Richard Meyer
Robert and Ruth Halperin Professor of Art History
Art & Art History
Bio
Areas of Specialization:
20th-century American art and visual culture
Academic Appointments
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Professor, Art & Art History
Administrative Appointments
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Interim Director, Feminist, Gender, and Sexuality Studies Program, Stanford University (2020 - 2021)
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Director of Graduate Studies, Art History & Film/Media Studies, Stanford University (2017 - 2021)
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Ethics Faculty Fellowship, Stanford University (2013 - 2014)
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Robert and Ruth Halperin Professor in Art History, Stanford University (2012 - Present)
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Adjunct Professor of Art History, University of Southern California (2012 - 2017)
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Terra Foundation for American Art Visiting Professor, Courtauld Institute of Art, London (2010 - 2010)
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Director, Visual Studies Graduate Certificate, University of Southern California (2008 - 2011)
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Director, The Contemporary Project, University of Southern California (2007 - 2012)
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Visiting Associate Professor, University of Pennsylvania, Department of History of Art (2006 - 2007)
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Visiting Associate Professor, Stanford University, Department of Art and Art History (2004 - 2004)
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Acting Chair, Department of Art History, University of Southern California (2003 - 2003)
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Associate Professor, Art History and Fine Arts; Affiliated Faculty in American Studies and Ethnicity, University of Southern California (2002 - 2012)
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Postdoctoral Fellowship, Getty Research Institute for the History of Art and the Humanities (1998 - 1998)
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Assistant Professor, University of Southern California (1996 - 2002)
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Visiting Lecturer, Columbia University, Department of Art History and Archaeology (1996 - 1996)
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American Council of Learned Societies (ACLS) Dissertation Fellowship in American Art, Henry Luce Foundation (1994 - 1995)
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Chester Dale Dissertation Fellowship, Metropolitan Museum of Art (1993 - 1994)
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Jacob K. Javits Fellowship for the Humanities, United States Department of Education (1989 - 1993)
Honors & Awards
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Art Journal Award for “Artists Sometimes Have Feelings", College Art Association (2008)
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Mellon Award for Excellence in Undergraduate Mentoring, University of Southern California (2006)
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Charles C. Eldredge Prize for Outstanding Scholarship in American Art, Smithsonian American Art Museum (2003)
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Phi Kappi Phi Faculty Recognition Award, Stanford University (2003)
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Finalist, Charles Rufus Morey Book Award, College Art Association (2003)
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Finalist, Lambda Literary Award, Visual Arts (2003)
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First Annual Passing-the-Torch Award, Center for Lesbian and Gay Studies (CLAGS), City University of New York (2000)
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Albert S. Raubenheimer Award for outstanding teaching, research, and service, University of Southern California (1999)
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USC Fund for Innovative Undergraduate Teaching (for curating course), University of Southern California (2009-2010)
Boards, Advisory Committees, Professional Organizations
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Affiliate, Queer Caucus for Art (Affiliated Society of CAA)
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Affiliate, American Studies Association (ASA)
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Affiliate, International Association of Art Critics (AICA)
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Affiliate, Association of Historians of American Art (Affiliated Society of CAA)
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Affiliate, College Art Association (CAA)
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Grant Reviewer, American Academy in Berlin
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Grant Reviewer, Getty Research Institute Residential Scholarship
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Grant Reviewer, Creative Capital/Andy Warhol Foundation Arts Writers Grant Program
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Grant Reviewer, CAL Arts/Herb Alpert Award in the Arts.
