School of Humanities and Sciences
Showing 1-10 of 18 Results
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Roanne Kantor
Assistant Professor of English
Current Research and Scholarly InterestsGlobal Anglophone literature and its relationship to other literary traditions of the Global South. The conditions for interdisciplinary research in the humanities, especially literature's relationship with medicine and the social sciences.
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Jarosław Kapuściński
Professor of Music
BioJarosław Kapuściński is a Professor of Music at Stanford University, where he is affiliated also with the Department of East Asian Languages and Cultures. His research focuses on intermedia composition, performance, and Japanese traditional aesthetics.
Kapuściński has received grants and commissions from numerous international organizations, including the National Endowment for the Arts, the Governor General of Canada, and Institut national de l’audiovisuel (INA) in France. His works have been awarded prizes at festivals in Canada, France, Switzerland, and the United States, and have been presented at venues such as New York MOMA, Spoleto USA, EMPAC NY, Logan Center in Chicago, ZKM in Karlsruhe, Reina Sophia Museum in Madrid, Media Biennale Wroclaw, Warsaw Autumn Festival, Creative Media Center in Hong Kong, Benz Arena in Shanghai, and National Art Centre in Ottawa.
In addition to his artistic work, Kapuściński has collaborated on scholarly websites about Japanese Gagaku music (gagaku.stanford.edu) and Noh Theater (noh.stanford.edu). -
Srdan Keca
Associate Professor of Art and Art History
BioSrđan Keča is a Yugoslav-born filmmaker, visual artist and educator living in the U.S.
His documentary films have been selected at leading festivals, including the Berlinale, IDFA and HotDocs, while his video installations have been exhibited at venues like the Venice Biennale of Architecture and the Whitechapel Gallery. His early medium-length films include A Letter to Dad (IDFA 2011, Dokufest 2011 - Best Balkan Documentary) and Mirage (Jihlava IDFF 2012 - Best Central and Eastern European Documentary). Flotel Europa, an archival feature-length film produced and edited by Keča, premiered at the Berlinale in 2015, winning the Tagesspiegel Jury Award, and went on to win awards at numerous festivals including Documenta Madrid, Torino Film Festival, and IndieLisboa. His latest film, the poetic-observational feature Museum of the Revolution premiered at IDFA in 2021, and won awards including the Heart of Sarajevo for Best Documentary at Sarajevo Film Festival and Best Feature at Big Sky Documentary Festival. It has been released theatrically in Europe and North America and broadcast on major networks.
Keča’s work has been praised in The New York Times, Senses of Cinema, Sight & Sound, Variety and POV Magazine, among others. He is an alum of the Ateliers Varan and UK’s National Filmand Television School (NFTS), and a Sundance Institute grantee. He is an Associate Professor in the Department of Art & Art History at Stanford University and Program Director of Stanford’s M.F.A. in Documentary Film. -
Alex Ketley
Advanced Lecturer, Dance
BioAlex Ketley is an independent choreographer, filmmaker, and the director of The Foundry. Formerly a classical dancer with the San Francisco Ballet and LINES Ballet, he left dancing professionally to create The Foundry as a platform to explore his interests in alternative methods of devising performance. The company has allowed Ketley the freedom to pursue projects that would be difficult to realize within his commissioning career. A few examples of these are: Syntax, an hour long duet systemically using the mechanics of language as an organizing mechanism; Lost Line researched how the application of environment affects the generation of movement and studied in direct response to California's diverse physical landscapes; Please Love Me jettisoned the structure of performing in a theater context and was developed with a curiosity about how people genuinely connect and experience artwork; the No Hero Trilogy which was a multi-year project that explored what dance and performance means to the lives of people living throughout rural America, and Distal Imprint was a film created in collaboration with artist and Death-Row inmate Bill Clark. The Foundry’s diverse work has been enthusiastically received by audiences, the press, and funders.
For his independent work as a choreographer he has been commissioned extensively throughout the United States, as well as projects in Germany and Italy, and has received acknowledgement from the Hubbard Street National Choreographic Competition, the International Choreographic Competition of the Festival des Arts de Saint-Sauveur, the Choo-San Goh Award, the Princess Grace Award for Choreography, four Maggie Allesee National Center for Choreography Residencies, the Gerbode-Hewlett Choreographer Award, the Eben Demarest Award, the National Choreographic Initiative Residency, a Kenneth Rainin Foundation New and Experimental Works Grant, three CHIME Fellowships, the Artistry Award from the Superfest International Disability Film Festival, and his work was featured on national television through an invitation from the show So You Think You Can Dance. His pieces and collaborations have also been awarded Isadora Duncan Awards for Outstanding Achievement in the categories of; Choreography, Company, and Ensemble, as well as nominated for Outstanding Achievement in Visual Design. In 2020 he became a Fellow of the John Simon Guggenheim Memorial Foundation, one of the most prestigious honors in the United States recognizing “individuals who have demonstrated exceptional creative ability in the arts”.
As an educator he has taught extensively throughout the country and currently holds the position of Advanced Lecturer at Stanford University’s Theater and Performance Studies Department. He was the founding Resident Choreographer at the San Francisco Conservatory of Dance for fourteen years until its closure in 2018.
Since 2020 he has been collaborating with his friend Bill Clark who is a prolific artist and writer that has been incarcerated on Death Row for the past 33 years. Alex invited Bill as a guest for his Stanford University class called DanceAcution: Performance Practice, Death Row, and the Evolution of Cultural Reform. The class used Bill’s vast experience as an artist and incarcerated individual as the platform for the students to develop new performance work. Bill is now collaborating with The Foundry on a new evening length work titled An Approximation of Resilience set to premiere in 2025. The project has won the prestigious National Dance Project Award from the New England Foundation for the Arts (NEFA) and generous support from the Luger Charitable Trust.
He is also on the Board of Directors of Death Penalty Focus, an organization whose work focuses on abolishing both the death penalty and LWOP (Life Without Parole).
