Bio
After receiving his B.A. from Oxford, Nicholas Jenkins came to the United States as a Harkness Fellow. He did postgraduate work at Columbia and was then employed as an editor and writer at ARTnews magazine in New York. He received a D.Phil. from Oxford and, after teaching in the Harvard English Department for two years, where he co-directed the "Modernism in its Contexts" seminar at the Center for Literary and Cultural Studies, he joined the Stanford English Department.
Jenkins is the Primary Investigator for Kindred Britain, described by the Economist as "an amazing digital humanities website that traces relations between 30,000 British people."
He has edited a Lincoln Kirstein Reader and co-edited and contributed to three volumes of Oxford University Press's "Auden Studies" series. He is General Editor of the Princeton University Press's "Facing Pages" translation series, and he has contributed essays and reviews to periodicals that include the London Review of Books, the Times Literary Supplement, the New York Times Book Review, the New Republic, the New Yorker, Raritan and the Yale Review.
Nicholas Jenkins is Co-Chair of the W. H. Auden Society and the Literary Executor of the poet, scholar and impresario Lincoln Kirstein, co-founder with George Balanchine of the New York City Ballet.
Academic Appointments
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Associate Professor, English
Administrative Appointments
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Faculty Director, Program in Writing and Rhetoric, Stanford University (2010 - 2014)
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Director of the CS+X Initiative (VPUE), Stanford University (2013 - 2014)
Honors & Awards
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Harkness Fellow, Commonwealth Fund (1986-1988)
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Internal Faculty Fellow, Stanford Humanities Center (2000-2001)
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Junior Fellow, American Council of Learned Societies (2000-2001)
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Internal Faculty Fellow, Stanford Humanities Center (2014-2015)
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Eleanor Loring Ritch University Fellow in Undergraduate Education, Stanford University (2014-)
Boards, Advisory Committees, Professional Organizations
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Board member, Center for Interdisciplinary Digital Research (CIDR), Stanford University (2015 - Present)
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Board member, Center for Spatial and Textual Analysis (CESTA), Stanford University (2015 - Present)
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General Editor, "Facing Pages", Princeton University Press (2004 - Present)
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Co-Chair, W. H. Auden Society (1986 - Present)
Professional Education
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D.Phil., Oxford University (1997)
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M.A., Oxford University (1997)
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B.A., Oxford University (1984)
Current Research and Scholarly Interests
20th-century culture and literature, especially poetry; digital humanities; art
2024-25 Courses
- Paradise Lost
ENGLISH 114B (Win) - Poetry and Poetics
ENGLISH 160 (Win) -
Independent Studies (4)
- Individual Work
AMSTUD 195 (Win) - Individual Work
ENGLISH 198 (Aut, Win, Spr) - Research Course
ENGLISH 398 (Aut, Win, Spr) - Revision and Development of a Paper
ENGLISH 398R (Aut, Win, Spr)
- Individual Work
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Prior Year Courses
2023-24 Courses
- Paradise Lost
ENGLISH 114B (Win) - Poetry and Poetics
ENGLISH 160 (Win)
2022-23 Courses
- Paradise Lost
ENGLISH 114B (Spr) - Poetry and Poetics
ENGLISH 160 (Win)
- Paradise Lost
All Publications
- Poetry and knowledge The Princeton encyclopedia of poetry and poetics edited by Greene, R., Cushman, S., Cavanagh, C., Ramazani, J., et al Princeton University Press. 2012; 4th
- No cloud in sight: Larkin’s traumatic skies The Movement and modernism edited by Leader, Z. Oxford University Press. 2009
- The Auden group Oxford dictionary of national biography edited by Cannadine, D., et al Oxford University Press. 2008; online edn.
- Historical as Munich — Auden at 100: who is he now? Times Literary Supplement 2007: 12-15
- “Running on the waves”: Pollock, Lowell, Bishop and the American ocean Yale Review 2007; 95 (2): 46-82
- Lincoln Kirstein: the last tycoon Raritan 2007; 27 (2): 1-18
- Looking into John Ashbery’s "a self-portrait in a convex mirror" [Wokó» ‚,Autoportretu’’ Johna Ashbery’ ego] Literatura na Ñwiecie [Warsaw] 2006; 7-8: 24-51
- Auden in America Cambridge Companion to W. H. Auden edited by Smith, S. Cambridge University Press. 2005: 39–54
- Writing “without roots”: Auden, Eliot, and post-national poetry "Something we have that they don’t": British and American poetic relations since 1925 edited by Clark, S., Ford, M. University of Iowa Press. 2004: 75–97
- Either or or and: an enigmatic moment in the history of “September 1, 1939” Yale Review 2002; 90 (3): 22-39