School of Humanities and Sciences


Showing 11-20 of 29 Results

  • Scott Hutchins

    Scott Hutchins

    Lecturer

    BioScott Hutchins is a former Truman Capote fellow in the Wallace Stegner Program at Stanford University. His work has appeared in StoryQuarterly, Catamaran, Five Chapters, The Owls, The Rumpus, The New York Times, San Francisco Magazine and Esquire, and has been set to improvisational jazz. He is the recipient of two major Hopwood awards and the Andrea Beauchamp prize in short fiction. In 2006 and 2010, he was an artist-in-residence at the Cité Internationale des Arts in Paris. His novel A Working Theory of Love was a San Francisco Chronicle and Salon Best Book of 2012 and has been translated into nine languages.

  • Tom Kealey

    Tom Kealey

    Lecturer

    BioTom Kealey is the author of Thieves I've Known, winner of the Flannery O'Connor Award and an NPR Best Books. Tom also authored The Creative Writing MFA Handbook, and his stories have appeared in Best American NonRequired Reading, Glimmer Train, The Rumpus, and many other places.

    Tom teaches t a variety of classes at Stanford, including Novel Writing Intensive (the NanoWrimo Class), Secret Lives of the Short Story, Screenwriting Intensive, Short Story to Big Screen, and First Chapters.

  • Mark Labowskie

    Mark Labowskie

    Lecturer

    BioMark Labowskie is a Jones Lecturer and former Wallace Stegner Fellow. His stories have appeared or are forthcoming in ZYZZYVA, American Short Fiction, Subtropics, and elsewhere, and his writing has been supported by the Bread Loaf Writers' Conference, Lighthouse Works, VCCA, and the Millay Colony. In addition to fiction workshops, he teaches courses on screenwriting and queer literature. He is also the host and curator of the Stanford Storytelling Project podcast Off the Page, which spotlights the work of Stanford writers.

  • Sara Gail Michas-Martin

    Sara Gail Michas-Martin

    Lecturer

    BioSara Michas-Martin is a poet and nonfiction writer who draws inspiration from science and the natural world. Specific teaching interests include contemporary American poetry, medical humanities, science communication and hybrid forms.

    Her book, Gray Matter, winner of the Poets Out Loud Prize and nominated for the Colorado Book Award, is a creative investigation of the relationship between the brain and one’s conscious understanding of identity and self. A current nonfiction project, titled Black Boxes, explores the biological transformation of mothers, natural history, sleep science and the evolution of technology used to see inside the body.

    Sara holds a BFA in visual art from the University of Michigan and an MFA in poetry from the University of Arizona. She is a former Wallace Stegner Fellow and has received grants from the Barbara Deming Memorial Fund, the Dorothy Sargent Rosenberg prize, as well as fellowships from the Vermont Studio Center and the Bread Loaf and Squaw Valley Writers’ conferences. Her poems and essays have been published in the American Poetry Review, The Believer, Best New Poets, FIELD, Harvard Review, Kenyon Review, Threepenny Review and elsewhere. She lives with her family east of Monterey Bay and counts deer and bobcats among her neighbors.

  • Brittany Perham

    Brittany Perham

    Lecturer

    BioBrittany Perham is the author of DOUBLE PORTRAIT (W.W. Norton, 2017), which received the Barnard Women Poets Prize; THE CURIOSITIES (Free Verse Editions, 2012); and, with Kim Addonizio, the collaborative chapbook THE NIGHT COULD GO IN EITHER DIRECTION (SHP, 2016). She was a Wallace Stegner Fellow from 2009-2011. She lives in San Francisco.

  • Edward Porter

    Edward Porter

    Lecturer

    BioEdward Porter’s writing has appeared in Glimmer Train, The Gettysburg Review, The Hudson Review, Colorado Review, Catamaran, Barrelhouse, Best New American Voices, and elsewhere. A native of New York City, he earned an MFA from Warren Wilson College and a PhD from the University of Houston, and has been awarded fellowships at the University of Wisconsin-Madison, the MacDowell Colony, and Stanford University, where he was recently a Stegner Fellow. He lives in Oakland.

  • Shannon Pufahl

    Shannon Pufahl

    Lecturer

    BioShannon Pufahl is a Jones Lecturer in the Creative Writing Program. She teaches fiction, creative nonfiction, and writing across genres. She was a Stegner Fellow in fiction at Stanford, where she received a Centennial award, the University's highest honor for teaching assistants. She has published essays in The Threepenny Review and elsewhere, on topics ranging from John Brown and the Antebellum Midwest, to personal memoir. Her novel, On Swift Horses, about gambling, sex, and the post-war American West, is forthcoming from Riverhead Books.

    Shannon is also a PhD candidate in American Literature and Culture at the University of California, Davis. Her dissertation traces the animal welfare movement in the U.S. from its origins in the 19th-century, through the intense debates about animal life, suffering, and intelligence at century's end, and into the young adult animal novels of the early 20th-century.

    She is the co-coordinator of The Writer's Studio, a weekly workshop series sponsored by the Creative Writing Program, the Stanford Storytelling Project, and the Hume Center for Writing and Speaking. She also teaches in the Stanford Arts Intensive and online in Summer Session.