School of Humanities and Sciences


Showing 1-10 of 34 Results

  • Adam Banks

    Adam Banks

    Professor of Education and, by courtesy, of African and African American Studies

    BioCommitted teacher. Midnight Believer. A Slow Jam in a Hip Hop world. Cerebral and silly, outgoing and a homebody. Vernacular and grounded but academic and idealistic too. Convinced that Donny Hathaway is the most compelling artist of the entire soul and funk era, and that we still don't give Patrice Rushen enough love. I'm a crate digger, and DJ with words and ideas, and I believe that the people, voices and communities we bring with us to Stanford are every bit as important as those with which we engage here at Stanford.

    Born and raised in Cleveland, Ohio, I come to Stanford from the University of Kentucky, where I served on the faculty of the Department of Writing, Rhetoric and Digital Studies and prior to that, from Syracuse University, as a member of the faculty of the Writing Program. In addition to these appointments I served as the Langston Hughes Visiting Professor of English at the University of Kansas and, jointly with Andrea Lunsford, as the Rocky Gooch Visiting Professor for the Bread Loaf School of English.

    My scholarship lies at the intersections of writing, rhetoric and technology issues; my specialized interests include African American rhetoric, community literacy, digital rhetorics and digital humanities. My most recent book is titled Digital Griots: African American Rhetoric in a Multimedia Age, and my current digital/book project is titled Technologizing Funk/Funkin Technology: Critical Digital Literacies and the Trope of the Talking Book.

  • Jennifer DeVere Brody

    Jennifer DeVere Brody

    Professor of Theater and Performance Studies and, by courtesy, of African and African American Studies

    BioJennifer DeVere Brody (she/her) holds a B.A. in Victorian Studies from Vassar College and an M.A. and Ph.D. in English and American Literature from the University of Pennsylvania. Her scholarship and service in African and African American Studies, Gender and Sexuality Studies, visual and performance studies have been recognized by numerous awards: a 2022 Guggenheim Fellowship, a 2023 Virginia Howard Fellowship from the Bogliasco Foundation, support from the Mellon and Ford Foundations, the Monette-Horwitz Prize for Independent Research Against Homophobia, the Royal Society for Theatre Research, and the Thurgood Marshall Prize for Academics and Community Service among others. Her scholarly essays have appeared in Theatre Journal, Signs, Genders, Callaloo, Screen, Text and Performance Quarterly and other journals as well as in numerous edited volumes. Her books include: Impossible Purities: Blackness, Femininity and Victorian Culture (Duke University Press, 1998), Punctuation: Art, Politics and Play (Duke University Press, 2008) and Moving Stones: About the Art of Edmonia Lewis(forthcoming from Duke University Press). She has served as the President of the Women and Theatre Program, on the board of Women and Performance and has worked with the Ford and Mellon Foundations. She co-produced “The Theme is Blackness” festival of black plays in Durham, NC when she taught in African American Studies at Duke University. Her research and teaching focus on performance, aesthetics, politics as well as black feminist theory, black queer studies and contemporary cultural studies. She co-edited, with Nicholas Boggs, the re-publication of James Baldwin’s illustrated book, Little Man, Little Man (Duke UP, 2018). She held the Weinberg College of Board of Visitors Professorship at Northwestern University and has been a tenured professor at six different universities in her thirty year career. Her expertise in Queer Studies fostered her work as co-editor ,with C. Riley Snorton, of the flagship journal GLQ. She serves on the Editorial Board of Transition and key journals in global 19th Century Studies. At Stanford, she served as Chair of the Theater & Performance Studies Department (2012-2015) and Faculty Director of the Center for Comparative Studies in Race & Ethnicity (2016-2021) where she won a major grant from the Mellon Foundation and developed the original idea for an Institute on Race Studies.

  • Joel Cabrita

    Joel Cabrita

    Associate Professor of History and, by courtesy, of Religious Studies and of African and African American Studies

    BioJoel Cabrita is a historian of modern Southern Africa who focuses on Eswatini (formerly Swaziland) and South Africa. She examines the transnational networks of the Southern African region including those which connect Southern Africans to the Atlantic and the Indian Oceans. Her most recent book (The People’s Zion: Southern Africa, the United States and a Transatlantic Faith-Healing Movement, Harvard University Press, 2018) investigates the convergence of evangelical piety, transnational networks and the rise of industrialized societies in both Southern Africa and North America. The People's Zion was awarded the American Society of Church History's Albert C Outler Prize for 2019 https://churchhistory.org/grants-and-awards/ She is also the co-editor of a volume examining the global dimensions of Christian practice, advocating for a shift away from Western Christianity to the lateral connections connecting southern hemisphere religious practitioners (Relocating World Christianity, Brill, 2017).

    Cabrita has a long-standing interest in how Southern Africans used and transformed a range of old and new media forms. Her first book (Text and Authority in the South African Nazaretha Church, Cambridge University Press, 2014) investigates the print culture of a large South African religious organization, while her edited collection (Religion, Media and Marginality in Africa, Ohio University Press, 2018) focuses on the intersection of media, Islam, Christianity and political expression in modern Africa.

    Her current project (under contract with Ohio University Press) is the biography of a pioneering African feminist, Christian Pentecostal pioneer and liberation leader, Regina Gelana Twala (1908 – 1968), who co-founded Swaziland’s first political party in 1960 and introduced the Assemblies of God denomination to the region. Celebrated during her lifetime, Twala’s remarkable story is today largely forgotten, in part a consequence of her untimely death in 1968, one month before Swaziland’s independence. Cabrita’s project considers the radically new perspective a figure such as Twala affords on the contribution of women to Africa’s anti-colonial liberation movements and to evangelical history. The book will probe the politics of memory whereby certain African nationalist and religious icons have been erased from the historical record.

    Cabrita did her PhD at the University of Cambridge and was subsequently a Junior Research Fellow at Trinity College, Cambridge. Before moving to Stanford, she held permanent posts at SOAS (University of London) and the University of Cambridge. Her research has been recognized by two major early-career research prizes, the British Arts and Humanities Early Career Research Fellowship (2015) and the Philip Leverhulme Prize (2017).