School of Humanities and Sciences


Showing 11-20 of 21 Results

  • Paul DeMarinis

    Paul DeMarinis

    Professor of Art and Art History and, by courtesy, of Music

    BioPaul DeMarinis has been working as an electronic media artist since 1971 and has created numerous performance works, sound and computer installations and interactive electronic inventions. One of the first artists to use computers in performance, he has performed internationally, at The Kitchen, Festival d'Automne a Paris, Het Apollohuis in Holland and at Ars Electronica in Linz and created music for Merce Cunningham Dance Co. His interactive audio artworks have been exhibited at the I.C.C. in Tokyo, Bravin Post Lee Gallery in New York, The Museum of Modern Art in San Francisco and the 2006 Shanghai Biennale. He has received major awards and fellowships in both Visual Arts and Music from The National Endowment for the Arts, N.Y.F.A., N.Y.S.C.A., the John Simon Guggenheim Foundation, the Rockefeller Foundation and was awarded the Golden Nica for Interactive Art at Ars Electronica in 2006. Much of his recent work deals with the areas of overlap between human communication and technology. Major installations include "The Edison Effect" which uses optics and computers to make new sounds by scanning ancient phonograph records with lasers, "Gray Matter" which uses the interaction of flesh and electricity to make music, "The Messenger" that examines the myths of electricity in communication and recent works such as "RainDance" and "Firebirds" that use fire and water to create the sounds of music and language. Public artworks include large scale interactive installations at Park Tower Hall in Tokyo, at the Olympics in Atlanta and at Expo in Lisbon and an interactive audio environment at the Ft. Lauderdale International Airport. He has been an Artist-in-Residence at The Exploratorium and at Xerox PARC and is currently a Professor of Art at Stanford University in California.

  • Shane Denson

    Shane Denson

    Associate Professor of Art and Art History and, by courtesy, of German Studies and of Communication

    BioShane Denson is Associate Professor of Film and Media Studies in the Department of Art & Art History at Stanford University. His research and teaching interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. He is the author of Discorrelated Images (Duke University Press, 2020) and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (Transcript-Verlag/Columbia University Press, 2014). He is also co-editor of several collections: Transnational Perspectives on Graphic Narratives (Bloomsbury, 2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and the open-access book Post-Cinema: Theorizing 21st-Century Film (REFRAME Books, 2016).

    See also shanedenson.com for more info.

  • Sarah Derbew

    Sarah Derbew

    Assistant Professor of Classics

    Current Research and Scholarly InterestsSarah Derbew's research focuses on the literary and artistic representations of black people in ancient Greece. The genres she investigates include ancient Greek tragedy, historiography, satire, and the novel. She also examines artistic renderings of black people in Greek antiquity, focusing on both the objects themselves and the museums in which they are displayed. Her interests extend to the twenty-first century; she has written about the reception of Greco-Roman antiquity in Africa and the African diaspora.

  • Elizabeth DiRenzo, PhD

    Elizabeth DiRenzo, PhD

    Assistant Professor of Otolaryngology - Head & Neck Surgery (OHNS) and, by courtesy, of Music

    Current Research and Scholarly InterestsDr. Erickson DiRenzo's laboratory integrates research techniques from the basic and clinical sciences to improve the prevention and management of voice disorders.

  • Rowan Dorin

    Rowan Dorin

    Assistant Professor of History

    BioI am a historian of western Europe and the Mediterranean, primarily during the high and late Middle Ages. Much of my research tries to understand how law and society interact with each other, especially where legal norms conflict with social practices. Another strand of my research explores the history of economic life and economic thought, especially medieval debates over usury and moneylending. I have also written on the circulation of goods, people, and ideas in the medieval Mediterranean.

    My current book project (Conflicts of Interest: Jews, Christian Moneylenders, and the Rise of Mass Expulsion in Medieval Europe) uses the banishment of Jewish and Christian moneylenders to explore the rise of mass expulsion as a widespread practice in the later Middle Ages. A second ongoing project examines the ways in which medieval canon law was adapted, reinterpreted, or resisted in local contexts in the thirteenth and fourteenth centuries. The latter builds on Corpus Synodalium, a searchable full-text database of late medieval local ecclesiastical legislation that I have been developing since 2016, with assistance from colleagues around the world.

    Born and raised in western Canada, I did my undergraduate and doctoral work at Harvard University, earning an MPhil in Medieval History from the University of Cambridge along the way. Before coming to Stanford, I was a Junior Fellow at the Harvard Society of Fellows.

  • Jean-Pierre Dupuy

    Jean-Pierre Dupuy

    Professor of French and Italian and, by courtesy, of Political Science
    On Leave from 01/01/2022 To 08/31/2022

    BioProfessor Jean-Pierre Dupuy is a Professor of Social and Political Philosophy at the École Polytechnique, Paris. He is the Director of research at the C.N.R.S. (Philosophy) and the Director of C.R.E.A. (Centre de Recherche en Épistémologie Appliquée), the philosophical research group of the École Polytechnique, which he founded in 1982. At Stanford University, he is a researcher at the Study of Language and Information (C.S.L.I.) Professor Dupuy is by courtesy a Professor of Political Science.

    In his book The Mechanization of the Mind, Jean-Pierre Dupuy explains how the founders of cybernetics laid the foundations not only for cognitive science, but also artificial intelligence, and foreshadowed the development of chaos theory, complexity theory, and other scientific and philosophical breakthroughs.