School of Humanities and Sciences


Showing 421-437 of 437 Results

  • Mikael Wolfe

    Mikael Wolfe

    Associate Professor of History

    BioI am a historian of modern Latin America whose work centers on the intersection of social, political, environmental, and technological change. In particular, I explore questions of water control, agrarian reform, and the effects of climate and weather on the process of social revolution. I employ interdisciplinary historical methods in my scholarship and teaching that seek to transcend the imaginary boundary between the human and nonhuman environments.

    I teach undergraduate and graduate courses in modern Latin American history, historiography and film, history of US-Latin American relations, comparative history of modern Latin America and East Asia, environmental history of Latin America and the United States, climate ethics, and water history (see teaching tab to the right. I am accepting graduate students to work under me, but before contacting me, please become familiar with my work. Specific questions engaging with my work and how it relates to your own research interests are more fruitful as a basis for conversation than generally asking to learn more about my work.)

    My first book, Watering the Revolution: An Environmental and Technological History of Agrarian Reform in Mexico (Duke, 2017; winner, 2018 Elinor K. Melville Prize for Latin American Environmental History; short-listed, 2018 María Elena Martínez Prize for Mexican History), investigates how people managed their water—via dams, canals, and groundwater pumps—in a great crucible of the Mexican Revolution of 1910-20, the arid north-central Laguna region. In so doing, it demonstrates how Mexican federal engineers were not merely passive implementers of large-scale state development schemes such as agrarian reform. Instead, to implement the latter, they actively mediated knowledge between state and society, identifying what they thought was technologically possible and predicting its environmental consequences.

    The book also explains how engineers encountered an intrinsic tension between farmers’ insatiable demand for water and the urgency to conserve it. By closely examining how the Mexican state watered one of the world’s most extensive agrarian reforms, the book tackles an urgent question in the literature on postrevolutionary Mexican state formation, Latin American environmental history and history of technology, and global development studies: how and why do governments persistently deploy invasive technologies for development even when they know those technologies are ecologically unsustainable?

    To answer this global question, my book integrates environmental and technological history along with social, economic, political, and legal analyses based on extensive research in archival sources, journals, newspapers, and government publications in Mexico and the United States. Using this “envirotechnical” analytical framework, the book uncovers the varied motivations behind the Mexican government’s decision to use invasive and damaging technologies despite knowing they were unsustainable.

    My research on agrarian reform and water management in north central Mexico led me to investigate how weather shapes the process of social revolution across Cuba’s varied climates and environments. In my new book project, Rebellious Climates: How Extreme Weather Shaped the Cuban Revolutions, I combine environmental history and historical climatology to argue that extreme weather events such as drought and hurricanes were not merely infrequent external shocks to Cuba, quickly entering and exiting the main anthropocentric stage of its theater of revolution. Instead, these events were long enmeshed in Cuban politics, economics, society, and culture, and thereby shaped the origins and progression of the 1959 revolution in ways largely overlooked by historians.

  • Tobias Wolff

    Tobias Wolff

    Ward W. and Priscilla B. Woods Professor, Emeritus

    BioTobias Wolff is the author of the novels The Barracks Thief and Old School, the memoirs This Boy's Life and In Pharaoh's Army, and the short story collections In the Garden of the North American Martyrs, Back in the World, and The Night in Question. His most recent collection of short stories, Our Story Begins, won The Story Prize for 2008. Other honors include the PEN/Malamud Award and the Rea Award - both for excellence in the short story - the Los Angeles Times Book Prize, and the PEN/Faulkner Award. He has also been the editor of Best American Short Stories, The Vintage Book of Contemporary American Short Stories, and A Doctor's Visit: The Short Stories of Anton Chekhov. His work appears regularly in The New Yorker, The Atlantic, Harper's, and other magazines and literary journals.

