Bio


Special fields: aesthetics, history of theory, music of Weill, Hindemith and Beethoven.

Stephen Hinton is the Avalon Foundation Professor in the Humanities at Stanford University, Professor of Music and, by courtesy, of German. From 2011-15 he served as the Denning Family Director of the Stanford Arts Institute. From 2006–2010 he was Senior Associate Dean for Humanities & Arts, and from 1997–2004 chairman of the Department of Music. Before moving to Stanford, he taught at Yale University and, before that, at the Technische Universität Berlin. His publications include The Idea of Gebrauchsmusik; Kurt Weill: The Threepenny Opera for the series Cambridge Opera Handbooks; the critical edition of Die Dreigroschenoper for the Kurt Weill Edition (edited with Edward Harsh); Kurt Weill, Gesammelte Schriften (Collected Writings, edited with Jürgen Schebera, and issued in 2000 in an expanded second edition); and the edition of the Symphony Mathis der Maler for Paul Hindemith’s Collected Works.

He has published widely on many aspects of modern German music history and theory, with contributions to publications such as Handwörterbuch der musikalischen Terminologie, New Grove Dictionary of Music and Musicians, Musik in Geschichte und Gegenwart, and Funkkolleg Musikgeschichte. He has also served as editor of the journal Beethoven Forum. Recent articles include “The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition” (Music & Letters, 2010) and “Schoenberg’s Harmonielehre: Psychology and Comprehensibility” (Tonality 1900-1950: Concept and Practice). His book Weill’s Musical Theater: Stages of Reform, the first musicological study of Kurt Weill’s complete stage works, was published by the University of California Press in spring 2012.

Academic Appointments


  • Professor, Music
  • Professor (By courtesy), German Studies

Administrative Appointments


  • Director, Denning Family of Arts Initiative and Stanford’s Arts Institute (2011 - 2015)
  • Avalon Foundation Professor in the Humanities, Stanford University (2010 - Present)
  • Senior Associate Dean for Humanities & Arts, Stanford University (2006 - 2010)
  • Chairman, Department of Music, Stanford University (1996 - 2004)
  • Associate Professor, Department of Music, Stanford University (1994 - 2003)
  • Associate Professor, Department of Music, Yale University (1993 - 1994)
  • Visiting professor, Katholieke Universiteit, Leuven (1993 - 1993)
  • Assistant Professor, Department of Music, Yale University (1990 - 1993)
  • “Wissenschaftlicher Assistent” in musicology [equivalent to Assistant Professor], Technische Universität Berlin (1988 - 1990)
  • Postdoctoral Research Scholar (Deutsche Forschungsgemeinschaft), Technische Universität Berlin (1986 - 1988)
  • Research assistant to Professor Carl Dahlhaus (Deutsche Forschungsgemeinschaft), Technische Universität Berlin (1984 - 1985)
  • Tutor [equivalent to Graduate Teaching Assistant], Technische Universität Berlin, Seminar für Musikgeschichte (1982 - 1984)

Honors & Awards


  • Dean's Award for Distinguished Teaching, School of Humanities & Sciences, Stanford University (2015)
  • Kurt Weill Book Prize for Outstanding Scholarship in Music Theater, Kurt Weill Foundation (2013)
  • MacNamara Fellow, Stanford (1996 - 1997)
  • Morse Fellowship, Yale University (1992 - 1993)
  • Postdoctoral Fellowship, Deutsche Forschungsgemeinshaft (1986 - 1988)
  • Major State Scholarship, Department of Education and Science (1978 - 1981)

