Stanford University Libraries
Showing 1-10 of 32 Results
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Linda Lam
Digital Imaging Production Coordinator, Library Technology
Current Role at StanfordAs part of Stanford Libraries' Digital Production Group (DPG), I coordinate and manage mass digitization projects. My responsibilities include daily oversight of lab personnel and workflows, involving materials preparation, equipment and software troubleshooting, quality control and data management.
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Zach Lannes
Engineering Librarian, Research & Teaching Support, Engineering Library
BioHello! I am the Engineering Librarian for Research & Teaching Support. Put simply, I help patrons of all levels learn how to use the myriad resources (books, databases, code, makerspace, and more!) in the Terman Library. Please feel free to reach out to me with any questions about our space, tools, and/or collections!
In my own academic work I am interested in outreach and instruction, and both these activities' relationships to new technology. I also am working on a research project related to credentialing in academic libraries. -
Kristina Liv Larsen
Assistant Curator, David Rumsey Map Center
BioKristina completed a Master of Science of Information Sciences degree and Data Research Management certificate in December 2023 through a distance learning program at the University of Tennessee, Knoxville. She has worked for Stanford Libraries since February 2022.
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Anna Lee
Photography Curator, Special Collections
Current Role at StanfordI am the Photography Curator for Green Library. I collect historical photographic material for the Department of Special Collections and photographers' archives through the library's Photography Initiative.
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Elisa Leiva Anderson
Video Editor, Stanford Historical Society
Staff, Tech SupportBioElisa is a filmmaker from Santiago, Chile. She is the editor of Towards the Sun, Far from the Center (Berlinale, 2024), the producer and editor of Ripear un Desierto (Nemaf Korea, 2023), and the director of VIEWS (FicValdivia, 2015). She works with archival footage and digital technologies to reflect on displacement, image-making, and the multi-stranded connections—both personal and political—between Chile and the United States.
Her films have screened at the New York Film Festival (NYFF), Hong Kong International Film Festival (HKIFF), FIDOCS (Santiago International Film Festival), among others, and have been awarded by the Human Rights Institute of Chile.
In addition to her filmmaking, she has taught short film distribution at the Universidad Católica de Chile, served as Head of International Relations at CinemaChile for five years, and curated short film programs at the Uppsala Film Festival (Sweden) and the Matta Cultural Center (Argentina).
