Stanford University
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Elijah Appelson
Masters Student in Management Science and Engineering, admitted Autumn 2025
BioElijah Appelson is an activist, mathematician, and computational social scientist. From 2023 to 2025, he served as the first data analyst/scientist at the ACLU of Louisiana, focusing on immigration, policing, and the broader criminal legal system. There, he conducted statistical analyses for legal cases, supported policy change, and developed educational tools, including "Visualizing Police Violence in Louisiana" and "Policing in Louisiana: By the Facts". He is skilled in web scraping, predictive modeling, and data storytelling, and uses these tools to create accountability. Prior to the ACLU, he held roles at the Center for Community Alternatives and the Vera Institute of Justice, intersecting technical expertise with a commitment to civil rights. His academic interests center on using machine learning to hold state violence accountable through education, policy, and law.
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Mark Applebaum
Leland and Edith Smith Professor
BioStudied with Brian Ferneyhough, Joji Yuasa, Rand Steiger; additional studies with Roger Reynolds, Phillip Rhodes, Mary Ellen Childs, Conlon Nancarrow.
Selected commissions: Fromm Foundation, Merce Cunningham Dance Company, Vienna Modern Festival, Paul Dresher Ensemble, American Composers Forum, Betty Freeman, Zeitgeist, Meridian Arts Ensemble, MANUFACTURE (Tokyo), Belgium’s Champ D’Action, ADEvantgarde / Bayerische Theaterakademie (Munich), Electronic Music Midwest, Jerome Foundation, Harmida Trio.
Recipient of the American Music Center’s Stephen Albert Award, Hincks Fellowship at Villa Montalvo Artist Colony, Jazz Society of Southern California Prize, 2005 2nd place emsPrize from Electronic Music Stockholm, Stanford’s 2003 Gores Award for Teaching Excellence.
Performances include: Darmstadt New Music Courses, ICMC, Festival Spaziomusica, Young Nordic Music Festival, Sonic Circuits Hong Kong, SEAMUS, Southeastern Composers League, SIGGRAPH, the American Composers Orchestra’s OrchestraTech, Piano Spheres, Northwestern University New Music Marathon, the College Music Society, BONK Festival, Borges Festival in France, UNYAZI Festival South Aftrica, Time Canvas and TRANSIT Festivals in Belgium, the Essl Museum in Vienna, NIME at IRCAM in Paris, and the Kennedy Center.
Papers include Experience Music Project’s Popular Music Studies conference, an article in New Music and Aesthetics in the 21st Century.
Additional fields of interest include sound-sculpture design, jazz performance, collaborations with neural artists, animators, architects, florists, choreographers, laptop DJs. Recordings released on Innova, Tzadik, SEAMUS, & Capstone. Taught at Mississippi State University, Carleton College, and the University of California, San Diego. -
Andrew Lee Aquila
Staff Scientist, SLAC National Accelerator Laboratory
Current Role at StanfordTender X-ray Instrument (TXI) lead - Andrew Aquila leads one of the scientific instruments at LCLS. TXI focuses on the tender X-ray spectrum (2 keV to 7 keV), with dedicated instrumentation for laser pumped tender spectroscopy, forward scattering and X-ray pump/X-ray probe methods.
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Giancarlo Aquilanti
Senior Lecturer in Music
BioStudied composition with Paolo Ugoletti, Glenn Glasow, Wayne Peterson, and Jody Rockmaker.
Numerous compositions, including songs for voice and various combinations of instruments, several orchestral, choral and band pieces, string quartets, and the operas La povertà, Lot’s Women, and Oxford Companions.
Recipient of the Walter J. Gores award for excellence in teaching (2003-04), Stanford's highest award.