Boards, Advisory Committees, Professional Organizations


  • Final Selection Committee Member, Andrew W. Mellon Fellowships in Humanistic Studies (2001)
  • Editor-in-Chief, Beethoven Forum (2002 - 2006)
  • Reviews Editor, Beethoven Forum (1998 - 2002)
  • Member, Advisory Board, The Journal of Musicology (2000)
  • Member, Editorial Board, Kurt Weill Edition (1992)
  • Member, Advisory Board, Norton’s History of Western Music (1999 - 2001)
  • Member, Advisory Board, Muziek & Wetenschap (1995)
  • Member, Editorial Board, Journal of Music Theory (1995)
  • Member, Editorial Board, Twentieth-Century Music (2003)
  • Member, Fellowship Committee (AMS 50), American Musicological Society (1997 - 1999)
  • Member, Program Committee, American Musicological Society (1996 - 1996)
  • Member, Editorial Board, Music Theory Online
  • President, Northern California Chapter of the American Musicological Society (2011 - 2013)
  • Honors in the Arts (faculty director), Stanford University
  • Member, Breadth Governance Board, Stanford University (2012)
  • Member, University Advisory Board, Stanford University (2013 - Present)
  • Stanford Humanities Center, chair of search committee for new director, Stanford University (2013 - 2013)
  • Member, Stanford Humanities Center Advisory Board, Stanford University (2012 - Present)
  • Member, Bing Program Advisory Group, Stanford University (2010)
  • Senior Associate Dean for Humanities and Arts, Stanford University (2006 - 2010)
  • Member, University Budget Group, Stanford University (2003 - 2008)
  • Member, Provost’s Housing Committee, Stanford University (1999 - 2000)
  • Member, Faculty Senate, Stanford University (1997 - 1999)
  • Member, Faculty Senate, Stanford University (2003 - 2004)
  • Member, Faculty Senate, Stanford University (2005 - 2007)
  • Member, Faculty Senate, Stanford University (2011 - 2013)
  • Member, Committee on Committees, Stanford University (1997 - 1999)
  • Member, Dean’s Search Committee, Stanford University (1996 - 1996)
  • Member, Yale College Executive Committee, Stanford University (1993 - 1994)

Professional Education


  • Ph.D., University of Birmingham (1984)
  • B.A., University of Birmingham (1978)

2019-20 Courses


Stanford Advisees


  • Doctoral Dissertation Reader (AC)
    Joe Cadagin, Suddhaseel Sen
  • Orals Evaluator
    Joe Cadagin

All Publications


  • Beethoven and Freedom (Book Review) MUSIC & LETTERS Book Review Authored by: Hinton, S. 2019; 100 (1): 150–52

    View details for DOI 10.1093/ml/gcz010

    View details for Web of Science ID 000493399100014

  • Humor and Pathos in Haydn's Op. 20: A Historical Perspective Hinton, S. Gema Records. 2019 ; St. Lawrence String Quartet: Haydn Op. 20, Commentary, pp. 8–16
  • The Idea of Gebrauchsmusik – revisited Danish Yearbook of Musicology http://www.dym.dk/dym_pdf_files/volume_43/dym43_2_02.pdf Hinton, S. 2019; 43 (2): 5 – 19
  • Defining the String Quartet II: Beethoven [online course with St. Lawrence String Quartet] Hinton, S. https://beethoven.lagunita.stanford.edu/. 2019
  • Envisioning Weimar: "Babylon Berlin" Kurt Weill Newsletter https://www.kwf.org/images/newsletter/kwn361p1-12.pdf#page=10 Hinton, S. 2018; 36 (1)
  • Zur Rezeption der Emigranten in der Nachkriegszeit: Der Fall Weill Musikwissenschaft, Nachkriegskultur, Vergangenheitspolitik Hinton, S. edited by Auhagen, W. Georg Olms Verlag. 2017: 15–23
  • Carl Dahlhaus on the History of Music Theory – A Response Theoria: Historical Aspects of Music Theory Hinton, S. 2017; 24: 195-205
  • Defining the String Quartet: Haydn [online course with St. Lawrence String Quartet] Hinton, S. https://haydn.lagunita.stanford.edu. 2016
  • Lady in the Dark as Musical Talking Cure OPERA QUARTERLY Hinton, S. 2015; 31 (1-2): 134-144