  • Alex Woloch

    Alex Woloch

    Richard W. Lyman Professor of the Humanities and Professor, by courtesy, of Comparative Literature

    BioAlex Woloch received his B.A. and PhD in Comparative Literature. He teaches and writes about literary criticism, narrative theory, the history of the novel, and nineteenth- and twentieth-century literature. He is the author of The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel (Princeton UP, 2003), which attempts to reestablish the centrality of characterization — the fictional representation of human beings — within narrative poetics. He is also the author of Or Orwell: Writing and Democratic Socialism (Harvard UP, 2016), which takes up the literature-and-politics question through a close reading of George Orwell’s generically experimental non-fiction prose. A new book in progress, provisionally entitled Partial Representation, will consider the complicated relationship between realism and form in a variety of media, genres and texts. This book will focus on the paradoxical ways in which form is at once necessary, and inimical, to representation. Woloch is also the co-editor, with Peter Brooks of Whose Freud?: The Place of Psychoanalysis in Contemporary Culture (Yale UP, 2000).

  • Allen Wood

    Allen Wood

    Ward W. and Priscilla B. Woods Professor, Emeritus

    BioAllen Wood's interests are in the history of modern philosophy, especially Kant and German idealism, and in ethics and social philosophy. He was born in Seattle, Washington: B. A. Reed College in Portland, Oregon, Ph.D. Yale University. He has held regular professorships at Cornell University, Yale University, and Stanford University, where he is Ward W. and Priscilla B. Woods Professor emeritus. He has also held visiting appointments at the University of Michigan, University of California at San Diego and Oxford University, where he was Isaiah Berlin Visiting Professor in 2005. During year-long periods of research, he has been affiliated with the Freie Universität Berlin in 1983-84 and the Rheinische-Friedrich-Wilhelms-Universität Bonn in 1991-1992. Wood is a member of the American Academy of Arts and Sciences.

    Allen Wood is author of many articles and chapters in philosophical journals and anthologies. The book-length publications he has authored include: Kant's Moral Religion (1970, reissued 2009), Kant's Rational Theology (1978, reissued 2009), Karl Marx (1981, second expanded edition 2004), Hegel's Ethical Thought (1990), Kant's Ethical Thought (1999), Unsettling Obligations (2002), Kant (2004) and Kantian Ethics (2008). His latest book is The Free Development of Each: Studies in Freedom, Right and Ethics in Classical German Philosophy (Oxford University Press, 2014), co-authored with Dieter Schönecker Kant's Groundwork for the Metaphysics of Morals: A Commentary (Harvard University Press, 2015). (A German language version of this commentary has gone through four editions since 2002.) His next book, Fichte's Ethical Thought, is due to be published by Oxford University Press in 2016.

    Books by Wood have appeared in Hebrew, Turkish, Portuguese, Iranian and Chinese translation. With Paul Guyer, Wood is co-general editor of the Cambridge Edition of Kant's Writings, for which he has edited, translated or otherwise contributed to six volumes. Among the other books Wood has edited are Self and Nature in Kant's Philosophy (1984), Hegel: Elements of the Philosophy of Right (1991), Kant: Groundwork for the Metaphysics of Morals (2002), Fichte: Attempt at a Critique of All Revelation (2010), and, with Songsuk Susan Hahn, the Cambridge History of Philosophy in the Nineteenth Century (1790-1870) (2012). He is on the editorial board of eight philosophy journals, five book series and the Stanford Encyclopedia of Philosophy.

    In the past four years, Allen Wood has taught annual three-day intensive mini-courses at Stanford in early June. His co-teachers in these courses have been Marcia Baron (Indiana University), Frederick Neuhouser (Columbia University, Barnard College) and Arthur Ripstein (University of Toronto). At Indiana University Allen Wood has taught courses on the history of modern philosophy, modern political philosophy, Kant, Fichte and existentialism.

