School of Humanities and Sciences


Showing 11-20 of 30 Results

  • Scott Hutchins

    Scott Hutchins

    Lecturer

    BioScott Hutchins is a former Truman Capote fellow in the Wallace Stegner Program at Stanford University. His work has appeared in StoryQuarterly, Catamaran, Five Chapters, The Owls, The Rumpus, The New York Times, San Francisco Magazine and Esquire, and has been set to improvisational jazz. He is the recipient of two major Hopwood awards and the Andrea Beauchamp prize in short fiction. In 2006 and 2010, he was an artist-in-residence at the Cité Internationale des Arts in Paris. His novel A Working Theory of Love was a San Francisco Chronicle and Salon Best Book of 2012 and has been translated into nine languages.

  • Tom Kealey

    Tom Kealey

    Lecturer

    BioTom Kealey is the author of Thieves I’ve Known and The Creative Writing MFA Handbook. His awards include the Flannery O’Connor Prize and the Joseph Henry Jackson Award, and his stories have appeared in Glimmer Train, Story Quarterly, Best American NonRequired, Alaska Quarterly Review, Indiana Review and many other places.

    Tom’s 20 years of teaching and administrating at Stanford has encompassed many areas. Along with Directors Eavan Boland and John L’Heureux he designed the Levinthal Tutorials, a unique one-on-one mentoring program between Stegner Fellows and Stanford Undergraduates. Tom guided the Levinthal Program from its inception in 2003 to 2023.

    Along with Adam Johnson, Tom co-created the Graphic Novel Project at Stanford, a two-quarter course where students artists and writers design, create, and publish a full-length graphic novel. Titles included Shake Girl, Virunga, and Pika-don. The Graphic Novel Project has been a mainstay of the Creative Writing Program since 2008.

    Tom designed the Fiction Into Film program and Fiction Into Film minor concentration in the CW Program.

    One of the most popular writing courses at Stanford is the Novel Writing Intensive course, now in its 14th year. Tom Kealey and Scott Hutchins guide students who write a full-length novel of 50,000 words. Based on National Novel Writing Month (NaNoWrimo), over 300 Stanford students have completed NaNoWrimo under the guidance of Tom and Scott.

    Tom has also taught Creative Nonfiction, Screenwriting Intensive, the Novel Salon, Creative Expressions, Science Fiction, Dialogue Writing, New Media Writing, Imaginative Realms, and many others.

    In the English Department, Tom co-created The Secret Lives of the Short Story with Gavin Jones, an exploration of the short story’s evolution, voices, and techniques from the 19th to the 21st century, as well as Short Story to Big Screen, also taught with Gavin Jones, where students explored the art of screenplay adaptation.

    Tom’s current favorite course is First Chapters, where students explore how an opening chapter sets the stage for the rest of a novel. Students complete a first chapter of their own, and then workshop it in class.

    As Curriculum Coordinator of Creative Writing from 2008-2019, Tom designed the entire Creative Writing Undergraduate Course schedule, over 100 courses, on an annual basis. He worked closely with program director Eavan Boland and administrator Christina Ablaza to satisfy multiple requirements at the department, program, lecturer, and student level.

    As Jones Teaching Mentor, from 2005-2023, Tom advised and mentored over 35 creative writing lecturers over 18 years. Tom introduced new lecturers to program requirements and resources, designed orientations and follow-ups, and often visited classes and offered feedback, and provided trouble-shooting advice in classroom/student situations.

    As Liaison to and Curriculum Coordinator of Continuing Studies, 2008-2020, Tom worked closely with program director Eavan Boland and dean of continuing studies Dan Colman. He coordinated over 60 classes each year taught by 35 lecturers. Tom designed each year’s Creative Writing Continuing Studies schedule.

    And of course Tom was a Stegner Fellow at Stanford Creative Writing from 2001-2003. He continues to enjoy his Stanford experience.

    Tom received his MFA in Creative Writing from the University of Massachusetts Amherst, where he received the Distinguished Teaching Award.

  • Mark Labowskie

    Mark Labowskie

    Lecturer

    BioMark Labowskie is a Jones Lecturer and former Wallace Stegner Fellow. His stories have appeared in ZYZZYVA, American Short Fiction, Subtropics, and elsewhere, and his writing has been supported by the Bread Loaf Writers' Conference, Lighthouse Works, VCCA, and Millay Arts. In addition to fiction workshops, he teaches courses on screenwriting and queer literature. He is also the host and curator of the Stanford Storytelling Project podcast Off the Page, which spotlights the work of Stanford writers.

  • Sara Michas-Martin

    Sara Michas-Martin

    Lecturer

    BioSara Michas-Martin is a poet and nonfiction writer who draws inspiration from science and the natural world. Specific teaching interests include ecopoetics, environmental humanities, science communication, and hybrid forms.

    Her book, Gray Matter, winner of the Poets Out Loud Prize and nominated for the Colorado Book Award, explores the relationship between biology, the brain, and one’s conscious understanding of self. Current projects include a literary nonfiction manuscript that draws on medical, cultural, and natural history to consider how the logic of the maternal body corresponds, or is in tension with, ecological and social systems. Fire Weather, a poetry manuscript, takes on deep ecology and the ethics of care in our moment of environmental precarity.

    Sara holds a BFA in visual art from the University of Michigan and an MFA in poetry from the University of Arizona. Her work has been supported by a Wallace Stegner fellowship, grants from the Barbara Deming Memorial Fund for Women, the Dorothy Sargent Rosenberg Prize, as well as fellowships from the Vermont Studio Center, Virginia Center for the Arts, Marble House Project, and the Bread Loaf Writers' Conference and the Community of Writers.

    She received notable essay mentions in the 2023 Best American Essays and the 2023 Best American Science and Nature Writing anthologies. Recent poems and essays have been nominated for the Pushcart Prize and published in the American Poetry Review, The Believer, The Glacier, Journal of the American Medical Association (JAMA), Longreads, New England Review, Orion, Harvard Review, Kenyon Review, Terrain.org, and elsewhere. She lives in the mountains with her family east of Monterey Bay.

  • Hieu Minh Nguyen

    Hieu Minh Nguyen

    Lecturer

    BioHieu Minh Nguyen is the author of two collections of poetry, This Way to the Sugar (Write Bloody Press, 2014), and Not Here (Coffee House Press, 2018), which was named the winner of the Publishing Triangle's Thom Gunn Award for Gay Poetry. A recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, Hieu is also a 2018 McKnight Writing Fellow, a Kundiman Fellow, and a 2017 National Endowment for the Arts Literature Fellow. His work has appeared in Poetry Magazine, Best American Poetry, The New York Times, and elsewhere. He is a graduate of the MFA Program for Writers at Warren Wilson College. Originally from the Twin Cities, Hieu now lives in Oakland.

  • Brittany Perham

    Brittany Perham

    Lecturer

    BioBrittany Perham is the author of DOUBLE PORTRAIT (W.W. Norton, 2017), which received the Barnard Women Poets Prize; THE CURIOSITIES (Free Verse Editions, 2012); and, with Kim Addonizio, the collaborative chapbook THE NIGHT COULD GO IN EITHER DIRECTION (SHP, 2016). She was a Wallace Stegner Fellow from 2009-2011. She lives in San Francisco.