Bio
Smith is a professor emeritus of music and (by courtesy) electrical engineering (Information Systems Lab) based at the Center for Computer Research in Music and Acoustics (CCRMA). Teaching and research pertain to music and audio applications of signal processing. Former software engineer at NeXT Computer, Inc., responsible for signal processing software pertaining to music and audio. For more, see https://ccrma.stanford.edu/~jos/.
Academic Appointments
-
Emeritus Faculty, Acad Council, Music
Honors & Awards
-
Keynote Speaker, Digital Audio Effects (DAFx) Conference, Edinburgh (2017)
-
Keynote Speaker, Linux Audio Conference (LAC-2015), Mainz, Germany (2015)
-
Plenary Speaker, IEEE International Workshop on Recent Trends in Signal Processing, Cluj-Napoca, Romania (2015)
-
CIRMMT Distinguished Lecture, McGill University (2010)
-
Keynote Speaker, Digital Audio Effects (DAFx) Converence, Como Italy (2009)
-
Fellow, Audio Engineering Society (2008)
-
Heyser Lecture, Audio Engineering Society Conference (San Francisco) (2006)
-
Invited Masterclass, Audio Engineering Society Conference (San Francisco) (2006)
-
Keynote Speaker, Digital Audio Effects Conference (DAFx) (2006)
-
Keynote Speaker, IEEE Workshop on Applications of Signal Processing to Audio & Acoustics (WASPAA) (2005)
-
Fellow, Acoustical Society of America (2003)
-
Invited Speaker, first in the Opening Session, Stockholm Musical Acoustics Conference (2003)
-
Technical Program Chair, IEEE Audio & Acoustics Signal Processing Workshop (1997)
-
Member, IRCAM Scientific Council (1996)
-
Plenary Speaker, Nordic Acoustics Conference (1996)
-
Keynote Speaker, Tempo Reale Workshop on Physical Modeling (1996)
-
Inventor Recognition Award, Stanford Office of Technology and Licensing (1996)
-
Keynote Speaker, ICMC-91 (Int. Computer Music Conf.) (1996)
-
Graduate Fellowship, Hertz (Fall 1977 to Fall 1982)
Professional Education
-
B.Sc. (Hons), Rice University, Electrical Engineering (1975)
-
PhD, Stanford University, Electrical Engineering (1983)
2024-25 Courses
- Audio DSP Projects in Faust and C++
MUSIC 320C (Win, Spr) -
Independent Studies (11)
- Concentrations Project
MUSIC 198 (Aut, Win, Spr) - Independent Study
MUSIC 199 (Aut, Win, Spr) - Independent Study
MUSIC 299 (Aut, Win, Spr) - MA/MST Capstone Project
MUSIC 298 (Aut, Win, Spr) - PhD Dissertation Proposal
MUSIC 398 (Aut, Win, Spr) - Practicum Internship
MUSIC 390 (Aut, Win, Spr) - Readings in Music Theory
MUSIC 321 (Aut, Win, Spr) - Research in Computer-Generated Music
MUSIC 220D (Aut, Win, Spr) - Self-Paced Coursework, Projects, and/or Research in Music/Audio Signal Processing
MUSIC 320E (Aut, Win, Spr) - Special Studies or Projects in Electrical Engineering
EE 390 (Aut, Win, Spr) - Writing of Original Research for Engineers
ENGR 199W (Aut, Win, Spr)
- Concentrations Project
-
Prior Year Courses
2023-24 Courses
- Audio DSP Projects in Faust and C++
MUSIC 320C (Spr)
2022-23 Courses
- Audio DSP Projects in Faust and C++
MUSIC 320C (Spr) - Music/Audio Signal Processing Research Overviews
MUSIC 322 (Aut) - Time-Frequency Audio Signal Processing
MUSIC 421A (Spr)
2021-22 Courses
- Audio DSP Projects in Faust and C++
MUSIC 320C (Spr) - Graduate Research in Music Technology
MUSIC 423 (Spr)
- Audio DSP Projects in Faust and C++
Stanford Advisees
-
Doctoral Dissertation Advisor (AC)
Travis Skare -
Master's Program Advisor
Emily Kuo -
Doctoral (Program)
Travis Skare
All Publications
-
A landmark article on nonlinear time-domain modeling in musical acoustics.
