Bio
Bryan Norton is a scholar of media and the environment, specializing in German literature, philosophy, and visual culture from the eighteenth century to the present. He received his PhD in Comparative Literature and Literary Theory from the University of Pennsylvania in 2022, during which time he was elected a member of the Mellon Fellowship of Scholars in the Humanities at Stanford. His research and teaching investigates how novel aesthetic forms and media formats are used by writers, filmmakers, and others to address the Gordian knot of environmental crisis, postcolonial upheaval, and technological change. His first book, Planetary Idealism: The Technics of Nature in German Idealism, is under advance contract with Stanford University Press. He publishes widely on topics ranging from early film and literature, Kant and German Idealism, the history of technology, and contemporary art. Other recent writings can be found in SubStance, Critical Inquiry, Cultural Politics, Modern Language Notes, and the Journal of Visual Culture.
Academic Appointments
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Lecturer, German Studies
Professional Education
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PhD, University of Pennsylvania, Comparative Literature and Literary Theory (2022)
Current Research and Scholarly Interests
Norton's first book, Planetary Idealism: The Technics of Nature in German Romanticism, is under advance contract with Stanford University Press. Planetary Idealism investigates how a set of poets and philosophers begin addressing the shifting relations between humans, technical media, and nature in Europe at the end of the eighteenth century and start of the nineteenth. During this time, writers such as Novalis, Schelling, Goethe, Hölderlin, and Hegel turn to natural history, poetic experimentation, and Kant’s interrogation of a “technic of nature” in an effort to develop alternatives mode of inhabiting the planet at the outset of the Anthropocene.
His second project, Salt, explores the vital role of an everyday mineral in the making of modernity. The book uncovers the diverse and surprising ways in which salt has come to form contemporary ideas about nature, culture, and even politics around the globe. Currently under review, the book explores the mineral’s centrality to a number of formats and contexts, from lithium extraction and salt tourism in Bolivia to the rise to fame of celebrity chef Nusret Gökçem, aka “Salt Bae.” Drawing particular attention to the mineral basis of digital media and infrastructure, Salt raises vital questions about how modern life has been composed, consumed, and is even dissolved.
Norton is also co-editing a volume of essays on the late philosopher of technology, Bernard Stiegler.
Projects
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Planetary Idealism: The Technics of Nature in German Idealism
Norton's first book, Planetary Idealism: The Technics of Nature in German Romanticism, is under advance contract with Stanford University Press. Planetary Idealism investigates how a set of poets and philosophers begin addressing the shifting relations between humans, technical media, and nature in Europe at the end of the eighteenth century and start of the nineteenth. During this time, writers such as Novalis, Schelling, Goethe, Hölderlin, and Hegel turn to natural history, poetic experimentation, and Kant’s interrogation of a “technic of nature” in an effort to develop alternatives mode of inhabiting the planet at the outset of the Anthropocene.
Location
Stanford
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Negentropy and the Future of Exteriorization, Stanford/Duke
for Bernard Stiegler
Location
Paris
2024-25 Courses
- Green Germany
GERMAN 137 (Spr) - Virtual Realities: Goethe's Faust
GERMAN 187 (Win) -
Prior Year Courses
2023-24 Courses
- German Philosophy and Theory After 1945
GERMAN 236 (Spr) - Green Germany
GERMAN 137 (Aut)
2022-23 Courses
- Marx: Politics and Culture
GERMAN 153, GERMAN 335 (Spr) - Media Theory and the Sea
FILMEDIA 234, GERMAN 234, GERMAN 334 (Win)
- German Philosophy and Theory After 1945
All Publications
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Assembly and Its Other in German Romantic Literature and Thought: The Inexhaustible Gathering (Book Review)
GERMAN QUARTERLY
2024
View details for DOI 10.1111/gequ.12427
View details for Web of Science ID 001206763700001
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Simondon and Novalis: Notes for a Romantic Mechanology
SUB-STANCE
2024; 53 (1)
View details for DOI 10.1353/sub.2024.a924144
View details for Web of Science ID 001217501900001
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Earth as image and operation
JOURNAL OF VISUAL CULTURE
2023; 22 (2): 202-221
View details for DOI 10.1177/14704129231218185
View details for Web of Science ID 001159781600001
- Technology after Hegemony: On Yuk Hui’s Art and Cosmotechnics Los Angeles Review of Books. 2022
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Veloziferisch (Veloziferian)
Goethe Lexicon of Philosophical Concepts
2021: 113-120
View details for DOI 10.5195/glpc.2021.25.
- Review of Amanda Jo Godstein. Sweet Science: Romantic Materialism and the New Logics of Life. University of Chicago Press, 2017 Goethe Yearbook. 2021 385-386
- Review of Erich Hörl, Nelly Y. Pinkrah, and Lotte Warnsholdt, eds., Critique and the Digital. Diaphanes, 2021 Theory, Culture and Society. 2021
- Geschlecht, Sinnfeld, Kontingenz: zur Ontologie in Dorothea Schlegels Florentin Symphilosophie 2020: 115-129
- Melville and the Media: A Conversation with Bernhard Siegert, Markus Krajewski, and Harun Maye Los Angeles Review of Books. 2019
- “The Anthropocene at the Fair.” The World on View: Objects from Universal Expositions, 1851-1915 edited by Dombrowski, A., Moqtaderi, H. G. Arthur Ross Gallery. 2018