Karol Berger
Osgood Hooker Professor in Fine Arts, Emeritus
Music
Bio
Karol Berger (Ph.D. Yale 1975) is the Osgood Hooker Professor in Fine Arts, Emeritus at the Department of Music, as well as an affiliated faculty at the Department of German Studies, and an affiliated researcher at the Europe Center. A native of Poland, he has lived in the U.S. since 1968 and taught at Stanford since 1982. He has received fellowships from the National Endowment for the Humanities, Alexander von Humboldt Foundation, American Council of Learned Societies, the Rockefeller Foundation’s Bellagio Study and Conference Center, and Stanford Humanities Center. In 2011-12 he has been the EURIAS Senior Fellow at the Institut für die Wissenschaften vom Menschen in Vienna. In 2005-2006, he was the Robert Lehman Visiting Professor at Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. He is a foreign member of the Polish Academy of Sciences, an honorary member of the American Musicological Society, a member of the American Academy of Arts and Sciences, a foreign member of the Polish Academy of Arts and Sciences (Cracow), and a foreign member of the Academia Europaea. His Musica Ficta received the 1988 Otto Kinkeldey Award of the American Musicological Society, his Bach's Cycle, Mozart's Arrow the 2008 Marjorie Weston Emerson Award of the Mozart Society of America, and his Beyond Reason the 2018 Otto Kinkeldey Award of the American Musicological Society. In 2011 he received the Glarean Prize from the Swiss Musicological Society and in 2014 the Humboldt Research Award of the Alexander von Humboldt Foundation.
Academic Appointments
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Emeritus Faculty, Acad Council, Music
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Affiliated Faculty Member, The Europe Center
2024-25 Courses
- Aesthetics and Criticism of Music, Contemporaries: Heidegger to Today
MUSIC 300I (Win) -
Prior Year Courses
2023-24 Courses
2022-23 Courses
2021-22 Courses
All Publications
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The Arts Today
ARE THE ARTS ESSENTIAL?
2022: 44-+
View details for Web of Science ID 000921919600006
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The Ends of Music History, or: The Old Masters in the Supermarket of Cultures
JOURNAL OF MUSICOLOGY
2014; 31 (2): 186-198
View details for DOI 10.1525/JM.2014.31.2.186
View details for Web of Science ID 000335803600002
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Karol Berger responds
JOURNAL OF MUSICOLOGY
2014; 31 (2): 294-296
View details for Web of Science ID 000335803600006
- Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity A Simpson Book in the Humanities UNIVERSITY OF CALIFORNIA PRESS. 2007
- Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino Cambridge University Press. 2004
- A Theory of Art New York: Oxford University Press. 2002
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CONTEMPLATING MUSIC ARCHEOLOGY + A REVIEW ESSAY OF TOMLINSON,GARY 'MUSIC IN RENAISSANCE MAGIC'
JOURNAL OF MUSICOLOGY
1995; 13 (3): 404-423
View details for Web of Science ID A1995TP94600005
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DIEGESIS AND MIMESIS - THE POETIC MODES AND THE MATTER OF ARTISTIC PRESENTATION
JOURNAL OF MUSICOLOGY
1994; 12 (4): 407-433
View details for Web of Science ID A1994QJ93500002
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THE MARTYRDOM OF ST-SEBASTIAN, THE FUNCTION OF ACCIDENTAL INFLECTIONS IN DUFAY 'O BEATE SEBASTIANE'
EARLY MUSIC
1989; 17 (3): 342-?
View details for Web of Science ID A1989AL82700003
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THE WORK OF MUSIC AND THE PROBLEM OF ITS IDENTITY - INGARDEN,R (Book Review)
JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY
1988; 41 (3): 558-565
View details for Web of Science ID A1988R977000010
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THE EXPANDING UNIVERSE OF MUSICA-FICTA IN THEORY FROM 1300 TO 1550
JOURNAL OF MUSICOLOGY
1986; 4 (4): 410-430
View details for Web of Science ID A1986F635400002
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A BOOK ABOUT STRAVINSKY - ASAFIEV,BV (Book Review)
JOURNAL OF MUSIC THEORY
1984; 28 (2): 294-302
View details for Web of Science ID A1984TW12300006
- Theories of Chromatic and Enharmonic Music in Late 16th-Century Italy Studies in Musicology 10 UMI Research Press. 1980