The Journal of the Acoustical Society of America
2021; 150 (2): R3
Abstract
The Reflections series takes a look back on historical articles from The Journal of the Acoustical Society of America that have had a significant impact on the science and practice of acoustics.
View details for DOI 10.1121/10.0005725
View details for PubMedID 34470302
-
A landmark article on nonlinear time-domain modeling in musical acoustics
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA
2021; 150 (2): R3-R4
View details for DOI 10.1121/10.0005725
View details for Web of Science ID 000682987500001
-
Electric-to-acoustic pickup processing for string instruments: An experimental study of the guitar with a hexaphonic pickup.
The Journal of the Acoustical Society of America
2021; 150 (1): 385
Abstract
A signal processing method to impart the response of an acoustic string instrument to an electric instrument that includes frequency-dependent string decay alterations is proposed. This type of processing is relevant when trying to make a less resonant instrument, such as an electric guitar, sound similar to a more resonant instrument, such as acoustic guitar. Unlike previous methods which typically only perform equalization, our method includes detailed physics-based string damping changes by using a time-varying filter which adds frequency-dependent exponential damping. Efficient digital filters are fit to bridge admittance measurements of an acoustic instrument and used to create equalization filters as well as damping correction filters. The damping correction filters are designed to work in real-time as they are triggered by onset and pitch detection of the signal measured through an under-saddle pickup to determine the intensity of the damping. A test case is presented in which an electric guitar is processed to model a measured acoustic guitar.
View details for DOI 10.1121/10.0005540
View details for PubMedID 34340520
-
Electric-to-acoustic pickup processing for string instruments: An experimental study of the guitar with a hexaphonic pickupa)
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA
2021; 150 (1): 385-397
View details for DOI 10.1121/10.0005540
View details for Web of Science ID 000675403200001
-
State-space modeling of sound source directivity: An experimental study of the violin and the clarinet.
The Journal of the Acoustical Society of America
2021; 149 (4): 2768
Abstract
A method is presented for simulating the free-field, frequency-dependent directivity of linear sound sources for use in real-time within geometric acoustic environments. The method, which is applied to modeling the directivity of a violin body and a clarinet air column from experimental acoustic data in this study, is based on using minimum-phase measurements to design a state-space filter, allowing the interactive simulation of a time-varying number of radiated sound wavefronts, each toward a time-varying direction. With applicability in sound synthesis and/or auralization within virtual environments, where sound sources change position and orientation dynamically, techniques are proposed for modeling and simulating directivity profiles on perceptual frequency axes with alternatives for representing directivity on a per-vibration-mode basis while incorporating relative phase terms or by reduced-order efficient representations comprising separate components for the signature resonant structure and the associated directivity on an adjustable frequency resolution.
View details for DOI 10.1121/10.0004241
View details for PubMedID 33940861
-
Improved Real-Time Monophonic Pitch Tracking with the Extended Complex Kalman Filter
JOURNAL OF THE AUDIO ENGINEERING SOCIETY
2020; 68 (1-2): 78–86
View details for DOI 10.17743/jaes.2019.0053
View details for Web of Science ID 000607787600008
-
Converting Series Biquad Filters Into Delayed Parallel Form: Application to Graphic Equalizers
IEEE TRANSACTIONS ON SIGNAL PROCESSING
2019; 67 (14): 3785–95
View details for DOI 10.1109/TSP.2019.2919419
View details for Web of Science ID 000472607600002
-
Generalized Wave Digital Filter Realizations of Arbitrary Reciprocal Connection Networks
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMS I-REGULAR PAPERS
2019; 66 (2): 694–707
View details for DOI 10.1109/TCSI.2018.2867508
View details for Web of Science ID 000457357200021
-
Modeling Circuits With Arbitrary Topologies and Active Linear Multiports Using Wave Digital Filters
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMS I-REGULAR PAPERS
2018; 65 (12): 4233–46
View details for DOI 10.1109/TCSI.2018.2837912
View details for Web of Science ID 000448934700017
-
Modeling sound scattering using a combination of the edge source integral equation and the boundary element method.
