School of Humanities and Sciences
Showing 201-250 of 460 Results
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Michael McFaul
Ken Olivier and Angela Nomellini Professor of International Studies, Senior Fellow at the Hoover Institution, at the Freeman Spogli Institute for International Studies and at the Woods Institute for the Environment
Current Research and Scholarly InterestsAmerican foreign policy, great power relations, comparative autocracies, and the relationship between democracy and development.
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Geoffrey McGhee
Staff, Bill Lane Center for the American West
Web And Graphics Associate, Bill Lane Center for the American WestBioGeoff McGhee specializes in interactive data visualization and multimedia storytelling. He is a veteran of the multimedia and infographics staffs at The New York Times, Le Monde and ABCNews.com. Geoff spent a Knight Fellowship year at Stanford in 2009-2010 researching data visualization, which resulted in the acclaimed video documentary “Journalism in the Age of Data,” which has been widely used in classrooms.
At the Bill Lane Center for the American West, Geoff is responsible for the Center’s websites and digital publications such as the ‘...& the West’ blog he co-produces with Felicity Barringer, and the EcoWest series of environmental data trackers on wildfires, drought, and snowpack, among others. Geoff has also worked on Center projects like Water in the West, a joint program with the Stanford Woods Institute for the Environment, and the Center’s Rural West Initiative, which conducted research and reporting on the alternative energy boom, as well as retracing a 100-year-old survey of country life originally commissioned by President Theodore Roosevelt. He also contributed a chapter on rural broadband internet issues to the Rural West Initiative’s 2015 book, Bridging the Distance: Common Issues of the Rural West.
Geoff oversees the Center’s Western Journalism and Media Fellowships program, which brings journalists to the Center for brief collaborations and supports travel and research expenses for work on critical western issues.
Previously, Geoff worked as the multimedia editor at Le Monde in Paris from 2008-2009 and at The New York Times from 2000 to 2008 as Graphics Editor, Enterprise Editor, Chief Multimedia Producer and Video Journalist. He also worked at ABC News from 1999-2000. He was the lead writer on National Geographic’s “Data Points” column on information visualization in 2015-16.
He received his master's degree in journalism from Columbia University in 1999.
His personal site is at geoffmcghee.com. -
Robert McGinn
Professor (Teaching) of Management Science and Engineering, Emeritus
Current Research and Scholarly Interestsexploration of ethical issues related to nanotechnology
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Mark McGurl
Albert Guérard Professor of Literature
BioMark McGurl's scholarly work centers on the relation of literature to social, educational and other institutions from the late 19th century to the present. He is the author of The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard), which was the recipient of the Truman Capote Award for Literary Criticism for 2011. His most recent book, Everything and Less: Fiction in the Age of Amazon (Verso 2021), was a finalist for the National Book Critics Circle Award for criticism.
McGurl’s first book was The Novel Art: Elevations of American Fiction after Henry James (Princeton). He has also published articles in journals such as Critical Inquiry, Representations, American Literary History, and New Literary History. He teaches a range of classes on American literature and related topics.
McGurl received his BA from Harvard, then worked at the New York Times and the New York Review of Books before earning his PhD in comparative literature from Johns Hopkins. He has held fellowships from Office of the President of the University of California and the Stanford Humanities Center. -
Kimberly Thomas McNair
Lecturer
BioKimberly Thomas McNair, PhD is a Lecturer in the Department of African & African American Studies at Stanford University. She earned her Ph.D. in African Diaspora Studies from the University of California, Berkeley, her M.A. in Afro-American Studies from the University of California, Los Angeles, and her B.S. in Africana Studies from North Carolina State University. Her areas of specialty include twentieth century and twenty-first century African American history, clothing and Black expressive culture, Black popular culture, and contemporary Black feminisms. Dr. McNair previously served as a Postdoctoral Fellow in the Department of African & African American Studies at Stanford University.
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Alexandria McPherson
Postdoctoral Scholar, Psychology
BioAlexandria (Xan) McPherson is a postdoctoral researcher in the Department of Psychology at Stanford University. Xan completed her PhD in Applied Physics at the University of Washington, I-LABS with Dr. Samu Taulu as her advisor. There, she developed improvements to the methodology and instrumentation for on-scalp MEG systems, such as OPM-MEG, with the goal of implementing reliable and robust methods for OPM data collection and processing. During her postdoc, she is continuing her work on OPM-MEG systems with Dr. Laura Gwilliams to further the study of speech comprehension.