  • Xiaoze Xie

    Xiaoze Xie

    Paul L. and Phyllis Wattis Professor of Art

    BioXiaoze Xie received his Master of Fine Art degrees from the Central Academy of Arts & Design in Beijing and the University of North Texas. He has had solo exhibitions at the Scottsdale Museum of Contemporary Art, AZ; Dallas Visual Art Center, TX; Modern Chinese Art Foundation, Gent, Belgium; Charles Cowles Gallery, New York; Gallery Paule Anglim, San Francisco; Nicholas Metivier Gallery, Toronto; China Art Archives and Warehouse, Beijing; Gaain Gallery, Seoul; Devin Borden Hiram Butler Gallery, Houston, TX; among others. He has participated in numerous group exhibitions including Shu: Reinventing Books in Contemporary Chinese Art at the China Institute Gallery in New York and Seattle Asian Art Museum, and the traveling exhibition Regeneration: Contemporary Chinese Art from China and the US. His 2004 solo at Charles Cowles was reviewed in “The New York Times”, “Art in America” and "Art Asia Pacific". More recent shows have been reviewed in “Chicago Tribune”, “The Globe and Mail” and “San Francisco Chronicle”. His work is in the permanent collection of the Museum of Fine Arts, Houston and the Scottsdale Museum of Contemporary Art and the Arizona State University Art Museum. Xie received the Pollock-Krasner Foundation Grant (2003) and artist awards from Phoenix Art Museum (1999) and Dallas Museum of Art (1996). Xie is the Paul L. & Phyllis Wattis Professor of Art at Stanford University.

  • Yvonne Yarbro-Bejarano

    Yvonne Yarbro-Bejarano

    Professor of Iberian and Latin American Cultures, Emerita

    BioProfessor Yarbro-Bejarano is interested in Chicana/o cultural studies with an emphasis on gender and queer theory; race and nation; interrogating critical concepts in Chicana/o literature; and representations of race, sexuality and gender in cultural production by Chicanas/os and Latinas/os.

    She is the author of Feminism and the Honor Plays of Lope de Vega (1994), The Wounded Heart: Writing on Cherríe Moraga (2001), and co-editor of Chicano Art: Resistance and Affirmation (1991). She has published numerous articles on Chicana/o literature and culture. She teaches Introduction to Chicana/o Studies and a variety of undergraduate courses on literature, art, film/video, theater/performance and everyday cultural practices. Her graduate seminars include topics such as race and nation; interrogating critical concepts in Chicana/o literature; and representations of race, sexuality and gender in cultural production by Chicanas/os and Latinas/os.

    Since 1994, Professor Yarbro-Bejarano has been developing "Chicana Art," a digital archive of images focusing on women artists. Professor Yarbro-Bejarano is chair of the Chicana/o Studies Program in Stanford's Center for Comparative Studies in Race and Ethnicity.

  • Ali Yaycioglu

    Ali Yaycioglu

    Associate Professor of History

    BioAli Yaycioglu is a historian of the Ottoman Empire and Modern Turkey. His research centers on economic, political and legal institutions and practices as well as social and cultural life in southeastern Europe and the Middle East during the Ottoman Empire. He also has a research agenda on how people imagined, represented and recorded property, territory, and nature in early periods. Furthermore, Yaycioglu explores how we can use digital tools to understand, visualize and conceptualize these imaginations, representations and recordings. Yaycioglu’s first book, Partners of the Empire: Crisis of the Ottoman Order in the Age of Revolutions (Stanford University Press, 2016) offers a rethinking of the Ottoman Empire within the global context of the revolutionary age in the eighteenth and early nineteenth centuries. Currently Dr. Yaycioglu is working on a book project entitled The Ultimate Debt: State, Wealth and Death in the Ottoman Empire, in which he analyzes transformations in property, finance and statehood in the eighteenth and nineteenth centuries. Ali Yaycioglu is the supervisor of a digital history project, Mapping Ottoman Epirus housed in Stanford’s Center for Spatial and Textual Analysis.

  • Lee Yearley

    Lee Yearley

    Walter Y. Evans-Wentz Professor of Oriental Philosophies, Religions and Ethics

    BioLee Yearley works in comparative religious ethics and poetics, focusing on materials from China and the West. He is the author of The Ideas of Newman: Christianity and Human Religiosity and Mencius and Aquinas: Theories of Virtue and Conceptions of Courage (recently translated into Chinese), as well as numerous journal articles and essays in edited volumes.

    Professor Yearley holds a Ph.D. from University of Chicago.