The Journal of the Acoustical Society of America
2018; 144 (1): 131
Abstract
A hybrid method for sound scattering calculations is presented in this paper. The boundary element method (BEM) is combined with a recently developed edge source integral equation (ESIE) [J. Acoust. Soc. Am. 133, 3681-3691 (2013)]. Although the ESIE provides accurate results for convex, rigid polyhedra, it has several numerical challenges, one of which applies to certain radiation directions. The proposed method, denoted ESIEBEM, overcomes this problem with certain radiation directions by applying a similar approach as BEM. First, the sound pressure is calculated on the surface of the scattering object using the ESIE, and then second, the scattered sound is obtained at the receiver point using the Kirchhoff-Helmholtz boundary integral equation, as BEM does. The three methods have been compared for the scattering by a rigid cube. Based on results from several discretizations, ESIE and ESIEBEM results are typically (90% quartile) within 3-4·10-4 for a kL-value of 1.83 and 2·10-3 for kL=9.15, L being the cube length, of reference results computed with the BEM. The computational cost of ESIEBEM appears to be lower than BEM.
View details for PubMedID 30075636
-
Modeling sound scattering using a combination of the edge source integral equation and the boundary element method
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA
2018; 144 (1): 131-141
View details for DOI 10.1121/1.5044404
View details for Web of Science ID 000440810900027
-
Mobile Music, Sensors, Physical Modeling, and Digital Fabrication: Articulating the Augmented Mobile Instrument
APPLIED SCIENCES-BASEL
2017; 7 (12)
View details for DOI 10.3390/app7121311
View details for Web of Science ID 000419175800107
-
Perceptual Spatial Audio Recording, Simulation, and Rendering
IEEE SIGNAL PROCESSING MAGAZINE
2017; 34 (3): 36-54
View details for DOI 10.1109/MSP.2017.2666081
View details for Web of Science ID 000400377100007
-
Joint Modeling of Bridge Admittance and Body Radiativity for Efficient Synthesis of String Instrument Sound by Digital Waveguides
IEEE-ACM TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2017; 25 (5): 1128-1139
View details for DOI 10.1109/TASLP.2017.2689241
View details for Web of Science ID 000410513000004
-
Design of Recursive Digital Filters in Parallel Form by Linearly Constrained Pole Optimization
IEEE SIGNAL PROCESSING LETTERS
2016; 23 (11): 1547-1550
View details for DOI 10.1109/LSP.2016.2605626
View details for Web of Science ID 000384589300001
-
Modeling Nonlinear Wave Digital Elements Using the Lambert Function
IEEE TRANSACTIONS ON CIRCUITS AND SYSTEMS I-REGULAR PAPERS
2016; 63 (8): 1231-1242
View details for DOI 10.1109/TCSI.2016.2573119
View details for Web of Science ID 000383596000013
-
More Than Fifty Years of Artificial Reverberation
AUDIO ENGINEERING SOC INC. 2016
View details for Web of Science ID 000576926400001
-
Wave Digital Filter Modeling of Circuits with Operational Amplifiers
IEEE. 2016: 1033-1037
View details for Web of Science ID 000391891900198
-
RESOLVING GROUPED NONLINEARITIES IN WAVE DIGITAL FILTERS USING ITERATIVE TECHNIQUES
BRNO UNIV TECHNOLOGY, FAC ELECTRICAL ENG & COMMUNICATION. 2016: 279-286
View details for Web of Science ID 000432607600039
-
THE FENDER BASSMAN 5F6-A FAMILY OF PREAMPLIFIER CIRCUITS-A WAVE DIGITAL FILTER CASE STUDY
BRNO UNIV TECHNOLOGY, FAC ELECTRICAL ENG & COMMUNICATION. 2016: 263-270
View details for Web of Science ID 000432607600037
-
RT-WDF-A MODULAR WAVE DIGITAL FILTER LIBRARY WITH SUPPORT FOR ARBITRARY TOPOLOGIES AND MULTIPLE NONLINEARITIES
BRNO UNIV TECHNOLOGY, FAC ELECTRICAL ENG & COMMUNICATION. 2016: 287-294
View details for Web of Science ID 000432607600040
-
SYNTHESIS OF SOUND TEXTURES WITH TONAL COMPONENTS USING SUMMARY STATISTICS AND ALL-POLE RESIDUAL MODELING
BRNO UNIV TECHNOLOGY, FAC ELECTRICAL ENG & COMMUNICATION. 2016: 129-136
View details for Web of Science ID 000432607600019
-
Efficient Synthesis of Room Acoustics via Scattering Delay Networks