    View details for DOI 10.1093/oq/kbv004

    View details for Web of Science ID 000356181600007

  • Weill’s Self-Borrowings Kurt Weill und Frankreich Hinton, S. edited by Eichhorn, A. Waxmann. 2014: 89–101
  • A Note on the Vineyard Style Hinton, S. https://live.stanford.edu/blog/january-2013/note-vineyard-style. 2013
  • Schoenberg’s Harmonielehre: Psychology and Comprehensibility Tonality 1900-1950: Concept and Practice Hinton, S. edited by Wörner, F., Scheideler, U., Rupprecht, P. Steiner: Stuttgart. 2012: 113–24
  • Carl Dahlhaus: Biographie und Methode Carl Dahlhaus und die Musikwissenschaft: Werk, Wirkung, Aktualität Hinton, S. edited by Danuser, H. Schliengen: Argus Verlag. 2011: 37–43
  • Einleitung Carl Dahlhaus und die Musikwissenschaft: Werk, Wirkung, Aktualität Hinton, S. edited by Danuser, H. Schliengen: Argus Verlag. 2011
  • Der Schriftsteller Carl Dahlhaus Carl Dahlhaus und die Musikwissenschaft: Werk, Wirkung, Aktualität Hinton, S. edited by Danuser, H. Schliengen: Argus Verlag. 2011
  • Back to Bach: The Conscience of History Hinton, S. http://americansymphony.org/back-to-bach-the-conscience-of-history/. 2011 ; American Symphony Orchestra
  • THE EMANCIPATION OF DISSONANCE: SCHOENBERG'S TWO PRACTICES OF COMPOSITION MUSIC & LETTERS Hinton, S. 2010; 91 (4): 568-579