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Grant Reviewer, J. Paul Getty Grant Program
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Manuscript Reviewer, Theatre Journal
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Manuscript Reviewer, Art Journal
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Manuscript Reviewer, University of Minnesota Press
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Manuscript Reviewer, University of Chicago Press
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Manuscript Reviewer, The Art Bulletin
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Manuscript Reviewer, Duke University Press
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Manuscript Reviewer, American Art
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Manuscript Reviewer, MIT Press
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Manuscript Reviewer, Museum of Modern Art
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Manuscript Reviewer, Rutgers University Press
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Manuscript Reviewer, GLQ: A Journal of Lesbian and Gay Studies
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Manuscript Reviewer, Blackwell Press
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Manuscript Reviewer, Columbia University Press
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Manuscript Reviewer, Manchester University Press
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Manuscript Reviewer, University of California Press
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Manuscript Reviewer, Gender and History
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Manuscript Reviewer, Getty Research Institute
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Tenure and Promotion Reviewer, University of Pennsylvania
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Tenure and Promotion Reviewer, Barnard College
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Tenure and Promotion Reviewer, Wayne State University
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Tenure and Promotion Reviewer, University of Minnesota
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Tenure and Promotion Reviewer, University of California, Irvine
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Tenure and Promotion Reviewer, University of Michigan
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Tenure and Promotion Reviewer, Harvard University
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Tenure and Promotion Reviewer, University of California, Los Angeles
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Tenure and Promotion Reviewer, Bryn Mawr College
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Tenure and Promotion Reviewer, University of Toledo
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Tenure and Promotion Reviewer, Columbia University, School of the Arts
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Tenure and Promotion Reviewer, University of Chicago
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Tenure and Promotion Reviewer, Yale University
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Tenure and Promotion Reviewer, Northwestern University
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Tenure and Promotion Reviewer, Indiana University
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Tenure and Promotion Reviewer, Rice University
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Member, Dissertation Fellowship Selection Committee, Stanford Humanities Center, Stanford University (2013 - 2013)
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Member, Gallery Committee, Stanford University (2012 - Present)
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Faculty Chair, Stanford in Washington (Arts) (2012 - 2013)
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Member, Search Committee, Emerging Practices in Design, Stanford University (2012 - 2013)
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Member, Selection Committee, American Council of Learned Societies/Henry Luce Foundation Dissertation Fellowship in America Art (2012 - 2013)
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Member, 2012 Los Angeles CAA Centennial Committee, College Art Association (2010 - 2012)
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Member, Graduate 2nd Year Review Committee, University of Southern California Department of Art History (2010 - 2011)
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Member, Search Committee, Modern and Contemporary Art, University of Southern California Department of Art History (2010 - 2011)
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Member, Women’s Caucus for Art, College Art Association (2009 - 2012)
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Member, Advisory Committee, International Museum Institute, University of Southern California (2009 - 2011)
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Member, Pacific Standard Time Advisory Committee, Getty Research Institute (2009 - 2011)
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Chair, Personnel Committee, Art History, University of Southern California Department of Art History (2009 - 2010)
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Graduate Recruitment Officer, University of Southern California Department of Art History (2009 - 2010)
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Member, Provost’s Advisory Committee, Search for Dean, Roski School of Fine Arts, University of Southern California (2009 - 2010)
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Evaluator, Advancing Scholarship in the Humanities and Social Sciences, University of Southern California (2009 - 2009)
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Co-Director, Yale Initiative for the Study of Material and Visual Cultures of Religion (2008 - 2011)
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Director, Visual Studies Graduate Certificate, University of Southern California (2008 - 2011)
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Member, Provost’s Committee on Interdsiciplinary Hiring, University of Southern California (2008 - 2011)
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Member, Selection Committee, Provostial Ph.D. Fellowships, University of Southern California (2008 - 2010)