IEEE-ACM TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2015; 23 (9): 1478-1492
View details for DOI 10.1109/TASLP.2015.2438547
View details for Web of Science ID 000356006900007
-
WAVE DIGITAL FILTER ADAPTORS FOR ARBITRARY TOPOLOGIES AND MULTIPORT LINEAR ELEMENTS
NORWEGIAN UNIV SCI TECHNOL. 2015: 379–86
View details for Web of Science ID 000432610400056
-
An Energetic Interpretation of Nonlinear Wave Digital Filter Lookup Table Error
IEEE. 2015
View details for Web of Science ID 000380451600067
-
HARMONIZING EFFECT USING SHORT-TIME TIME-REVERSAL
NORWEGIAN UNIV SCI TECHNOL. 2015: 81-86
View details for Web of Science ID 000432610400012
-
Multi-Port NonLinearities in Wave Digital Structures
IEEE. 2015
View details for Web of Science ID 000380451600069
-
A GENERAL AND EXPLICIT FORMULATION FOR WAVE DIGITAL FILTERS WITH MULTIPLE/MULTIPORT NONLINEARITIES AND COMPLICATED TOPOLOGIES
IEEE. 2015
View details for Web of Science ID 000377205500026
-
RESOLVING WAVE DIGITAL FILTERS WITH MULTIPLE/MULTIPORT NONLINEARITIES
NORWEGIAN UNIV SCI TECHNOL. 2015: 387–94
View details for Web of Science ID 000432610400057
-
DIGITAL MODELING OF STRING INSTRUMENT BRIDGE REFLECTANCE AND BODY RADIATIVITY FOR SOUND SYNTHESIS BY DIGITAL WAVEGUIDES
IEEE. 2015
View details for Web of Science ID 000377205500069
-
A PHYSICALLY-INFORMED, CIRCUIT-BENDABLE, DIGITAL MODEL OF THE ROLAND TR-808 BASS DRUM CIRCUIT
INT AUDIO LABORATORIES ERLANGEN. 2014: 159–66
View details for Web of Science ID 000432613600023
-
SHORT-TIME TIME-REVERSAL ON AUDIO SIGNALS
INT AUDIO LABORATORIES ERLANGEN. 2014: 29-33
View details for Web of Science ID 000432613600005
-
Towards a physical model of the berimbau: Obtaining the modal synthesis of the cabaza.
journal of the Acoustical Society of America
2013; 134 (5): 4243-?
Abstract
The worldwide presence of Brazilian culture grows every day. However, some of the musical instruments used in its principal cultural activities lack of a formal acoustic analysis which would make them more understandable for the rest of the world. One of them is the berimbau-de-barriga (berimbau), which consists of a string (wire) attached to an arched rod and a resonance box called cabaza. Modeling the berimbau will not only open up possibilities for its application to other musical genres, but will also allow the incorporation of its characteristics into new virtual instruments. The present work describes the modal synthesis of the cabaza, i.e., modeling this sounding box as a parallel bank of digital resonators. Impulse response measurements were obtained using a force hammer, and second-order resonator frequency-responses were fit to the data using Matlab.
View details for DOI 10.1121/1.4831602
View details for PubMedID 24181934
-
Force-Sensitive Detents Improve User Performance for Linear Selection Tasks
IEEE TRANSACTIONS ON HAPTICS
2013; 6 (2): 206-216
Abstract
Haptic technology, providing force cues and creating a programmable interface, can assist users in more accurately using an interface. This paper investigates haptic assistance in combination with auditory feedback instead of visual feedback. A user test is carried out in which participants select fundamental frequencies from a continuous range to play brief musical melodies. Two control conditions are compared with two detent-based haptic assistance conditions. The detents gently guide the users toward locations of equal tempered fundamental frequencies. Results from the user test confirm improved accuracy brought about by the detents. It is further helpful to provide regulation of the strength of haptic assistance in real time, allowing the user to remain always in control. This concept motivated the force-sensitive detent condition, which enables the user to adjust the strength of the haptic assistance in real time by changing the downward force applied to the haptic device. The work implies that users of graphical user interfaces could similarly benefit from force-sensitive detents and more generally real-time regulation of the strength of haptic assistance.
