School of Humanities and Sciences
Showing 1-20 of 356 Results
-
Rosaley Gai
Ph.D. Student in Japanese, admitted Autumn 2020
Current Research and Scholarly InterestsMy research focuses on depictions of food and eating in modern Japanese literature and media. In particular, I am interested in works that deal with an appetite for the strange and grotesque, and how such works impart the affective experience of eating and desire onto the reader.
-
Izzy Benjamin Gainsburg
Research Scholar
BioI'm a social psychologist and behavior scientist focused on how to help people do the most good. Currently, I am a Research Scholar at Stanford University’s Center on Philanthropy and Civil Society. There, I serve as the Associate Director of the Polarization and Social Change Lab, which is led by Professor Robb Willer.
My current research fits into three categories: 1) basic science investigating the psychological underpinnings of compassion, moral concern, and altruism, 2) developing and testing behavioral science, with a focus on increasing cooperation and pro-democratic behaviors, and 3) meta-scientific efforts to understand which research questions and interventions are most impactful for psychologists and behavioral to pursue. In general, my work is informed by ideas from Effective Altruism.
Before coming to Stanford, I completed postdoctoral fellowships at the Harvard Kennedy School and University of Michigan’s Ross School of Business. I received my PhD in Social Psychology from the University of Michigan in 2020. -
Marisa Galvez
Professor of French and Italian and, by courtesy, of German Studies and of Comparative Literature
BioMarisa Galvez specializes in the literature of the Middle Ages in France and Western Europe, especially the poetry and narrative literature written in Occitan and Old French. Her areas of interest include the troubadours, vernacular poetics, the intersection of performance and literary cultures, and the critical history of medieval studies as a discipline. At Stanford, she currently teaches courses on medieval and Renaissance French literature and love lyric, as well as interdisciplinary upper level courses on the medieval imaginary in modern literature, film, and art.
Her first book, Songbook: How Lyrics Became Poetry in Medieval Europe (University of Chicago Press, 2012, awarded John Nicholas Brown Prize from the Medieval Academy of America), treats what poetry was before the emergence of the modern category, “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. The first comparative study of songbooks, the book concerns three vernacular traditions—Occitan, Middle High German, and Castilian—and analyzes how the songbook emerged from its original performance context of oral publication, into a medium for preservation, and finally became a literary object that performs the interests of poets and readers.
Her second book, The Subject of Crusade:Lyric, Romance, and Materials, 1150-1500 (University of Chicago Press, 2020) examines how the crusader subject of vernacular literature sought to reconcile secular ideals about love and chivalry with crusade. This study places this literature in dialogue with new ideas about penance and confession that emerged from the second half of the twelfth century to the end of the thirteenth. Subject argues that poetic articulations are crucial for understanding the crusades as a complex cultural and historical phenomenon, and examines another version of speaking crusades, in which lyric, romance and materials such as tapestries, textiles, and tombstones manifest ambivalence about crusade ideals.
