Stanford University
Showing 3,351-3,400 of 5,808 Results
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Jamie Meltzer
Professor of Art and Art History
BioProfessor Jamie Meltzer teaches in the M.F.A. Program in Documentary Film. His feature documentary films have been broadcast nationally on PBS and have screened at numerous film festivals worldwide. Shifted Landscapes, a documentary feature in production, presents a mosaic of stories depicting the environmental, cultural, and psychological landscapes of California amidst the ongoing climate crisis. His short documentary, not even for a moment do things stand still, premiered at SXSW in March 2022, winning a Special Jury Mention in Visual Reflection. The film provides an observational glimpse into a COVID-19 art installation, dropping into intimate moments of people honoring their loved ones, and interrogating the role of mourning and closure during an unfolding tragedy. It was published as a New York Times Op-Doc in April 2022. Huntsville Station, a short documentary film directed with Chris Filippone, was featured as a New York Times Op-Docs and premiered at Berlinale and SXSW in 2020. The film observes the scene at a bus station - where dozens of inmates just released on parole take in their first moments of freedom before taking the bus home. True Conviction (broadcast on Independent Lens in May 2018), a co-production of ITVS and the recipient of a Sundance Institute grant and a MacArthur grant, premiered at the Tribeca Film Festival where it received a Special Jury Mention in the Best Documentary Feature category. Informant (2012), about a revolutionary activist turned FBI informant, was released in theaters in the US and Canada in Fall 2013 by Music Box Films and KinoSmith. Previous films include: Off the Charts: The Song-Poem Story (Independent Lens, 2003), about the shadowy world of song-poems, Welcome to Nollywood (PBS Broadcast, 2007), an investigation into the wildly successful Nigerian movie industry, and La Caminata (2009), a short film about a small town in Mexico that runs a simulated border crossing as a tourist attraction.
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Jisha Menon
Robert G. Freeman Professor of International Studies, Director of Stanford Global Studies and Professor, by courtesy, of Comparative Literature
BioJisha Menon is the Robert G. Freeman Professor of International Studies. She serves as the Sakurako and William Fisher Family Director of the Stanford Global Studies Division. She is Professor of Theater and Performance Studies, and (by courtesy) of Comparative Literature. Her research interests lie at the intersection of critical theory and performance studies; law and humanities; affect theory, cities, and capitalism; cosmopolitanism and nationalism. Her current research project, Law, Affect, and the Performance of Personhood (under contract, Cambridge UP) explores how legal practices entrench a particular liberal topology of personhood, and how this conception departs from other societies where persons are conceived in more plural and discontinuous ways. The book argues that attending to the fictive constitution of the person within the law allows us to highlight the artifice, indeed, the aesthetics that are central to jurisprudence. Her four books explore arts and aesthetics in relation to neoliberal capitalism, postcolonial nationalism, secularism, and geopolitical conflict. Her latest book, Brutal Beauty: Aesthetics and Aspiration in Urban India (Northwestern UP, 2021) considers the city and the self as aesthetic projects that are renovated in the wake of neoliberal economic reforms in India. The study explores how discourses of beauty are mobilized toward anti-democratic ends. Sketching out scenes of urban aspiration and its dark underbelly, the book delineates the creative and destructive potential of India’s lurch into contemporary capitalism. Her first book, The Performance of Nationalism: India, Pakistan and the Memory of Partition (Cambridge UP, 2013), examines the affective and performative dimensions of nation-making. The book recuperates the idea of "mimesis" to think about political history and the crisis of its aesthetic representation, while examining the mimetic relationality that undergirds the encounter between India and Pakistan. She is also co-editor of two volumes: Violence Performed: Local Roots and Global Routes of Conflict (with Patrick Anderson) (Palgrave-Macmillan Press, 2009) and Performing the Secular: Religion, Representation, and Politics (with Milija Gluhovic) (Palgrave Macmillan, 2017.) In addition to her scholarly work, she is a director, actor, and playwright. Her co-authored play, City of Gardens (with Abhishek Majumdar), was published by Dawran Press in 2026. Previously, she served as Assistant Professor of English at the University of British Columbia in Vancouver, Canada.