View details for DOI 10.1109/ToH.2012.55
View details for Web of Science ID 000319877500007
-
Fifty Years of Artificial Reverberation
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2012; 20 (5): 1421-1448
View details for DOI 10.1109/TASL.2012.2189567
View details for Web of Science ID 000302210400001
-
Optimized Polynomial Spline Basis Function Design for Quasi-Bandlimited Classical Waveform Synthesis
IEEE SIGNAL PROCESSING LETTERS
2012; 19 (3): 159-162
View details for DOI 10.1109/LSP.2012.2183123
View details for Web of Science ID 000299811300001
-
EXPLOITING THE HARMONIC STRUCTURE FOR SPEECH ENHANCEMENT
IEEE International Conference on Acoustics, Speech and Signal Processing
IEEE. 2012: 4569–4572
View details for Web of Science ID 000312381404160
-
Feedback control of acoustic musical instruments: Collocated control using physical analogs
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA
2012; 131 (1): 963-973
Abstract
Traditionally, the average professional musician has owned numerous acoustic musical instruments, many of them having distinctive acoustic qualities. However, a modern musician could prefer to have a single musical instrument whose acoustics are programmable by feedback control, where acoustic variables are estimated from sensor measurements in real time and then fed back in order to influence the controlled variables. In this paper, theory is presented that describes stable feedback control of an acoustic musical instrument. The presentation should be accessible to members of the musical acoustics community who may have limited or no experience with feedback control. First, the only control strategy guaranteed to be stable subject to any musical instrument mobility is described: the sensors and actuators must be collocated, and the controller must emulate a physical analog system. Next, the most fundamental feedback controllers and the corresponding physical analog systems are presented. The effects that these controllers have on acoustic musical instruments are described. Finally, practical design challenges are discussed. A proof explains why changing the resonance frequency of a musical resonance requires much more control power than changing the decay time of the resonance.
View details for DOI 10.1121/1.3651091
View details for Web of Science ID 000299131200032
View details for PubMedID 22280719
-
Audio Signal Processing Using Graphics Processing Units
JOURNAL OF THE AUDIO ENGINEERING SOCIETY
2011; 59 (1-2): 3-19
View details for Web of Science ID 000288572800001
-
Analysis and Synthesis of Coupled Vibrating Strings Using a Hybrid Modal-Waveguide Synthesis Model
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2010; 18 (4): 833-842
View details for DOI 10.1109/TASL.2009.2033979
View details for Web of Science ID 000276621600012
-
Automated Physical Modeling of Nonlinear Audio Circuits For Real-Time Audio Effects-Part I: Theoretical Development
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2010; 18 (4): 728-737
View details for DOI 10.1109/TASL.2009.2033978
View details for Web of Science ID 000276621600003
-
Alias-Suppressed Oscillators Based on Differentiated Polynomial Waveforms
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2010; 18 (4): 786-798
View details for DOI 10.1109/TASL.2009.2026507
View details for Web of Science ID 000276621600008
-
Introduction to the Special Issue on Virtual Analog Audio Effects and Musical Instruments
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2010; 18 (4): 713-714
View details for DOI 10.1109/TASL.2010.2046449
View details for Web of Science ID 000276621600001
-
Efficient Antialiasing Oscillator Algorithms Using Low-Order Fractional Delay Filters
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2010; 18 (4): 773-785
View details for DOI 10.1109/TASL.2009.2035039
View details for Web of Science ID 000276621600007
-
Robust, Efficient Design of Allpass Filters for Dispersive String Sound Synthesis
IEEE SIGNAL PROCESSING LETTERS
2010; 17 (4): 406–9
View details for DOI 10.1109/LSP.2010.2040924
View details for Web of Science ID 000417800000001
-
Virtual String Synthesis
SCIENCE OF STRING INSTRUMENTS
2010: 417-455
View details for DOI 10.1007/978-1-4419-7110-4_23
View details for Web of Science ID 000286092900023
-
Spectral Delay Filters
JOURNAL OF THE AUDIO ENGINEERING SOCIETY
