Stanford University
Showing 201-210 of 243 Results
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Anne Marion Shulock
Assistant Vice President for the Arts, Office of the Vice President for the Arts
BioAnne Shulock, the assistant vice president for the arts at Stanford University, provides leadership and support to advance a cohesive, distinctive vision for the arts at Stanford. She is responsible for evaluating the portfolio of non-academic arts offerings on campus (Anderson Collection, Cantor Arts Center, Stanford Live, Stanford Arts Institute, the Institute for Diversity in the Arts, and the public art program), coordinating efforts across units, and operationalizing a strategy for future creative and artistic endeavors at Stanford. She also provides crucial support to the vice present for the arts in further articulating and implementing the priorities of the arts at Stanford, fostering collaboration across the university’s arts programs, and integrating the arts into many facets of student, campus, and community life.
Shulock is an experienced arts administrator dedicated to serving students, artists, educators, and audiences in pursuit of meaningful creative experiences. Prior to joining Stanford in 2019, she worked at the San Francisco Art Institute, an influential art college with a legacy of experimentation and innovation. As chief of staff in the Office of the President, Shulock partnered with the senior leadership team and Board of Trustees to coordinate and successfully drive institutional initiatives, including the opening of SFAI’s graduate campus within the Fort Mason Center for Arts & Culture. Prior to becoming chief of staff, she served as senior assistant to the president for strategic planning and communications and held several key roles within SFAI’s marketing department. Shulock was also a contributing editor for Art Practical, a publishing platform that enriched critical dialogue for the visual arts, emphasizing amplifying diverse voices and underrepresented perspectives. She began her career as a reporter for Sactown magazine in her hometown of Sacramento, writing arts and entertainment coverage. -
Leeth Singhage
Ida Fellow, Institute for Diversity in the Arts
Undergraduate, Management Science and Engineering
Student Wardrobe Supervisor, Theater and Performance Studies
Undergraduate, Theater and Performance StudiesBioLeeth Singhage is an actor, writer, and producer from Sri Lanka, pursuing dual degrees in Management Science & Engineering (B.S.) and Theater & Performance Studies (B.A.) at Stanford. His creative work often investigates pressing current events and explores themes of identity, resilience, and cross-cultural storytelling. His writing credits include QUARANteen (2021), a verbatim-theater production on the teen experience of the COVID19 lockdowns, GROWTHesque (2022-23), a meta exploration of Sri Lanka's political and economic crisis hosted at the Edinburgh Fringe and NYC's United Solo festivals and filmed by Kehelmala Studios, Lab-Grown Meat (2023) a solo play on the incipient alt-meat industry produced at Stanford, and Yakada Yaka (2026), a full-length play on suicide currently in development in Sri Lanka and in the U.S.
Beyond appearances in his original work produced under SarongHoodie, Leeth has played lead roles across theater and screen internationally for over 10-years. Select acting credits include: "Shaan Murthy" in British TV series The Good Karma Hospital - Season 4 (2022) by Tiger Aspects Productions, "Friedrich" in the Broadway touring production of The Sound of Music (2018) by Andrew Lloyd Webber's The Really Useful Group, "Kalana" in multiple award-winning Grease Yaka Returns (2019-20) by AnandaDrama, "Ariel" in The Workshop Players' Shakespeare in the Park production of The Tempest (2017) by AnandaDrama, and "Peter Pan" in Peter Pan the Musical (2016) by COLD Theatre 7.
Leeth has worked in development for Academy® Award-winning filmmakers Jimmy Chin and Chai Vasarhelyi at Little Monster Films, for the multiple Emmy® Award-winning team at Baboon Animation, and for Sri Lankan production company, Kehelmala. Through his cross-cultural storytelling company, SarongHoodie, he aims to increase international representation of underprivileged communities in film and television.