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Member, Faculty Merit Review Committee, University of Southern California Department of Art History (2008 - 2009)
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Member, Search Committee, Mellon Postdoctoral Fellowship, Art History, University of Southern California Department of Art History (2008 - 2009)
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Evaluator, Advancing Scholarship in the Humanities and Social Sciences, University of Southern California (2008 - 2008)
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Director, The Contemporary Project, University of Southern California (2007 - 2012)
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Graduate Recruitment Officer, University of Southern California Department of Art History (2007 - 2008)
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Evaluator, Advancing Scholarship in the Humanities and Social Sciences, University of Southern California (2007 - 2007)
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Member, Editorial Board, Images: A Journal of Jewish Visual Culture (2006 - Present)
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Juror, Third Annual Patricia and Philip Frost Essay Award, Smithsonian American Art Museum (2006 - 2007)
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Member, Undergraduate Evaluation Board, Department of History of Art, University of Pennsylvania (2006 - 2007)
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Member, Diversity Practices Committee, College Art Association (2005 - 2007)
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Chair, Ph.D. Admissions and Recruitment Committee, University of Southern California Department of Art History (2005 - 2006)
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Founding Director, Visual Studies Graduate Certificate, University of Southern California (2005 - 2006)
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Member, College Graduate Programs Advisory Committee, University of Southern California (2005 - 2006)
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Member, Roski School of Fine Arts, Third-Year Review Committee for Prof. Charlie Whit, University of Southern California (2005 - 2006)
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Mentor, Mellon-Mays Undergraduate Fellowship Program, University of Southern California (2005 - 2006)
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Member, Editorial Board, American Art (2004 - 2008)
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Member, Public Art Committee, School of Fine Arts, University of Southern California (2004 - 2006)
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Faculty Merit Review Committee, University of Southern California Department of Art History (2004 - 2005)
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Member, Graduate Studies and Review Committee, University of Southern California Department of Art History (2004 - 2005)
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Member, Undergraduate Curriculum Committee, University of Southern California Department of Art History (2004 - 2005)
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Chair, Steering Committee, Literary, Visual, and Material Culture Initiative, University of Southern California (2003 - 2006)
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Member, Distinguished Lifetime Achievement Award for Writing on Art Committee, College Art Association (2003 - 2006)
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Acting Department Chair, University of Southern California Department of Art History (2003 - 2003)
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Member, Joint Art History/Classics/Religion Search Committee, University of Southern California Department of Art History (2003 - 2003)
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Member, Residential Scholars Selection Committee, Getty Research Institute (2003 - 2003)
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Contributing editor, Studies in Gender and Sexuality (2002 - 2005)
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Advisor, Visual Culture Minor, University of Southern California Department of Art History (2002 - 2004)
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Chair, 3rd year review committee for Prof. Lillian Lan-Ying Tseng, University of Southern California Department of Art History (2002 - 2003)
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Dean’s Consultative Committee for Selection of Art History Department Chair, University of Southern California Department of Art History (2002 - 2003)
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Member, Joint Art History/Classics Search Comimttee, University of Southern California Department of Art History (2002 - 2002)
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Member, Steering Committee, Center for Feminist Research, University of Southern California (2001 - 2003)
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Member, Ph.D. Admissions Committee, University of Southern California Department of Art History (2001 - 2002)
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Member, Search committee, Korean Art, University of Southern California Department of Art History (2001 - 2002)
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Member, Editorial Board, Documents: A Journal of Art, Culture, and Criticism (2000 - 2003)
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Member, Faculty Council, College of Letters, Arts, and Sciences, University of Southern California (2000 - 2002)
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Member, Search Committee, African-American Art and Visual Culture, University of Southern California Department of Art History (2000 - 2001)
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Member, Search Committee, Chinese art and Intellectual History, University of Southern California Department of Art History (1999 - 2000)
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Member, Search committee, 19th century European Art, University of Southern California Department of Art History (1998 - 1999)
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Member, Fisher Gallery Advisory Committee, University of Southern California (1997 - 2001)