2009; 57 (7-8): 521-531
View details for Web of Science ID 000269367300004
-
Numerical methods for simulation of guitar distortion circuits
COMPUTER MUSIC JOURNAL
2008; 32 (2): 23-42
View details for Web of Science ID 000256805700002
-
Audio Watermarking through Deterministic plus Stochastic Signal Decomposition
EURASIP JOURNAL ON INFORMATION SECURITY
2007
View details for DOI 10.1155/2007/75961
View details for Web of Science ID 000215280000005
-
Parameterized finite difference schemes for plates: Stability, the reduction of directional dispersion and frequency warping
IEEE TRANSACTIONS ON AUDIO SPEECH AND LANGUAGE PROCESSING
2007; 15 (4): 1488-1495
View details for DOI 10.1109/TASL.2006.889737
View details for Web of Science ID 000245909800032
-
Inducing unusual dynamics in acoustic musical instruments
IEEE Conference on Control Applications
IEEE. 2007: 411–416
View details for Web of Science ID 000253024000070
-
Humming Control Interface for Hand-held Devices
9th International ACM SIGACCESS Conference on Computers and Accessibility
ASSOC COMPUTING MACHINERY. 2007: 259–260
View details for Web of Science ID 000268617200049
-
Efficient time-varying loudness estimation via the hopping Goertzel DFT
50th Midwest Symposium on Circuits and Systems
IEEE. 2007: 362–363
View details for Web of Science ID 000257110900092
-
Generative model of voice in noise for structured coding applications
32nd IEEE International Conference on Acoustics, Speech and Signal Processing
IEEE. 2007: 281–284
View details for Web of Science ID 000249040000071
-
Singer-dependent falsetto detection for live vocal processing based on support vector classification
40th Asilomar Conference on Signals, Systems and Computers
IEEE. 2006: 1139–1142
View details for Web of Science ID 000246925202054
-
Energy-conserving finite difference schemes for nonlinear strings
ACTA ACUSTICA UNITED WITH ACUSTICA
2005; 91 (2): 299-311
View details for Web of Science ID 000228392800012
-
Joint estimation of glottal source and vocal tract for vocal synthesis using Kalman smoothing and EM algorithm
Workshop on Applications of Sigbak Processing to Audio and Acoustics
IEEE. 2005: 327–330
View details for Web of Science ID 000236204100082
-
The simulation of piano string vibration: From physical models to finite difference schemes and digital waveguides
JOURNAL OF THE ACOUSTICAL SOCIETY OF AMERICA
2003; 114 (2): 1095-1107
Abstract
A model of transverse piano string vibration, second order in time, which models frequency-dependent loss and dispersion effects is presented here. This model has many desirable properties, in particular that it can be written as a well-posed initial-boundary value problem (permitting stable finite difference schemes) and that it may be directly related to a digital waveguide model, a digital filter-based algorithm which can be used for musical sound synthesis. Techniques for the extraction of model parameters from experimental data over the full range of the grand piano are discussed, as is the link between the model parameters and the filter responses in a digital waveguide. Simulations are performed. Finally, the waveguide model is extended to the case of several coupled strings.
View details for DOI 10.1121/1.1587146
View details for Web of Science ID 000184637500048
View details for PubMedID 12942987
-
Finite difference schemes and digital waveguide networks for the wave equation: Stability, passivity, and numerical dispersion
IEEE TRANSACTIONS ON SPEECH AND AUDIO PROCESSING
2003; 11 (3): 255-266
View details for DOI 10.1109/TSA.2003.811535
View details for Web of Science ID 000183877300009
-
PHYSICAL MODELING USING DIGITAL WAVE-GUIDES
COMPUTER MUSIC JOURNAL
1992; 16 (4): 74-98
View details for Web of Science ID A1992KH76800010
-
SMITH,J.O. COMMENTS ON SULLIVAN KARPLUS-STRONG ARTICLE
COMPUTER MUSIC JOURNAL
1991; 15 (2): 10-11
View details for Web of Science ID A1991FP42600005
-
FUNDAMENTALS OF DIGITAL-FILTER THEORY
COMPUTER MUSIC JOURNAL
1985; 9 (3): 13-23
View details for Web of Science ID A1985ASN4300003
-
EXTENSIONS OF THE KARPLUS-STRONG PLUCKED-STRING ALGORITHM
COMPUTER MUSIC JOURNAL
1983; 7 (2): 56-69
View details for Web of Science ID A1983QT84000004
-
A CONSTANT-GAIN DIGITAL RESONATOR TUNED BY A SINGLE COEFFICIENT
COMPUTER MUSIC JOURNAL
1982; 6 (4): 36-40
View details for Web of Science ID A1982PU40500007