    View details for DOI 10.1093/ml/gcq092

    View details for Web of Science ID 000286359000007

  • Mahagonny as Conceived by Weill-Brecht and Smith: Musical Visions of Urbanity Harry Smith: The Avant-Garde in the American Vernacular Hinton, S. edited by Perchuk, A., Singh, R. 2010: 155–171
  • Weill Contra Wagner: Aspects of Ambivalence “… dass alles hätte anders kommen können”: Beiträge zur Musikgeschichte des 20. Jahrhunderts Hinton, S. edited by Schaal, S., Schader, L., Winkler, H. J. 2009: 155–174
  • Libretto im Progress: Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht Brecht Yearbook Hinton, S. 2007; 32
  • Study score with a new Preface Hinton, S., Harsh, E. Vienna: Universal-Edition. 2006
  • Die Dreigroschenoper Hinton, S., Harsh, E. Vienna: Universal-Edition. 2006
  • Amerikanische Musiktheorie: Disziplin ohne Geschichte? Musiktheoretisches Denken und kultureller Kontext Hinton, S. edited by Schmidt, D. Schliengen: Argus-Verlag. 2005: 231–246
  • Zur Epistemologie des Ursatzes Musik und Verstehen Hinton, S. edited by Blumröder, C. v., Steinbeck, W. Laaber: Laaber Verlag. 2004: 74–83
  • The Urform of Opera A New History of German Literature Hinton, S. edited by Kaes, A. Cambridge, Mass.: Harvard. 2004: 758–764
  • Review-article on recent Adorno-related publications Journal of the American Musicological Society Hinton, S. 2003; 56 (1): 198-213
  • Analyse statt Ästhetik Europäische Musikgeschichte Hinton, S. edited by Finscher, L. 2002
  • Wider das bürgerliche Konzertleben Europäische Musikgeschichte Hinton, S. edited by Finscher, L. 2002
  • Romantische Ironie in der Musik? Beiträge zur Kleist-Forschung Hinton, S. Frankfurt Oder: Kleist- Museum. 2002: 21–35
  • Musik und musikalisches Theater: Gesammelte Schriften Hinton, S., Schebera, J. Mainz: Schott. 2000
  • Gebrauchsmusik New Grove Dictionary of Music and Musicians Hinton, S. edited by Sadie, ., Tyrrell, . London: Macmillan. 2000
  • Die Dreigroschenoper Hinton, S., Harsh, E. Miami: European American Music. 2000
  • A new edition of Die 'Dreigroschenoper': Challenges, principles, and solutions NOTES Hinton, S. 1999; 56 (2): 319-330
  • Foreword to the New Kurt Weill Edition Music Library Association Notes Hinton, S. 1999; 56 (2)
  • Die Musiktheorie Heinrich Schenkers und ihre Übertragung ins Englische Musik als Text Hinton, S. edited by Danuser, H., Plebuch, T. Kassel: Bärenreiter. 1999: 184–9
  • Hindemith and Weill: Cases of ‘Inner’ and ‘Other’ Direction Driven into Paradise Hinton, S. edited by Wolff, Brinkmann Berkeley: University of California Press. 1999: 261–78
  • Not which tones? The Crux of Beethoven's Ninth NINETEENTH CENTURY MUSIC Hinton, S. 1998; 22 (1): 61-77
  • Emigration and Self-Discovery Hindemith-Jahrbuch Hinton, S. 1998
  • Hindemith, Bach and the Melancholy of Obligation Hindemith-Jahrbuch Hinton, S. University of Nebraska Press. 1998
  • Adorno’s philosophy of music Oxford Encyclopedia of Aesthetics Hinton, S. edited by Kelly, M. Oxford. 1998
  • Hindemith, Bach and the Melancholy of Obligation Bach Perspectives 3: Creative Responses to Bach from Mozart to Hindemith Hinton, S. University of Nebraska Press. 1998: 133–15
  • Die Dreigroschenoper -- ein Mißverständnis? Kurt Weill: Die frühen Werke 1916-1928 Hinton, S. edited by Diehl, G. 1998: 130–42
  • “Street Scene” and “Down in the Valley” Pipers Enzyklopädie des Musiktheaters Hinton, S. edited by Dahlhaus, C. Munich: Piper. 1997
  • Kurt Weill’s ‘modern classical art Die klassizistische Moderne in der Musik des 20. Jahrhunderts Hinton, S. edited by Danuser, H. 1997: 115–22
  • Teaching New Classicality: Ferruccio Busoni’s Master Class in Composition. European University Studies 152 - Tamara Levitz Kurt Weill Newsletter Hinton, S. 1996
  • Hanns Eisler and the Ideology of Modern Music New Music and Ideology Hinton, S. edited by Delaere, M. Wilhelmshaven. 1996: 79–85
  • Adorno’s Unfinished Beethoven Beethoven Forum 5 Hinton, S. Lincoln and London: University of Nebraska Press. 1996: 139–53
  • THE ENGLISH MUSICAL RENAISSANCE, 1860-1940 - CONSTRUCTION AND DECONSTRUCTION - STRADLING,R, HUGHES,M (Book Review) JOURNAL OF MODERN HISTORY Book Review Authored by: Hinton, S. 1995; 67 (3): 710-712
  • Neue Sachlichkeit Terminologie der Musik im 20. Jahrhundert Hinton, S. edited by Eggebrecht, H. H. Wiesbaden. 1995
