School of Humanities and Sciences
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Vered Karti Shemtov
Eva Chernov Lokey Senior Lecturer in Hebrew Language and Literature
BioSee bio at: https://dlcl.stanford.edu/people/vered-karti-shemtov
Professor of German Studies and, by courtesy, of English, of History and of Comparative Literature
BioKathryn Starkey is Professor of German in the Department of German Studies and, by courtesy, Professor of English, History, and Comparative Literature. Her work focuses primarily on medieval German literature from the eleventh to the thirteenth century, and her research topics encompass visuality and materiality, object/thing studies, manuscript illustration and transmission, language, performativity, and poetics. She has held visiting appointments at the Universities of Palermo (2011) and Freiburg im Breisgau (2013 and 2018).
Recent book publications (since 2012) include:
* Things and Thingness in European Literature and Visual Art, 800-1600, edited with Jutta Eming (Berlin/New York, 2021).
* Animals in Text and Textile. Storytelling in the Medieval World, edited with Evelin Wetter. Riggisberger Berichte, Vol. 24 (Riggisberg, Switzerland, 2019).
* Sensory Reflections. Traces of Experience in Medieval Artifacts, edited with Fiona Griffiths (Berlin/New York, 2018).
* Neidhart: Selected Songs from the Riedegger Manuscript, edited and translated with Edith Wenzel, TEAMS series in bilingual medieval German texts (Kalamazoo, MI, 2016).
* A Courtier’s Mirror: Cultivating Elite Identity in Thomasin von Zerclaere’s “Welscher Gast” (Notre Dame, 2013).
* Visuality and Materiality in the Story of Tristan, edited with Jutta Eming and Ann Marie Rasmussen (Notre Dame, 2012).
Professor Starkey is the PI for the Global Medieval Sourcebook (https://sourcebook.stanford.edu/) for which she received a NEH Digital Humanities Advancement Grant (2018) as well as awards from the Roberta Bowman Denning Fund for Humanities and Technologies at Stanford (2016, 2017, 2018).
Her current research projects include a co-authored (with Fiona Griffiths) textbook for the Cambridge Medieval Textbook series on A History of Medieval Germany (900-1220).
Professor Starkey has been the recipient of fellowships from the National Humanities Center, the Alexander von Humboldt Foundation, the UNC Institute for the Arts and the Humanities, and the Social Sciences and Humanities Research Council of Canada (SSHRCC).
Before joining the faculty at Stanford in 2012 she taught in the Department of Germanic and Slavic Languages and Literatures at the University of North Carolina at Chapel Hill.
Roberta Bowman Denning Professor and Professor, by courtesy, of German Studies and of Comparative Literature
BioMy main research interests are in early medieval literature, the long history of information technologies, the handmade book, and cultural landscapes. I have published widely on medieval manuscripts--their materiality, contents and contexts of production and reception. Among various books and articles are the Very Short Introduction to Medieval Literature (OUP, 2015), Living Through Conquest: The Politics of Early English, 1020 to 1220 (OUP, 2012), Old and Middle English, c. 890-1450: An Anthology, 3rd ed. (Wiley-Blackwell, 2009), The Old English Life of St Nicholas (Leeds, 1997), Textual Distortion (Woodbridge, 2017 with Greg Walker). I was Principal Investigator of the AHRC-funded research project and ebook, 'The Production and Use of English Manuscripts, 1060 to 1220' (http://www.le.ac.uk/ee/em1060to1220/), which ran from 2005 to 2010; Principal Investigator of Stanford Global Currents, funded by the NEH, 2014-2016 (https://globalcurrents.stanford.edu/); and Principal Investigator of CyberText, funded by the CyberInitiative (2016-2018, https://texttechnologies.stanford.edu/research/cybertext-technologies). Each of these funded projects focuses on the uses of computational and digital tools to investigate the history of book production.
My current projects focus the History of Text Technologies from the earliest times (c. 70,000BCE) to the present day. I have just published Text Technologies: A History (with Claude Willan, Stanford University Press, 2019), which form the first of probably two volumes on this topic. I also co-edit the Stanford University Press Text Technologies Series. I research the hapticity and phenomenology of the handwritten book, and will be publishing The Phenomenal Book based on this work in 2020. This research also extends to a more modern period of the medieval, and to the work of artists, including William Morris, Edward Johnston, Eric Gill and David Jones. This work will appear as Beauty and the Book: Arts and Crafts to Modernism eventually. I am working on Salisbury's Manuscripts for the Anglo-Saxon Manuscripts in Microfiche Facsimile series. My major research networks involve colleagues at the Universities of Cambridge, Glasgow, Oxford, London, and the University of British Columbia, among others. Stanford Text Technologies collaborates widely with an international group of scholars, both on manuscripts from Western culture, but also manuscripts and inscribed objects from cultures around the world. Finally, a major new project will be called Landscapes of Immortality, and this will seek to incorporate landscape studies, layers of cultural activity, and concepts of immortality. This will form a short book to be published perhaps in 2021.
Professionally, I am keen advocate and critic of the use of digital technologies in the classroom and in research; and I am concerned about the ways in which we display textual objects and employ interpretative tools and frameworks online. With colleagues here and at Cambridge, we developed online teaching materials for Medieval Manuscript Studies, in a sequence called 'Digging Deeper'. I have been the Ida Beam Distinguished Visiting Professor at the University of Iowa, an American Philosophical Society Franklin Fellow, a Princeton Procter Fellow, and I'm a Fellow of the Society of Antiquaries, of the Royal Historical Society, and the English Association (and its former Chair and President). I serve as Editor for the OUP Oxford Bibliographies Online British and Irish Literature initiative, and I am General Editor of the OUP Oxford Textual Perspectives Series.