School of Humanities and Sciences
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Doctor of Musical Arts Student, Musical Arts
BioEngin Daglik is a composer, artist and performer who essentially explores the potential of space by combining different fields of art in his works. He is mostly interested in producing works that aim to recreate and re-shape the perception of space in order to make viewers and listeners re-imagine the site transformed by the work. He enjoys designing and producing works for concert, gallery and public spaces by implying different immersive audio techniques, using concrete materials to create explicit structures.
Since graduating with a Bachelor of Music from the Istanbul Bilgi University in 2017, Engin has participated several festivals, workshops and exhibitions around Europe and Turkey. After completing Master of Arts in Music at Bilkent University, he is currently pursuing his DMA at Stanford University. Besides composing and producing, he regularly performs in various projects and free improvisation sessions as a drummer.
Senior Lecturer, Music
BioPianist Laura Dahl is an active international performer and educator, appearing in venues including Carnegie Hall, the Berlin Philharmonic, San Francisco’s Davies Symphony Hall and Stern Grove Festival, Bing Concert Hall at Stanford University, the Carmel Bach Festival, and the Henley Festival in Great Britain. A specialist in collaborative performance and chamber music, Dahl is the founder and artistic director of Music by the Mountain, a chamber music festival in northern California, and the A. Jess Shenson Recital Series at Stanford University. Dahl is a member of the music faculty at Stanford University, where she teaches collaborative and solo piano, chamber music, art song interpretation, and diction. She has also taught at the New National Theatre Young Artists Training Program in Tokyo, Japan.
Dahl’s education featured training on both coasts of the US and in Germany. She was the first musician to be named a German Chancellor’s Scholar of the Alexander von Humboldt Foundation. She lived two years in Germany, studying under pianist Phillip Moll, baritone Dietrich Fischer-Dieskau, and pianist and composer Aribert Reimann. Dahl holds degrees from the University of Michigan School of Music and the New England Conservatory of Music, where she was a student of Martin Katz, Eckart Sellheim, and Margo Garrett. A graduate of San Francisco Opera’s Merola Program, Dahl served as Assistant Conductor for Western Opera Theater and was Associate Director of the San Francisco Boys Chorus. She has been a coach at the San Francisco Conservatory of Music, the New England Conservatory of Music and the University of Michigan Opera Theater. She was an invited fellow at the prestigious Tanglewood Music Center for two years, in addition to studies at the Banff Academy of Singing (Canada) and the Music Academy of the West (Santa Barbara). Dahl was born and raised in the western states of Colorado and Montana.
Professor of Art and Art History and, by courtesy, of Music
BioPaul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. One of the first artists to use computers in performance, he has performed internationally, at The Kitchen, Festival d'Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been exhibited at the I.C.C. in Tokyo, Bravin Post Lee Gallery in New York, The Museum of Modern Art in San Francisco and the 2006 Shanghai Biennale. He has received major awards and fellowships in both Visual Arts and Music from The National Endowment for the Arts, N.Y.F.A., N.Y.S.C.A., the John Simon Guggenheim Foundation, the Rockefeller Foundation and was awarded the Golden Nica for Interactive Art at Ars Electronica in 2006. Much of his recent work deals with the areas of overlap between human communication and technology. Major installations include "The Edison Effect" which uses optics and computers to make new sounds by scanning ancient phonograph records with lasers, "Gray Matter" which uses the interaction of flesh and electricity to make music, "The Messenger" that examines the myths of electricity in communication and recent works such as "RainDance" and "Firebirds" that use fire and water to create the sounds of music and language. Public artworks include large scale interactive installations at Park Tower Hall in Tokyo, at the Olympics in Atlanta and at Expo in Lisbon and an interactive audio environment at the Ft. Lauderdale International Airport. He has been an Artist-in-Residence at The Exploratorium and at Xerox PARC and is currently a Professor of Art at Stanford University in California.
Assistant Professor of Otolaryngology/Head and Neck Surgery (Laryngology) at the Stanford University Medical Center and, by courtesy, of Music
BioI received my Master’s degree in speech language pathology from Purdue University in 2008. I then completed my Clinical Fellowship Year (CFY) at Indiana University Health – Arnett Hospital in Lafayette, Indiana. Following the completion of my Master’s degree, I remained at Purdue and received my PhD in 2012 in laryngeal physiology with M. Preeti Sivasankar, PhD. I then completed postdoctoral training in the Department of Surgery, Division of Otolaryngology – Head & Neck Surgery at the University of Wisconsin-Madison in the laboratory of Susan L. Thibeault, PhD studying vocal fold biology.
I joined the Stanford faculty in 2014 as an Assistant Professor. My clinical interests include the evaluation and treatment of patients with voice, resonance, airway, and swallowing disorders.
My overarching research goal is to use techniques from the basic sciences and human clinical sciences to improve the prevention and management of voice disorders. My research program is directed at improving our understanding of the biologic barriers essential to vocal fold health. Specifically, I investigate how external factors implicated in the development of voice disorders, such as inhaled pollutants, bacteria, and viruses, compromise the function of the vocal fold epithelial and mucus barriers and how these changes may influence voice production. I am also interested in clinical and quality of life outcomes in patients with voice disorders undergoing surgical or behavioral interventions. My ultimate aim is to utilize my research findings to develop novel interventions to prevent and manage voice disorders.