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Advisor, Visual Culture Minor, University of Southern California Department of Art History (1997 - 2000)
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Member, Search committee, 17th and 18th century European Art, University of Southern California Department of Art History (1997 - 1998)
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Faculty chair, USC Art History Lecture Series, University of Southern California Department of Art History (1996 - 1998)
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Ph.D. Admissions Committee, University of Southern California Department of Art History (1996 - 1998)
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Faculty interviewer for President's Undergraduate Fellowship, University of Southern California (1996 - 1997)
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Member, Grade Appeals Panel, College of Letters, Arts, and Sciences, University of Southern California (1996 - 1997)
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Member, Search Committee, Mellon Postdoctoral Fellowship, Chinese Art, University of Southern California (1996 - 1997)
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Member, USC Planning Committee on Cultural Studies, University of Southern California (1996 - 1997)
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Co-creator (with Prof. Eunice Howe), Visual Culture Minor, University of Southern California Department of Art History (1996 - 1996)
Program Affiliations
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American Studies
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Feminist, Gender, and Sexuality Studies
Professional Education
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Ph.D., University of California at Berkeley, Department of History of Art, History of Art (1996)
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M.A., University of California at Berkeley, Department of History of Art, History of Art (1991)
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B.A., Yale University, History of Art (1988)
2024-25 Courses
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Independent Studies (10)
- Curricular Practical Training
ARTHIST 290 (Aut, Win, Spr, Sum) - Curricular Practical Training
ARTHIST 680 (Aut, Win, Spr, Sum) - Dissertation Proposal Preparation
ARTHIST 640 (Aut, Win, Spr, Sum) - Dissertation Research
ARTHIST 650 (Aut, Win, Spr, Sum) - Extended Seminar
ARTHIST 660E (Aut, Win, Spr, Sum) - Independent Study
ARTHIST 660 (Aut, Win, Spr, Sum) - Individual Work: Art History
ARTHIST 298 (Aut, Win, Spr) - Qualifying Examination Preparation
ARTHIST 620 (Aut, Win, Spr, Sum) - Teaching Praxis
ARTHIST 610 (Aut, Win, Spr) - Visual Arts Internship
ARTHIST 295 (Aut, Win, Spr, Sum)
- Curricular Practical Training
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Prior Year Courses
2023-24 Courses
- Dissertation Seminar
ARTHIST 670 (Win) - Graduate Workshop: Feminist, Gender, and Sexuality Studies
ARTHIST 499, FEMGEN 299 (Win) - Overlooked/Understudied
ARTHIST 441 (Aut) - Putting it together: The Art of Curating
ARTHIST 288 (Aut) - Writing and the Visual: The Art of Art Writing
ARTHIST 294 (Win)
2022-23 Courses
- Art History in the First Person
ARTHIST 242A, ARTHIST 442 (Spr) - Graduate Pedagogy
ARTHIST 405A (Aut) - Graduate Workshop: Feminist, Gender, and Sexuality Studies
ARTHIST 499, FEMGEN 299 (Win) - Writing and the Visual: The Art of Art Writing
ARTHIST 294 (Win)
2021-22 Courses
- Censorship in American Art
AMSTUD 167, ARTHIST 160, CSRE 160, FEMGEN 167 (Aut) - Graduate Workshop: Feminist, Gender, and Sexuality Studies (Queer Cinemas around the World)
FEMGEN 299 (Win) - IMBY (In My Backyard): Faculty Scholarship in Art History and Film/Media Studies
ARTHIST 601 (Spr) - Warhol's World
ARTHIST 251, ARTHIST 451 (Aut)
- Dissertation Seminar
Stanford Advisees
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Doctoral Dissertation Reader (AC)
Linden Hill, Ann Tartsinis, Jennie Yoon -
Doctoral Dissertation Advisor (AC)
Ron Reichman -
Doctoral (Program)
Dejan Vasic
All Publications
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Walker Evans: Starting from Scratch (Book Review)
ARTFORUM INTERNATIONAL
2020; 59 (4): 64
View details for Web of Science ID 000594447400022
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Pier Groups: Art and Sex Along the New York Waterfront (Book Review)
ART BULLETIN
2020; 102 (4): 155–57
View details for Web of Science ID 000592262800012
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DOUGLAS CRIMP 1944-2019
ARTFORUM INTERNATIONAL
2019; 58 (2): 158–69
View details for Web of Science ID 000488660500007
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Feminist Art Re-Covered
COMPANION TO FEMINIST ART
2019; 17: 215–24
View details for Web of Science ID 000566137100014
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CONTACTING WARHOL
ART IN AMERICA
2018; 106 (10): 76–82
View details for Web of Science ID 000449036700009
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CHANGING PARTNERS
ARTFORUM INTERNATIONAL
2015; 54 (3): 143-146
View details for Web of Science ID 000368304100007
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Star Turn RICHARD MEYER ON CATHERINE OPIE'S ELIZABETH TAYLOR PHOTOGRAPHS
ARTFORUM INTERNATIONAL
2014; 52 (5): 156-164
View details for Web of Science ID 000351118100057
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Camera Eye
ARTFORUM INTERNATIONAL
2013; 52 (1): 390-395
View details for Web of Science ID 000323811900072
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Photography Is Elastic Weegee's Cockeyed View of Hollywood
AMERICAN ART
2013; 27 (2): 33-37
View details for DOI 10.1086/673107
View details for Web of Science ID 000321889000006
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Silent Partners RICHARD MEYER ON "INTIMATE COLLABORATIONS"
ARTFORUM INTERNATIONAL
2013; 51 (8): 117-118
View details for Web of Science ID 000316653300010
- What was Contemporary Art? Cambridge, MA: MIT Press. 2013
- Art and Queer Culture London: Phaidon. 2013
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Anita Steckel 1930-2012
ARTFORUM INTERNATIONAL
2012; 50 (10): 53-54
View details for Web of Science ID 000320977600002
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L.A. Stories
ARTFORUM INTERNATIONAL
2011; 50 (2): 240-?
