School of Humanities and Sciences


Showing 41-56 of 56 Results

  • Barna Szász

    Barna Szász

    Lecturer

    BioBarna Szász is a Budapest-born filmmaker & XR storyteller. He moved to the U.S. in 2017 on a Fulbright and graduated from Stanford University’s MFA Documentary Film program in 2019.

    Barna believes that important stories told well can make a great impact. This is why beyond story and dramaturgy he's also an enthusiastic explorer of forms old and new: besides documentary films, his Instagram is loaded with 35mm analog photos, and his recent works include location-based interactive AR/MR experiences, and live VR works as well as 360 documentaries. By thinking openly about form, his goal is to find emotion-driven, impactful stories and present them in a form that best suits them. Using a collaborative approach, Barna works together with communities to amplify their voices so he can best represent them, and brings on experts ranging from psychologists to historians to optimize impact and maximize accuracy.

    His documentary work was acquired by PBS’s POV Shorts and the Guardian, Staff-Picked at Vimeo, and screened at DOC NYC, DOK Leipzig, CPH:DOX, Big Sky, Frameline, Outfest, and other festivals. His video journalism work has been viewed by more than 1M viewers and has been shared by more than 100K. As an XR creator, he has been selected for the world’s leading XR workshops and forums such as the NewImages XR Market and the European Creators’ Lab. As a CPH:LAB fellow he’s developed Kvöldvaka, a multi-sensory AR documentary that aims to redefine our relationship with nature, in the era of climate change, and If These Streets Could Talk, a location-based interactive Mixed Reality experience that corrects the historically distorted media representation of the Holocaust.

    Before moving to the U.S., Barna earned a BA in Motion Picture at his country's main film school, the University of Film and Theatre Arts, Budapest. Then he worked as a video journalist and later as Head of Video at Index.hu, Hungary’s equivalent of the New York Times. As a lecturer he has taught Video Journalism at Moholy-Nagy University of Art and Design. Currently, he lectures on XR storytelling at Stanford University.

  • Nancy de Wit

    Nancy de Wit

    Victoria and Roger Sant Professor of Art, Emerita

    BioNancy J. Troy is Victoria and Roger Sant Professor in Art and Chair of the Art & Art History Department at Stanford University. In addition to The De Stijl Environment (MIT Press, 1983), she is the author of Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier (Yale University Press, 1991), Couture Culture: A Study in Modern Art and Fashion(MIT Press, 2003), and, most recently, The Afterlife of Piet Mondrian(University of Chicago Press, 2013). In this book about Mondrian after his death in 1944, Troy examines the trajectories of the artist's work and legacy as they circulated through the realms of elite and popular culture, and she explores the ways in which the dominant historical narrative of Mondrian and his work has been shaped by art-market forces.

    Professor Troy received her PhD from Yale University in 1979, and thereafter taught at The Johns Hopkins University (1979-83), Northwestern University (1983-93), and the University of Southern California (1994-2010). A past president of the National Committee for the History of Art, she was Editor-in-Chief of the flagship art history journal, The Art Bulletin, from 1994 to 1997. She has been awarded many fellowships, most notably from the Guggenheim Foundation, the American Council of Learned Societies, the Getty Research Institute, the Institute for Advanced Study, and the Center for Advanced Study in the Visual Arts.

    At Stanford, Professor Troy teaches courses on modern European and American art, architecture and design; cubism; modern art and fashion; art, business and the law; the art market, and topics generated by the collections and exhibitions of the Cantor Arts Center and the Art and Architecture Library.

  • Frederick Turner

    Frederick Turner

    Harry and Norman Chandler Professor of Communication, Akiko Yamazaki and Jerry Yang University Fellow in Undergraduate Education and Professor, by courtesy, of Art and Art History and of History

    BioFred Turner’s research and teaching focus on media technology and cultural change. He is especially interested in the ways that emerging media have helped shape American life since World War II.

    Turner is the author of three books: The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties; From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism; and Echoes of Combat: The Vietnam War in American Memory. His essays have tackled topics ranging from the rise of reality crime television to the role of the Burning Man festival in contemporary new media industries. They are available here: fredturner.stanford.edu/essays/.

    Turner’s research has received a number of academic awards and has been featured in publications ranging from Science and the New York Times to Ten Zen Monkeys. It has also been translated into French, Spanish, German, Polish and Chinese.

    Turner is also the Akiko Yamazaki and Jerry Yang University Fellow in Undergraduate Education. Before joining the faculty at Stanford, Turner taught Communication at Harvard University’s John F. Kennedy School of Government and the Massachusetts Institute of Technology. He also worked as a freelance journalist for ten years, writing for the Boston Sunday Globe Magazine, the Boston Phoenix, and the Pacific News Service.

    Turner earned his Ph.D. in Communication from the University of California, San Diego. He has also earned a B.A. in English and American Literature from Brown University and an M.A. in English from Columbia University.

  • Camille Utterback

    Camille Utterback

    Associate Professor of Art and Art History and, by courtesy, of Computer Science

    BioCamille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world.

    Her work has been exhibited at galleries, festivals, and museums internationally, including The Frist Center for Visual Arts, Nashville, TN; The Orange County Museum of Art, Newport Beach, CA; ZERO1 The Art & Technology Network, San Jose, CA; The New Museum of Contemporary Art, The American Museum of the Moving Image, New York; The NTT InterCommunication Center, Tokyo; The Seoul Metropolitan Museum of Art; The Netherlands Institute for Media Art; The Taipei Museum of Contemporary Art; The Center for Contemporary Art, Kiev, Ukraine; and the Ars Electronica Center, Austria. Utterback’s work is in private and public collections including Hewlett Packard, Itaú Cultural Institute in São Paolo, Brazil, and La Caixa Foundation in Barcelona, Spain.