  • Gebrauchsmusik Terminologie der Musik im 20. Jahrhundert Hinton, S. edited by Eggebrecht, H. H. Wiesbaden. 1995
  • Emigration als Selbstfindung: Paul Hindemith in den USA Themenheft “Hindemith” Hinton, S. 1995: 30-40
  • Lehrstück: an Aesthetics of Performance Music and Performance in the Weimar Republic Hinton, S. edited by Gilliam, B. Cambridge. 1994: 59–73
  • Großbritannien als Exilland: Der Fall Weill Musik in der Emigration 1933-1945: Verfolgung - Vertreibung - Rückwirkung Hinton, S. edited by Weber, H. Stuttgart. 1994: 213–27
  • Ballad Opera Musik in Geschichte und Gegenwart Hinton, S. 1994; 1
  • Lehrstück: an Aesthetics of Performance Hindemith-Jahrbuch Hinton, S. 1993; XXII: 68-96
  • Fragwürdiges in der deutschen Weill-Rezeption A Stranger Here Myself: Kurt-Weill-Studien Hinton, S. edited by Edler, H., Kowalke, K. Hildesheim. 1993: 23–33
  • Review of Berg: Violin Concerto Notes Hinton, S. 1993
  • Defining Musical Expressionism: Schoenberg and Others Expressionism Reassessed Hinton, S. edited by Behr, S. Manchester. 1993: 121–9
  • Germany, 1919-45 Modern Times, Man and Music Hinton, S. edited by Morgan, R. 1993: 83–110
  • Berg: Violin Concerto -Anthony Pople Notes Hinton, S. 1993; 3 (64/2)
  • Issues in the German Reception of Weill Kurt Weill Newsletter Hinton, S. 1993; 11 (1): 7-9
  • LEITMOTIV AND DRAMA - WAGNER, BRECHT, AND THE LIMITS OF EPIC THEATER - BROWN,HM (Book Review) MUSIC & LETTERS Book Review Authored by: Hinton, S. 1992; 73 (3): 466-468
  • Die Dreigroschenoper New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Der Zar lässt sich photographieren New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Der Silbersee: ein Wintermärchen New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Der Protagonist New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Der Kuhhandel New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Down in the Valley New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Die Bürgschaft New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Aufstieg und Fall der Stadt Mahagonny New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Kurt Weill New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Benjamin Britten Metzler Komponisten-Lexikon Hinton, S. edited by Weber, H. Stuttgart. 1992
  • Composer in a Divided World - Ronald Taylor Kurt Weill Newsletter Hinton, S. 1992; 10 (2): 17f
  • Hindemith: pedagogy and personal style Hindemith-Jahrbuch 1988 Hinton, S. 1992; XVII: 54- 67
  • Street Scene New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Die sieben Todsünden New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Mahagonny-Songspiel New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Lost in the Stars New Grove Dictionary of Opera Hinton, S. edited by Sadie, S. 1992
  • Der Jasager New Grove Dictionary of Opera Hinton, S. edited by Sadie , S. 1992
  • Drops in the Dreigroschen Ocean Kurt Weill Newsletter Hinton, S. 1991; 9 (2): 10-11
  • Orchesterwerke 1932-34: Philharmonisches Konzert; Symphonie “Mathis der Maler” Hinton, S. 1991
  • Expressionismus beim jungen Hindemith? Hindemith-Jahrbuch 1987 Hinton, S. 1991; XVI: 18- 31
  • Hindemith: pedagogy and personal style Italian in Paul Hindemith nella cultura tedesca degli anni venti Hinton, S. edited by Piccardi, C. Milan. 1991
  • Zur Urform der Oper Vom Kurfürstendamm zum Broadway: Kurt Weill (1900-1950) Hinton, S. edited by Kortländer, B. Düsseldorf. 1990: 40–6
  • Colloquium Klassizität, Klassizis-mus, Klassik in der Musik 1920-1950 - Wolfgang Osthoff Music and Letters Hinton, S. 1990; 71: 126-128
  • Neue Sachlichkeit Handwörterbuch der musikalischen Terminologie, Auslieferung Hinton, S. 1990; 18
  • Zur Ästhetik des frühen Hindemith Kunst als Antithese: Karl Hofer Symposium 1988 Hinton, S. edited by Poos, H. 1990: 131–41
  • Musik und Theater: Gesammelte Schriften Hinton, S., Schebera, J. 1990
  • Kurt Weill: The Threepenny Opera Hinton, S. Cambridge Opera Handbooks, Cambridge: Cambridge University Press. 1990
  • Natürliche Übergänge’: Heinrich Schenkers Begriff von der Sonatenform Musiktheorie Hinton, S. 1990; 4: 101-16
  • THE CONSCIENCE OF MUSICOLOGY - DAHLHAUS,CARL (1928-89) MUSICAL TIMES Hinton, S. 1989; 130 (1762): 737-?