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Vinod Menon
Rachael L. and Walter F. Nichols, MD, Professor and Professor, by courtesy, of Education and of Neurology and Neurological Sciences
Current Research and Scholarly InterestsEXPERIMENTAL, CLINICAL AND THEORETICAL SYSTEMS NEUROSCIENCE
Cognitive neuroscience; Systems neuroscience; Cognitive development; Psychiatric neuroscience; Functional brain imaging; Dynamical basis of brain function; Nonlinear dynamics of neural systems. -
Richard Meyer
Robert and Ruth Halperin Professor of Art History
BioAreas of Specialization:
20th-century American art and visual culture -
Debra Meyerson
Adjunct Professor, GSE Faculty Affairs
BioTenured Associate Professor of Organizational Behavior from 2003 to 2013. Transitioned to adjunct professor in 2013 after a severe stroke in 2010.
While full time at Stanford and previously, Debra Meyerson conducted research primarily in three areas: a) gender and race relations in organizations, specifically individual and organizational strategies of change aimed at removing inequities and fostering productive inter-group relations; b) the role of philanthropic organizations as intermediaries in fostering change within educational institutions; and c) going to scale in the charter school field. Debra authored Tempered Radicals: How People Use Difference to Inspire Change at Work (HBS Press 2001), which provides an in depth look into how people can use diversity and difference to create positive change in the workplace without division or strife.
Nine years after her stroke in 2010, Debra published Identity Theft: Rediscovering Ourselves After Stroke (Andrews McMeel Publishing, 2019.) The book is built on the combination of her lived experience as a survivor with disabilities and extensive interviews and research; it highlights the need for significantly more support than is provided in the current system to rebuild identity on the path to rebuilding lives of meaning and purpose. Debra also and co-founded Stroke Onward, a nonprofit now dedicated to catalyzing change in the healthcare system in order to insure survivors in the future receive that support. As co-Chair and active volunteer for Stroke Onward, Debra's focus is on driving research and publications that will help to better understand the problems and solutions that can inform the creation of a better healthcare system. She is also an extensive speaker in academic and industry settings.
For more complete and additional information on Debra's current work, please use the following links:
Full Bio at Graduate School of Education -- https://ed.stanford.edu/faculty/debram
Full Curriculum Vitae -- https://goto.stanford.edu/meyerson-cv -
Alice Miano
Advanced Lecturer, Language Ctr
BioDr. Alice (Ali) Miano teaches Spanish at all levels from an antiracist, social justice standpoint. She also incorporates and studies the effects of community-engaged language learning (CELL), both in her classes and in the Spanish-speaking communities in which she and her students interact. Her work examines reciprocal gains as well as challenges in CELL, and likewise interrogates traditional notions of "service" and “help” while underscoring the community cultural wealth, resistance, and resilience (Yosso, 2005) found in under-resourced communities and communities of color. She and her second-year students of Spanish have teamed up on joint art projects with a local chapter of the Boys & Girls Club of the Peninsula and currently collaborate with the Mountain View Dayworker Center. Many of her third-year students have co-created digital storytelling projects with Stanford workers.
Dr. Miano's current work examines the use of Critical Race Theory (CRT) as an analytical tool for students of Spanish who wish to gain deeper understandings of some of the social, cultural, and historical forces linking race and language. This work has found that CRT vitally engages students in the language classroom and may likewise lead to more robust communicative proficiency. In addition, her ethnographic research has examined the literate practices and parental school efforts of Mexican immigrant mothers in the Silicon Valley, finding that regardless of the mothers' (in)access to formal education, they supported their children's schooling in a variety of ways, many of which go unrecognized by educators and the society at large.
Dr. Miano has also volunteered to assist asylum seekers through the CARA Probono Project at the South Texas Family Detention Center in Dilley, TX; Al Otro Lado in Tijuana, Mexico; the Services, Immigration Rights, and Education Network (SIREN) in the San Francisco Bay Area, and Freedom for Immigrants.