    Awards and honors include a MacArthur Foundation Fellowship (2009), a Transmediale International Media Art Festival Award (2005), a Rockefeller Foundation New Media Fellowship (2002) and a commission from the Whitney Museum for the CODeDOC project on their ArtPort website (2002). Utterback holds a US patent for a video tracking system she developed while working as a research fellow at New York University (2004). Her work has been featured in The New York Times (2010, 2009, 2003, 2002, 2001), Art in America (October, 2004), Wired Magazine (February 2004), ARTnews (2001) and many other publications. It is also included in Thames & Hudson’s World of Art – Digital Art book (2003) by Christiane Paul.

    Recent public commissions include works for the Liberty Mutual Group, the FOR-SITE Foundation, The Sacramento Airport, The City of San Jose, California, The City of Fontana, California, and the City of St. Louis Park, Minnesota. Other commissions include projects for The American Museum of Natural History in New York, The Pittsburgh Children’s Museum, The Manhattan Children’s Museum, Herman Miller, Shiseido Cosmetics, and other private corporations.

    Utterback is currently an Assistant Professor in the Art and Art History Department at Stanford University. She holds a BA in Art from Williams College, and a Masters degree from The Interactive Telecommunications Program at New York University’s Tisch School of the Arts. She currently lives and works in San Francisco.

  • Richard Vinograd

    Richard Vinograd

    Christensen Professor of Asian Art

    BioRichard Vinograd is the Christensen Fund Professor in Asian Art in the Department of Art & Art History at Stanford University, where he has taught since 1989. Dr. Vinograd’s research interests include Chinese portraiture, landscape painting and cultural geography, urban cultural spaces, painting aesthetics and theory, art historiography, and inter-media studies. He is the author of Boundaries of the Self: Chinese Portraits, 1600-1900 (Cambridge: Cambridge University Press, 1992); co-editor of New Understandings of Ming and Qing Painting (Shanghai: Shanghai Calligraphy Painting Publishing House, 1994); and co-author of Chinese Art & Culture (New York: Prentice Hall and Harry N. Abrams, 2001). He has published more than thirty journal articles, anthology chapters, conference papers, and catalogue essays on topics ranging from tenth-century landscape painting to contemporary transnational arts.

  • Leila Weefur

    Leila Weefur

    Lecturer

    BioLeila Weefur (He/They/She) is an artist, writer, and curator based in Oakland, CA. Through video and installation, their interdisciplinary practice examines the performativity intrinsic to systems of belonging. The work brings together concepts of sensorial memory, abject Blackness, hyper surveillance, and the erotic. Weefur is a recipient of the Walter & Elise Haas Creative Work Fund and the MSP California Black Voices Project. Weefur has worked with local and national institutions including The Wattis Institute, McEvoy Foundation, Berkeley Art Museum and Pacific Film Archive, SFMOMA, Museum of the African Diaspora, and Smack Mellon. Weefur’s writing has been published in SEEN by BlackStar Productions, Sming Sming Books, Baest Journal, and more.

  • Gail Wight

    Gail Wight

    Professor of Art and Art History, Emerita

    BioGail Wight holds an MFA in New Genres from the San Francisco Art Institute where she was a Javits Fellow, and a BFA from the Studio for Interrelated Media at Massachusetts College of Art. She has an extensive international exhibition record, with over a dozen solo exhibits throughout North America and Great Britain, and her work has been collected by numerous institutions including the Museum of Modern Art in New York. Among her many artist residencies are western Australia’s Symbiotica, Art & Archaeology at Stonehenge, the Rockefeller Foundation in Bellagio, and San Francisco’s Exploratorium. Her work is represented by Patricia Sweetow Gallery in San Francisco.

  • Xiaoze Xie

    Xiaoze Xie

    Paul L. and Phyllis Wattis Professor of Art

    BioXiaoze Xie received his Master of Fine Art degrees from the Central Academy of Arts & Design in Beijing and the University of North Texas. He has had solo exhibitions at the Scottsdale Museum of Contemporary Art, AZ; Dallas Visual Art Center, TX; Modern Chinese Art Foundation, Gent, Belgium; Charles Cowles Gallery, New York; Gallery Paule Anglim, San Francisco; Nicholas Metivier Gallery, Toronto; China Art Archives and Warehouse, Beijing; Gaain Gallery, Seoul; Devin Borden Hiram Butler Gallery, Houston, TX; among others. He has participated in numerous group exhibitions including Shu: Reinventing Books in Contemporary Chinese Art at the China Institute Gallery in New York and Seattle Asian Art Museum, and the traveling exhibition Regeneration: Contemporary Chinese Art from China and the US. His 2004 solo at Charles Cowles was reviewed in “The New York Times”, “Art in America” and "Art Asia Pacific". More recent shows have been reviewed in “Chicago Tribune”, “The Globe and Mail” and “San Francisco Chronicle”. His work is in the permanent collection of the Museum of Fine Arts, Houston and the Scottsdale Museum of Contemporary Art and the Arizona State University Art Museum. Xie received the Pollock-Krasner Foundation Grant (2003) and artist awards from Phoenix Art Museum (1999) and Dallas Museum of Art (1996). Xie is the Paul L. & Phyllis Wattis Professor of Art at Stanford University.