  • The Idea of Gebrauchsmusik Hinton, S. New York: Garland. 1989
  • Kurt Weill, Aufstieg und Fall der Stadt Mahagonny. Kölner Rundfunkorchester Kurt Weill Newsletter Hinton, S. 1989; 7 (2): 23-24
  • Gebrauchsmusik Handwörterbuch der musikalischen Terminologie, Auslieferung Hinton, S. 1988; 15
  • Analyse statt Ästhetik Funkkolleg Musik: Studieneinheit Hinton, S. 1988; 24
  • Review of Essays on the philosophy of music - Ernst Bloch Music and Letters Hinton, S. 1988; 67: 423-424
  • Paul Hindemiths Einakter-Triptychon - Annegrit Laubenthal Music and Letters Hinton, S. 1988; 69: 289-291
  • The Music of Paul Hindemith - David Neumeyer Music Analysis Hinton, S. 1988; 7: 356-359
  • Wider das bürgerliche Konzertleben Funkkolleg Musik: Studieneinheit Hinton, S. 1988; 25
  • The Music of Paul Hindemith - David Neumeyer Musiktheorie Hinton, S. 1988; 4: 258-261
  • Bertolt Brecht/Kurt Weill, Die Dreigroschenoper. Igor Strawinsky, The Rake’s Progress: Texte, Materia-lien, Kommentare, Kurt Weill Newsletter Hinton, S. 1988; 6 (1): 18
  • Alexander Goehr Konzertbuch: Kammermusik A-G Hinton, S. edited by Allihn, I. Leipzig. 1988: 683–688
  • The concept of epic opera: theoretical anomalies in the Brecht-Weill partnership Festschrift Carl Dahlhaus Hinton, S. edited by de la Motte, D., Miller, L. 1988: 283–94
  • Opera or Play with Music? An unsung “Dreigroschenprozess" Kurt Weill Newsletter Hinton, S. 1988; 2 (7)
  • Musikwissenschaft und Musiktheorie oder Die Frage nach der phänomenologischen Jungfräulichkeit Musiktheorie Hinton, S. 1988; iii: 195-204
  • Aspects of Hindemith”s Neue Sachlichkeit Hindemith-Jahrbuch 1985 Hinton, S. 1987; XIV: 22-107
  • Bericht: Cambridge University Music Analysis Conference 1986 Musiktheorie Hinton, S. 1987; 6: 103-106
  • Kurt Weill, “Scores” Kurt Weill Newsletter Hinton, S. 1987; 5 (1): 19-20
  • Alte Musik als Hebamme einer neuen Musikästhetik der Zwanziger Jahre Bericht über den internationalen musikwissenschaftlichen Kongress Stuttgart 1985 Hinton, S. edited by Berke, D., Hanemann, D. 1987: 325–30
  • Lasst euch nicht verführen: Brecht und die Musik - Albrecht Dümling Musica Hinton, S. 1986; 40: 271-272
  • Weill: Neue Sachlichkeit, Surrealism and Gebrauchsmusik New Orpheus: Essays on Kurt Weill Hinton, S. edited by Kowalke, K. H. New Haven. 1986: 61–82
  • Review of Hanns Eisler: Kompositionen, Schriften, Literatur - Manfred Grabs Music and Letters Hinton, S. 1986; 67: 405-406
  • Analyse heute Musiktheorie Hinton, S. 1986; 1: 97-9
  • Musik und Musikpolitik im faschistischen Deutsch-land - Heister and Klein Music and Letters Hinton, S. 1986; 67: 188-190
  • Brechts Dreigroschenoper - Werner Hecht (ed.) Kurt Weill Newsletter Hinton, S. 1985; 3 (2): 19
  • Musik nach Mass: Zum Begriff der Gebrauchsmusik bei Paul Hindemith Musica Hinton, S. 1985; 34: 146-150
  • Kurt Weill: Leben und Werk - Jürgen Schebera Music and Letters Hinton, S. 1985; 66: 393-394
  • Schriften: vols 2 & 3 - Hanns Eisler Music and Letters Hinton, S. 1984; 65: 382-384
  • Review of Oper - Leo Karl Gerhartz Kurt Weill Newsletter Hinton, S. 1984; 2 (2): 16f
  • Zur Problematik der Opernstruktur - Erik Fischer Music and Letters Hinton, S. 1984; 65: 272-275
  • 'DREI INTERMEZZI FUR KLAVIER' 'GUERNICA KLAVIERSTUCK NACH PICASSO' - DESSAU,P, SCHENKER,F, ARRANGER MUSIC & LETTERS Hinton, S. 1984; 65 (1): 127-129
  • Sämtliche Werke: I/6, VI/1, VI/5 - Paul Hindemith Music and Letters Hinton, S. 1984; 65: 416-419
  • Review of Zur Problematik der Opernstruktur - Erik Fischer Kurt Weill Newsletter Hinton, S. 1984; 2 (2): 16f
  • Oper: Aspekte der Gattung - Leo Karl Gerhartz Musica Hinton, S. 1984; 38: 271-272
  • Der 2. Kongress der internationalen Schönberg-Gesellschaft in Wien Musica Hinton, S. 1984; 38: 357-358
  • MUSIC AND POLITICS - COLLECTED WRITINGS 1953-81 - HENZE,HW (Book Review) MUSIC & LETTERS Book Review Authored by: Hinton, S. 1983; 64 (3-4): 287-290
  • Review of Hanns Eisler - Albrecht Betz Music and Letters Hinton, S. 1983; 64
  • Orchestersuiten - Hanns Eisler Music and Letters Hinton, S. 1982; 63: 378-378
  • 'HAPPY END' - WEILL,K, BOUSTEAD,A, EDITOR MUSIC & LETTERS Hinton, S. 1982; 63 (1-2): 168-169
  • Hanns Eisler Makers of Modern Culture Hinton, S. edited by Wintle, J. London. 1981: 150–151