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Alison McQueen
Associate Professor of Political Science and, by courtesy, of History
BioAlison McQueen is the the Nehal and Jenny Fan Raj Civics Faculty Fellow in Undergraduate Teaching and an Associate Professor in the Department of Political Science at Stanford University. Her research focuses on early modern political theory and the history of International Relations thought.
McQueen’s book, Political Realism in Apocalyptic Times (Cambridge University Press, 2018), traces the responses of three canonical political realists—Niccolò Machiavelli, Thomas Hobbes, and Hans Morgenthau—to hopes and fears about the end of the world. A second book project, Absolving God: Hobbes’s Scriptural Politics, tracks and explains changes in Thomas Hobbes’s strategies of Scriptural argument over time. She is also working on treason and betrayal in the history of political thought. -
Christian V. Mejia
Lecturer
BioChristian Mejia (he/they) believes that light has the ability to transport us to a moment in time and cradle us within a particular place. Light affects our mood, informs our emotional landscape, and enhances the everyday moments that make up our lives. The right light can tell a story that goes beyond words.
Christian’s approach to design seeks to create environments that ask people to lean into and learn something about our shared humanity. His design practice includes live performance, architectural lighting, and immersive entertainment. His work has been seen on stages and in built environments around the world. Some of his most cherished theatrical collaborations include the Geffen Playhouse (Los Angeles), Fountain Theatre (Los Angeles), Edinburgh Fringe Festival (Scotland), ACT (San Francisco), and New Conservatory Theatre Center (San Francisco). His architectural lighting design practice has included work with Universal Creative, Lincoln Center NYC, and global Soho House properties.
Christian received his BFA from New York University’s Tisch School of the Arts and his MFA from California Institute of the Arts. See a selection of his work at christianvmejia.com. -
Javier Mejia
Lecturer
BioI am a Lecturer in the Department of Political Science at Stanford University. I am also a member of the Stanford Civics Initiative and an affiliated faculty of the Stanford Center for Latin American Studies and the Stanford Center for Poverty and Inequality. I have been a Lecturer and a Postdoctoral Associate in Economics at New York University Abu Dhabi and a Visiting Scholar at the University of Bordeaux. I received my Ph.D. in Economics from the University of Los Andes. My research centers on the intersection between social networks and economic history, extending to entrepreneurship and political economy topics.
My geographical areas of specialty are Latin America and the Middle East.
I regularly contribute to different news outlets. Currently, I am a Forbes Magazine op-ed columnist.
I am also the host of The Economic and Political History Podcast and The Civic Agora. -
Jamie Meltzer
Professor of Art and Art History
BioProfessor Jamie Meltzer teaches in the M.F.A. Program in Documentary Film. His feature documentary films have been broadcast nationally on PBS and have screened at numerous film festivals worldwide. Shifted Landscapes, a documentary feature in production, presents a mosaic of stories depicting the environmental, cultural, and psychological landscapes of California amidst the ongoing climate crisis. His short documentary, not even for a moment do things stand still, premiered at SXSW in March 2022, winning a Special Jury Mention in Visual Reflection. The film provides an observational glimpse into a COVID-19 art installation, dropping into intimate moments of people honoring their loved ones, and interrogating the role of mourning and closure during an unfolding tragedy. It was published as a New York Times Op-Doc in April 2022. Huntsville Station, a short documentary film directed with Chris Filippone, was featured as a New York Times Op-Docs and premiered at Berlinale and SXSW in 2020. The film observes the scene at a bus station - where dozens of inmates just released on parole take in their first moments of freedom before taking the bus home. True Conviction (broadcast on Independent Lens in May 2018), a co-production of ITVS and the recipient of a Sundance Institute grant and a MacArthur grant, premiered at the Tribeca Film Festival where it received a Special Jury Mention in the Best Documentary Feature category. Informant (2012), about a revolutionary activist turned FBI informant, was released in theaters in the US and Canada in Fall 2013 by Music Box Films and KinoSmith. Previous films include: Off the Charts: The Song-Poem Story (Independent Lens, 2003), about the shadowy world of song-poems, Welcome to Nollywood (PBS Broadcast, 2007), an investigation into the wildly successful Nigerian movie industry, and La Caminata (2009), a short film about a small town in Mexico that runs a simulated border crossing as a tourist attraction.
