School of Humanities and Sciences
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Current Research and Scholarly InterestsMy current research is on the arts, culture, and racial politics in the context of urban restructuring in Oakland, California. This longitudinal ethnographic project focuses on lived experiences of disinvestment, gentrification, precarity, and mutual aid in the 21st century. Balliger previously conducted extensive research in Trinidad on popular music, media expansion, and identity formation in national/transnational space, work described by scholars as “pioneering" in music and sound studies.
Associate Professor of Anthropology
BioAndrew Bauer is an anthropological archaeologist whose research and teaching interests broadly focus on the archaeology of human-environment relations, including the socio-politics of land use and both symbolic and material aspects of producing spaces, places, and landscapes. Andrew's primary research is based in South India, where he co-directs fieldwork investigating the relationships between landscape history, cultural practices, and institutionalized forms of social inequalities and difference during the region’s Neolithic, Iron Age, Early Historic, and Medieval periods. As an extension of his archaeological work he is also interested in the intersections of landscape histories and modern framings of nature that relate to conservation politics and climate change.
Hector Miguel Callejas
Current Research and Scholarly InterestsHector investigates the governance of race and racism across contexts, scales, and processes. He uses ethnography, cultural analysis, and historical research to uncover why racial inequalities persist, and what the possibilities are for resistance, justice, and change.
Bing Professor in Human Biology, Emeritus
BioWilliam (Bill) Durham is Bing Professor in Human Biology (Emeritus), Bass University Fellow in Undergraduate Education, and a Senior Fellow (Emeritus) in the Woods Institute for the Environment at Stanford. He has been jointly appointed in Human Biology and Anthropology at Stanford since 1977, when he came from the Society of Fellows at the University of Michigan. Bill was an undergraduate Biology major at Stanford, Class of 1971, and received the Lloyd W. Dinkelspiel Award at graduation for his contribution to undergraduate education via the NSF-funded Student Air Pollution Research Project, the first student initiative nationally to receive NSF funding.
Bill’s career has focused on two main themes: (1) putting principles of evolution to work in efforts to sustain the biological and cultural diversity of our world; and (2) identifying social dimensions of environmental problems in Latin America and working with local leaders to help solve them. He has carried out fieldwork in Peru, Brazil, and Ecuador (especially Galápagos) in South America, and in El Salvador, Honduras, Panama, and Costa Rica in Central America. In 1983, he was one of the first scholars to receive the MacArthur Prize Fellowship and has also received five five awards for research and teaching at Stanford, including one by vote of the students. Bill’s recent book, Exuberant Life: An Evolutionary Approach to Conservation in Galápagos (Oxford University Press, 2021) was named a Finalist for the 2022 PROSE Award from the Association of American Publishers.
Bill’s other publications include the books Scarcity and Survival in Central America (Stanford Press 1979; and in Spanish, by UCA Editores 1988), Coevolution: Genes, Culture, and Human Diversity (Stanford Press, 1991), The Social Causes of Environmental Destruction in Latin America (U. of Michigan Press, 1995, with M. Painter), Inbreeding, Incest and the Incest Taboo (Stanford Press 2004, with A. Wolf), and Ecotourism and Conservation in the Americas (CABI, 2008, with A. Stronza). In addition, he served as Editor in Chief for 16 volumes of the Annual Review of Anthropology between 1992 and 2008.
Bill was Founding Co-Director of the Center for Responsible Travel (CREST), a research organization that views tourism as a means to promote local livelihoods and environmental conservation. Along with Stanford Professors Rodolfo Dirzo and Larry Crowder, Bill has been Co-director of the Osa-Golfito Initiative (INOGO) in the Woods Institute, working with Costa Ricans to develop a sustainability strategy for the southern region of the country.
He has led more than 35 Stanford Alumni Association trips to Galápagos, Costa Rica, the Amazon, East Africa, and elsewhere.
Associate Professor of Anthropology
BioPaulla Ebron joined the department in 1992. Ebron is the author of Performing Africa, a work based on her research in The Gambia that traces the significance of West African praise-singers in transnational encounters. A second project focuses on tropicality and regionalism as it ties West Africa and the U.S. Georgia Sea Islands in a dialogue about landscape, memory and political uplift. This project is entitled, "Making Tropical Africa in the Georgia Sea Islands."
Susan S. and William H. Hindle Professor in the School of Humanities and Sciences, Emeritus
Current Research and Scholarly InterestsJames's Ferguson's research has focused on southern Africa (especially Lesotho, Zambia, South Africa, and Namibia), and has engaged a broad range of theoretical and ethnographic issues. These include the politics of “development”, rural-urban migration, changing topgraphies of property and wealth, constructions of space and place, urban culture in mining towns, experiences of modernity, the spatialization of states, the place of “Africa” in a real and imagined world, and the theory and politics of ethnography. Running through much of this work is a concern with how discourses organized around concepts such as “development” and “modernity” intersect the lives of ordinary people.
Professor Ferguson's most recent work has explored the surprising creation and/or expansion (both in southern Africa and across the global South) of social welfare programs targeting the poor, anchored in schemes that directly transfer small amounts of cash to large numbers of low-income people. His work aims to situate these programs within a larger “politics of distribution,” and to show how they are linked to emergent forms of distributive politics in contexts where new masses of “working age” people are supported by means other than wage labor. In such settings of scarce and diminishing employment opportunities, distributive practices and distributive politics are acquiring a new centrality, with social protection, in particular, emerging as a key arena within which fundamental questions are addressed concerning how resources should be distributed, who is entitled to receive them, and why. In this context, new political possibilities and dangers are emerging, even as new analytical and critical strategies are required. A book on this topic (Give a Man a Fish: Reflections on the New Politics of Distribution) was recently published by Duke University Press.
Ayana Omilade Flewellen
Assistant Professor of Anthropology
BioAyana Omilade Flewellen (they/she) is a Black Feminist, an archaeologist, an artist scholar, and a storyteller. As a scholar of anthropology and African and African Diaspora Studies, Flewellen's intellectual genealogy is shaped by critical theory rooted in Black feminist epistemology and pedagogy. This epistemological backdrop not only constructs the way they design, conduct, and produce their scholarship but acts as foundational to how she advocates for greater diversity within the field of archaeology and within the broader scope of academia. Flewellen is the co-founder and current President of the Society of Black Archaeologists and sits on the Board of Diving With A Purpose. In July 2022 they will be joining the Department of Anthropology at Stanford University as an Assistant Profess. Her research and teaching interests address Black Feminist Theory, historical archaeology, memory, maritime heritage conservation, public and community-engaged archaeology, processes of identity formations, and representations of slavery and its afterlives. Flewellen has been featured in National Geographic, Science Magazine, PBS, and CNN; and regularly presents her work at institutions including The National Museum for Women in the Arts.