Academic Appointments
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Lecturer, Music
2023-24 Courses
- Advanced Tonal Theory
MUSIC 23 (Spr) - Analysis from a Compositional Perspective
MUSIC 305D (Aut) - Analysis of Tonal Music
MUSIC 122B (Win) - Chamber Music
MUSIC 171 (Aut, Win, Spr) - Chamber Music
MUSIC 171Z (Aut, Win, Spr) - Counterpoint
MUSIC 122A (Aut) - Doctoral Seminar in Composition
MUSIC 323 (Spr) - Introduction to Post-Tonal Analysis
MUSIC 122C (Spr) -
Independent Studies (7)
- Concentrations Project
MUSIC 198 (Aut, Win, Spr) - First Individual Undergraduate Projects in Composition I
MUSIC 125 (Aut, Win, Spr) - Independent Study
MUSIC 199 (Aut, Win, Spr, Sum) - Independent Study
MUSIC 299 (Aut, Win, Spr) - Individual Graduate Projects in Composition
MUSIC 325 (Aut, Win, Spr, Sum) - Practicum Internship
MUSIC 390 (Sum) - Readings in Music Theory
MUSIC 321 (Aut, Win, Spr, Sum)
- Concentrations Project
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Prior Year Courses
2022-23 Courses
- Advanced Tonal Theory
MUSIC 23 (Spr) - Analysis for Performance
MUSIC 122D (Aut) - Analysis from a Compositional Perspective
MUSIC 305D (Aut) - Analysis of Tonal Music
MUSIC 122B (Win) - Chamber Music
MUSIC 171 (Aut, Win, Spr) - Chamber Music
MUSIC 171Z (Aut, Win, Spr) - Counterpoint
MUSIC 122A (Aut) - Introduction to Post-Tonal Analysis
MUSIC 122C (Spr)
2021-22 Courses
- Analysis for Performance
MUSIC 122D (Aut) - Analysis from a Compositional Perspective
MUSIC 305D (Aut) - Analysis of Tonal Music
MUSIC 122B (Win) - Chamber Music
MUSIC 171 (Aut, Win, Spr) - Chamber Music
MUSIC 171Z (Aut, Win, Spr) - Counterpoint
MUSIC 122A (Aut) - Elements of Music I
MUSIC 21 (Win) - Introduction to Post-Tonal Analysis
MUSIC 122C (Spr)
2020-21 Courses
- Analysis from a Compositional Perspective
MUSIC 305D (Aut) - Analysis of Tonal Music
MUSIC 122B (Win) - Chamber Music
MUSIC 171 (Aut, Win, Spr) - Chamber Music
MUSIC 171Z (Aut, Win, Spr) - Counterpoint
MUSIC 122A (Aut) - Elements of Music III
MUSIC 23 (Spr) - Introduction to 20th-Century Composition
MUSIC 122C (Spr)
- Advanced Tonal Theory
All Publications
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An Overview of the Symposium
CONTEMPORARY MUSIC REVIEW
2012; 31 (4): 249-256
View details for DOI 10.1080/07494467.2012.725808
View details for Web of Science ID 000312331500001