Branislav Jakovljevic
Professor of Theater and Performance Studies
Academic Appointments
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Professor, Theater and Performance Studies
2020-21 Courses
- Ars Theoretica: On Scholar-Artists
TAPS 341 (Win) - Counter-Institution: Performance and Institutional Critique
TAPS 342 (Spr) - Dramaturgy
TAPS 151, TAPS 315 (Spr) - Law and Drama
TAPS 13N (Sum) -
Independent Studies (1)
- Directed Reading
TAPS 390 (Aut)
- Directed Reading
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Prior Year Courses
2018-19 Courses
- Dramaturgy
TAPS 151, TAPS 315 (Spr) - History of Directing
TAPS 153H, TAPS 253H (Aut)
2017-18 Courses
- Comprehensive 1st Year Exam
TAPS 336 (Win) - Dramaturgy
TAPS 315 (Spr) - Revolutions in Theater
TAPS 167H, TAPS 267 (Aut) - Vital Signs: Performance in the 21st Century
ARTSTUDI 256V, TAPS 156V, TAPS 256V (Aut, Win, Spr)
- Dramaturgy
Stanford Advisees
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Doctoral Dissertation Reader (AC)
Matt Stone
All Publications
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The Peyote Dance (Book Review)
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2020; 64 (4): 177–79
View details for DOI 10.1162/dram_r_00974
View details for Web of Science ID 000591872800014
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The Ownership of Evil: 1968, 1989, and the Mainstreaming of the New Right
PRIMERJALNA KNJIZEVNOST
2020; 43 (3): 49–63
View details for DOI 10.3986/pkn.v43.i3.03
View details for Web of Science ID 000589432900004
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Pere Gynt Mendacity for the 21st Century
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2020; 64 (3): 8–13
View details for DOI 10.1162/dram_a_00938
View details for Web of Science ID 000562109700001
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The Drama of Space: Spatial Sequences and Compositions in Architecture (Book Review)
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2020; 64 (1): 168–70
View details for DOI 10.1162/dram_r_00903
View details for Web of Science ID 000517981000013
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Performance Art and Illiberal Democracy: Marina Abramovic's The Cleaner in Belgrade
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2020; 64 (1): 182–89
View details for DOI 10.1162/dram_a_00910
View details for Web of Science ID 000517981000010
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The Voice from the 10th Row: Carl Weber and the Berliner Ensemble
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2018; 62 (3): 55–108
View details for Web of Science ID 000443034000007
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THE HOWLING WILDERNESS OF THE MALADAPTIVE STRUGGLE IN BELGRADE IN NEW YORK
ARTMARGINS
2018; 7 (2): 17–41
View details for DOI 10.1162/artm_a_00207
View details for Web of Science ID 000436286400003
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For an Art of Participation Common goods for the commons
PERFORMANCE RESEARCH
2018; 23 (4-5): 210–13
View details for DOI 10.1080/13528165.2018.1506618
View details for Web of Science ID 000451381100045
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On Performance Forensics: The Political Economy of Reenactments
ART JOURNAL
2011; 70 (3): 50-54
View details for Web of Science ID 000298825700008
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Wooster Baroque
TDR-THE DRAMA REVIEW-A JOURNAL OF PERFORMANCE STUDIES
2010; 54 (3): 87-122
View details for Web of Science ID 000281358700009
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Theater of Atrocities: Toward a Disreality Principle
PMLA-PUBLICATIONS OF THE MODERN LANGUAGE ASSOCIATION OF AMERICA
2009; 124 (5): 1813-1819
View details for Web of Science ID 000271077100041
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From mastermind to body artist - Political performances of Slobodan Milosevic
TDR-THE DRAMA REVIEW-THE JOURNAL OF PERFORMANCE STUDIES
2008; 52 (1): 51-?
View details for Web of Science ID 000253434600005
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Human Resources: June 1968, Hair, and the Beginning of Yugoslavia's End
GREY ROOM
2008: 39-53
View details for Web of Science ID 000261748100002