School of Humanities and Sciences
Showing 11-20 of 91 Results
-
Engin Daglik
Doctor of Musical Arts Student, Musical Arts
BioEngin Daglik is a composer, artist and performer who essentially explores the potential of space by combining different fields of art in his works. He is mostly interested in producing works that aim to recreate and re-shape the perception of space in order to make viewers and listeners re-imagine the site transformed by the work. He enjoys designing and producing works for concert, gallery and public spaces by implying different immersive audio techniques, using concrete materials to create explicit structures.
Since graduating with a Bachelor of Music from the Istanbul Bilgi University in 2017, Engin has participated several festivals, workshops and exhibitions around Europe and Turkey. After completing Master of Arts in Music at Bilkent University, he is currently pursuing his DMA at Stanford University. Besides composing and producing, he regularly performs in various projects and free improvisation sessions as a drummer. -
Gabriel Ellis
Ph.D. Student in Music, admitted Autumn 2017
BioGabriel Ellis is a musicology PhD student at Stanford University. His current research focuses on intersections between music, technology, and identity in contemporary popular (and unpopular) genres. He has presented research at the Midwest Chapter Meeting of the American Musicological Association and at the Music and Visual Cultures International Conference in Maynooth, Ireland.
Before coming to Stanford, Gabriel earned a Bachelor of Arts in Music at Grand Valley State University in Michigan. He moonlights infrequently as a countertenor. -
Linda Galvane
Ph.D. Student in Japanese, admitted Autumn 2012
Prof. Reichert assistant, East Asian Languages and CulturesCurrent Research and Scholarly InterestsThe aim of my dissertation is to elucidate the significance of scatological representations in modern and contemporary Japanese literature, tracing their lineage in both canonical and non-canonical works from the 1930s until the post-bubble era. I focus on representations of scatology that are specifically related to sexuality -- which have been disregarded as a narrow and meaningless subset of perverse desire – as they appear in the aesthetic realm.