  • Yiqun Zhou

    Yiqun Zhou

    Associate Professor of East Asian Languages and Cultures and, by courtesy, of Classics

    BioResearch Areas:
    - Chinese and comparative women’s history

    - Early Chinese literature

    - Ming-Qing fiction

    - China-Greece comparative studies

    -Reception of classical antiquity in modern China

  • Steven Zipperstein

    Steven Zipperstein

    The Daniel E. Koshland Professor of Jewish Culture and History

    BioSteven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University. He has also taught at universities in Russia, Poland, France, and Israel; for six years, he taught at Oxford University. For sixteen years he was Director of the Taube Center for Jewish Studies at Stanford.

    He is the author and editor of nine books including The Jews of Odessa: A Cultural History (1986, winner of the Smilen Prize for the Outstanding book in Jewish history); Elusive Prophet: Ahad Ha’am and the Origins of Zionism (1993, winner of the National Jewish Book Award); Imagining Russian Jewry (1999); and Rosenfeld’s Lives: Fame, Oblivion, and the Furies of Writing (2008, shortlisted for the National Jewish Book Award in Biography, Autobiography and Memoir). His work has been translated into Russian, Hebrew, and French. His most recent book, Pogrom: Kishinev and the Tilt of History, published by Liveright/WW Norton, (2018 ) was shortlisted as the best non-fiction book of the year by the Mark Lytton Prize, named as a finalist for the National Jewish Book Award, and a Book of the Year by "The Economist, "Ha-Aretz" and "Mosaic Magazine. Widely reviewed, Pogrom inspired the 2019 novel The Adventures of the Peculiar Protocols by Nicolas Meyer, and several plays now in production. He is currently at work on a biography of Philip Roth for Yale's Jewish Lives. Zipperstein’s articles have appeared in The New York Times Sunday Book Review, the Washington Post, The New Republic, the Jewish Review of Books, Chronicle of Higher Education and elsewhere.

    Zipperstein has served as editor of the journal Jewish Social Studies for twenty years, and the book series Stanford Studies in Jewish History and Culture for a quarter of a century. Currently, together with Anita Shapira, he is series editor of the award-winning Yale University Press/Leon Black Foundation Jewish Lives series which has, to date, published nearly sixty books. Zipperstein is the immediate past Chair of the Academic Advisory Council of the Center for Jewish History. His PhD students now teach at dozens of universities here, and abroad, including the University of Chicago, UCLA, Queens College, CUNY, Yeshiva College, University of Wisconsin, Madison, Northwestern, University of Florida, Gainsville, and elsewhere.

    Zipperstein's contributions to the field have been recognized by the Leviant Prize of the Modern Language Association, the Judah Magnes Gold Medal of the American Friends of the Hebrew University, and the Koret Prize for Outstanding Contributions to the American Jewish community. He has held fellowships at the Radcliffe Institute at Harvard University, the Institute for Advanced Studies at the Hebrew University of Jerusalem, the Yitzhak Rabin Institute in Tel Aviv, and has twice been a Visiting Professor at the Ecole des Hautes Etudes Sciences Sociales. In spring 2014, he was the first Jacob Kronhill Scholar at the YIVO Institute for Jewish Research, in New York.

    In 2022, he won the Humanities and Sciences Dean's Award for Excellence in Graduate Education. In 2023, Zipperstein was elected to the American Academy of Arts and Sciences.

  • Dafna Zur

    Dafna Zur

    Associate Professor of East Asian Languages and Cultures and, by courtesy, of Comparative Literature

    BioDafna Zur is an Associate Professor in the Department of East Asian Languages and Cultures at Stanford University. She teaches courses on Korean literature, cinema, and popular culture. Her book, Figuring Korean Futures: Children’s Literature in Modern Korea (Stanford University Press, 2017), traces the affective investments and coded aspirations made possible by children’s literature in colonial and postcolonial Korea. She is working on a new project on moral education in science and literary youth magazines in postwar North and South Korea. She has published articles on North Korean science fiction, the Korean War in North and South Korean children’s literature, childhood in cinema, and Korean popular culture. Her translations of Korean fiction have appeared in wordwithoutborders.org, The Columbia Anthology of Modern Korean Short Stories, and the Asia Literary Review.