In addition, as a workshop facilitator certified by ACTFL in the Oral Proficiency Interview (OPI) and Writing Proficiency Test (WPT), Dr. Miano has been privileged to engage with language instructors at various points around the globe--including Madagascar and Timor Leste, as well as a variety of Latin American countries from Paraguay to Mexico--on behalf of both ACTFL and the U.S. Peace Corps. -
Sara Michas-Martin
Lecturer, English
BioSara Michas-Martin is a poet and nonfiction writer who draws inspiration from science and the natural world. Specific teaching interests include ecopoetics, environmental humanities, science communication, and hybrid forms.
Her book, Gray Matter, winner of the Poets Out Loud Prize and nominated for the Colorado Book Award, explores the relationship between biology, the brain, and one’s conscious understanding of self. Black Box, forthcoming from Catapult Books (nonfiction), draws on medical, cultural, and natural history to consider how the logic of the maternal body corresponds, or is in tension with, ecological and social systems. Fire Weather, a poetry manuscript, takes on deep ecology and the ethics of care in our moment of environmental precarity.
Sara holds a BFA in visual art from the University of Michigan and an MFA in poetry from the University of Arizona. Her work has been supported by a Wallace Stegner fellowship, grants from the Barbara Deming Memorial Fund for Women, the Dorothy Sargent Rosenberg Prize, as well as fellowships from the Vermont Studio Center, Virginia Center for the Arts, Marble House Project, the Bread Loaf Writers' Conference, and the Community of Writers.
Recent poems and essays have been nominated for the Pushcart Prize, received notable mentions in Best American Essays and Best American Science and Nature Writing anthologies, and have appeared in the American Poetry Review, Journal of the American Medical Association (JAMA), Longreads, New England Review, Orion, Kenyon Review, Terrain.org, and elsewhere. She lives in the mountains with her family east of Monterey Bay. -
Fiorenza Micheli
David and Lucile Packard Professor of Marine Science, Professor of Oceans and Senior Fellow at the Woods Institute for the Environment
Current Research and Scholarly InterestsDr Fiorenza Micheli is a marine ecologist and conservation biologist conducting research and teaching at the Hopkins Marine Station of Stanford University. Micheli’s research focuses on the processes shaping marine communities and incorporating this understanding in the management and conservation of marine ecosystems. She is a Pew Fellow, a fellow of the California Academy of Science and the Aldo Leopold Leadership Program, and past president of the Western Society of Naturalists.
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Anjney Midha
Affiliate, Applied Physics
BioVisiting Scientist, Applied Physics
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Geri Migielicz
Lecturer, Communication
BioGeri is the Lorry I. Lokey Visiting Professor of Professional Journalism at Stanford University, teaching multimedia and immersive journalism courses in the Stanford Graduate Program in Journalism.
Geri was Director of Photography at the San Jose Mercury News from 1993 to 2009. Under Geri’s tenure, the Mercury News won major awards for photo editing and multimedia, sustaining the paper as a leader and innovator in digital visual journalism.
Geri was executive producer of a 2007 national News and Documentary Emmy Award-winning web documentary, “Uprooted.” for the Mercury News. She was a newsroom leader for the coverage of the Loma Prieta earthquake awarded a 1990 Pulitzer Prize for General News Reporting for the Mercury News. She also edited the paper’s coverage of California’s recall election, a 2003 Pulitzer finalist in Feature Photography. Geri was a 2004-5 Knight Fellow at Stanford University, where she studied multimedia narratives. She is a 2013 inductee to the Missouri Photojournalism Hall of Fame.
She has served as visiting faculty at The Poynter Institute for Media Studies and has served as advisory board member for The Kalish workshop for photo editors. She has been faculty at the Missouri Photo Workshop and has presented at workshops for the Society of Newspaper Design, the National Press Photographers Association [NPPA] and the regional chapter of the National Association of Television Arts and Sciences. Geri has juried numerous professional and student multimedia and photojournalism contests
