allahyari
Assistant Professor of Art and Art History
BioMorehshin Allahyari (Persian: مورهشین اللهیاری), is a Bay Area based Iranian-Kurdish artist and an assistant professor of Digital Media Art at Stanford University. She uses 3D simulation, video, code, sculpture, and digital fabrication as tools to re-figure myth and history. Through archival practices and storytelling, her work weaves together complex counternarratives in opposition to the lasting influence of Western technological colonialism in the context of MENA (Middle East and North Africa).
Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Architettura, New Museum, The Whitney Museum of American Art, Pompidou Center, MoMa, Victoria and Albert Museum, Queens Museum, and Museum of Modern Art, Taipei. She has been an artist in residence at Carnegie Mellon University’s STUDIO for Creative Inquiry, Autodesk Pier9 Workshop in San Francisco, the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin, Eyebeam’s one year Research Residency, Pioneer Works, and Harvest Works. She has been featured in Art21, The New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, and Al Jazeera, among others. Morehshin’s work has been the subject of critical analysis across books, academic articles, and dissertation chapters of over 100 publications.
She is the recipient of the Gold Art Prize (2025), Creative Capital Award (2025), The University of California, Berkeley Chancellor’s Postdoctoral Fellowship Award (2024), The United States Artist Fellowship (2021), The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship (2019), and the Leading Global Thinkers of 2016 award by Foreign Policy magazine. -
Mariam Atallah
Master of Fine Arts Student, Documentary Film and Video
BioMariam Atallah is a photographer and filmmaker rooted in Cairo, Egypt, where she earned her bachelor’s degree in filmmaking and first discovered her creative spark through the city’s lively streets. Her work examines connections and tensions between Egypt and the United States, exploring how political, social, and personal systems intersect across both contexts. She has been a Diverse Voices in Docs Fellow at Kartemquin Films, and her films have screened at the Toronto Arab Film Festival and the Egyptian American Film Festival.