School of Humanities and Sciences


Showing 441-450 of 616 Results

  • Daniel Rich

    Daniel Rich

    Lecturer

    BioDan has over 30 years of public sector experience, including 27 years in local government management in the Bay Area. After working in the city manager's offices of Sunnyvale and Belmont, he was appointed City Manager of Campbell, CA in 2005. After six years there, he became City Manager of Mountain View, CA where he served until his retirement at the end of 2019. Dan helped lead Campbell through the Great Recession and in Mountain View worked on a wide range of initiatives, including a number of complex land use partnerships and award winning long range planning documents. He also worked on statewide pension reform issues and regional transportation and affordable housing issues.

    Dan co-led the Public Policy Practicum in Winter 2021 and also helped develop and co-teach Urban Studies/Public Policy 163/Earth Systems 168 in Spring 2021.

    Prior to retiring, Dan partnered with the Lane Center and Haas Center over the years on a number of programs and projects related to local government and served as the City Manager in Residence at Stanford in 2018. He is a Bay Area native and received a BA in Economics and Political Science from U.C. Berkeley and a Master in Public Policy from Harvard University.

  • Judith Richardson

    Judith Richardson

    Senior Lecturer in English

    BioJudith Richardson is a senior lecturer in English and program coordinator for American Studies. After receiving her PhD from Harvard University, Judith began teaching at Stanford in 2001, offering a range of courses on American literature, including classes on women writers, early American literature, autobiographies, and the literature of cities. The author of Possessions: The History and Uses of Haunting in the Hudson Valley (2003) she continues to write and lecture—at Stanford and beyond—on the history and literature of New York, and on issues of place and cultural memory more broadly. She is currently working on a book about nineteenth-century America’s “plant-mindedness,” its multivalent obsession with vegetable matters.

  • John Rick

    John Rick

    Associate Professor of Anthropology, Emeritus

    BioJohn Rick’s research focuses on prehistoric archaeology and anthropology of hunter-gatherers and initial hierarchical societies, stone tool analysis and digital methodologies, Latin America, Southwestern U.S. Rick’s major research efforts have included long-term projects studying early hunting societies of the high altitude puna grasslands of central Peru, and currently he directs a major research project at the monumental World Heritage site of Chavín de Huántar aimed at exploring the foundations of authority in the central Andes. Other field projects include work on early agricultural villages in the American Southwest, and a recently-initiated project on the Preclassic and Early Classic archaeology of the Guatemalan highlands near Panajachel, Atitlan. Current emphasis is on employing dimensional analytical digital techniques to the study of landscape and architecture, and on exploring the contexts and motivations for the development of sociopolitical inequalities.

  • John Rickford

    John Rickford

    J. E. Wallace Sterling Professor in the Humanities, Emeritus

    Current Research and Scholarly InterestsI am a variationist sociolinguist (someone who studies language variation, often quantitatively, in relation to society and culture). I’m interested in understanding the relations between language variation, social structure and meaning, and language change, from descriptive, theoretical and applied perspectives.

    A lot of my work has been devoted to understanding the linguistic, social and stylistic constraints on specific linguistic variables, like the variation between Guyanese pronouns am, she, and her in “e like am” (deep creole, basilect) versus “e like she” (intermediate creole, mesolect) versus “He likes her” (standard English, acrolect). Or, to take an American example, the variation between all and like as quotative introducers in “He’s all/like ‘I don’t know’.” But I’ve also been concerned with trying to figure out where such variables come from historically, and whether they represent ongoing or completed change. I’ve also used the data from specific variables to address larger methodological and theoretical concepts in sociolinguistics, like how best to conceptualize the speech community and analyze linguistic variation by social class and ethnicity, or to assess the role of addressee versus topic in style shifting or the validity of the hyothesis that linguistic and social constraints are essentially independent (in their effects, not frequencies).

    My data come primarily from English-based creoles of the Caribbean (especially my native Guyanese Creole, but also Jamaican and Barbadian) and from colloquial American English (especially African American Vernacular English, but also, recently, from computer corpora, like Google newsgroup data). I’ve also been interested, increasingly since the 1990s, in how sociolinguistic research can be applied to help us understand and overcome the challenges that vernacular and creole speakers face in schools, where standard/mainstream varieties are expected.

  • Jessica Riskin

    Jessica Riskin

    Frances and Charles Field Professor of History

    BioJessica Riskin received her B.A. from Harvard University and her Ph.D. from the University of California at Berkeley. She taught at MIT before coming to Stanford, and has also taught at Iowa State University and at Sciences Po, Paris. Her research interests include early modern science, politics and culture and the history of scientific explanation.

    Riskin is the author of Science in the Age of Sensibility: The Sentimental Empiricists of the French Enlightenment (2002), which won the American Historical Association's J. Russell Major Prize for best book in English on any aspect of French history, and the editor of Genesis Redux: Essays in the History and Philosophy of Artificial Life (2007) and, with Mario Biagioli, of Nature Engaged: Science in Practice from the Renaissance to the Present (2012). She is also the author of The Restless Clock: A History of the Centuries-Long Debate over What Makes Living Things Tick (2016), which won the 2021 Patrick Suppes Prize in the History of Science from the American Philosophical Society.

  • Eric Roberts

    Eric Roberts

    The Charles Simonyi Professor in the School of Engineering, Emeritus

    BioFrom 1990-2002, Roberts served as associate chair and director of undergraduate studies for the Computer Science Department before being appointed as Senior Associate Dean in the School of Engineering and later moving on to become Faculty Director for Interdisciplinary Science Education in the office of the VPUE.

  • Regina Lee Roberts

    Regina Lee Roberts

    Head of Social Science Resource Group, Librarian, Social Sciences Resource Group

    Current Role at StanfordHead of the Social Sciences Resource Group & Librarian for Anthropology, Communication & Journalism, Feminist Studies, & Lusophone Africa.

  • Aileen Robinson

    Aileen Robinson

    Assistant Professor of Theater and Performance Studies

    Current Research and Scholarly InterestsAileen K. Robinson is a historian of performance and technology with specializations in 18th and 19th century British theatre and Black cultural performances. Working across the history of science, technology, and theatre, Robinson explores how systems of knowledge, connected to the body and the object, overlapped to produce practices of research, dissemination, and valuation.

    Robinson's current book manuscript explores intersections between technological, scientific, and theatrical knowledge in early nineteenth-century science museums. She investigates how theatrical performances and magic shows drew upon technological innovations and formed unique methods for disseminating scientific knowledge. She teaches across the history of science and performance, magic and technology, eighteenth- and nineteenth-century stagecraft, and 19th and 20th-century Black artistic production.