View details for Web of Science ID 000295445800012
- At Home in Marginal Domains Cruising the Archive: Queer Art and Culture in Los Angeles, 1945-1980 Los Angeles: One Institute and Archives. 2011: 82–87
- Unphotographable, Or, The Archives of Elliott Hundley Elliott Hundley: The Bacchae Columbus Ohio: Wexner Center for the Arts. 2011
- I Spy Weegee Naked Hollywood: Weegee in Los Angeles Los Angeles and New York: Museum of Contemporary Art and Rizzoli. 2011
- Naked Hollywood: Weegee in Los Angeles New York: Rizzoli. 2011
- Los Angeles Meant Boys’: David Hockney, Bob Mizer, and the Lure of Physique Photography Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture Los Angeles: Getty Museum. 2011
- Bone of Contention Lynda Benglis, exhibition catalogue France: Les presses du réel. 2010
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LYNDA BENGLIS KLAUS 1975
ARTFORUM INTERNATIONAL
2010; 48 (5): 170-181
View details for Web of Science ID 000273312800057
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"Big, Middle-Class Modernism"
OCTOBER
2010: 69-116
View details for Web of Science ID 000274475900004
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Censorship
AMERICAN ART
2009; 23 (1): 22-24
View details for DOI 10.1086/599057
View details for Web of Science ID 000208618400010
- Warhol’s Jews Warhol’s Jews Jewish Museum, Contemporary Jewish Museum, and Yale University Press. 2009
- Weegee and Naked City “Defining Moments in American Photography” series Berkeley: University of California Press. 2008
- Home Delivery Modern Painters 2008: 56-58
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Representing the passions from Bamberg Cathedral to Bill Viola (The 'Passions')
Conference on Languages of Emotion
ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD. 2008: 123-?
View details for DOI 10.1080/09502360701842108
View details for Web of Science ID 000253336100009
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"Artists sometimes have feelings"
ART JOURNAL
2008; 67 (4): 38-55
View details for Web of Science ID 000262914200006
- Not Me: Joan Semmel’s Body of Art Solitaire Cincinnati: Wexner Center for the Arts. 2008
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Feminism uncovered ('WACK! Art and the Feminist Revolution')
ARTFORUM INTERNATIONAL
2007; 45 (10): 211-?
View details for Web of Science ID 000247025800012
- Who Needs Civil Liberties? The Blackwell Companion to LGBT/Q Studies edited by Haggerty, G. E., McGarry, M. (Oxford: Blackwell. 2007
- Hard Targets: Male Bodies, Feminist Art, and the Force of Censorship in the 1970s Wack! Art and the Feminist Revolution Los Angeles: Museum of Contemporary Art. 2007
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Light it up, or how Glenn Ligon got over ('Glenn Ligon - Some Changes')
ARTFORUM INTERNATIONAL
2006; 44 (9): 240-247
View details for Web of Science ID 000237330100068
- Who Needs Civil Liberties? Potentially Harmful: The Art of American Censorship Atlanta: Georgia State University. 2006
- Art Works, Part One GLQ: A Journal of Lesbian and Gay Studies edited by Meyer, R., Roman, D. Duke University Press. 2006; 2
- Art Works, Part Two GLQ: A Journal of Lesbian and Gay Studies edited by Meyer, R., Roman, D. Duke University Press. 2006; 3
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Gay Power circa 1970 - Visual strategies for sexual revolution
GLQ-A JOURNAL OF LESBIAN AND GAY STUDIES
2006; 12 (3): 441-464
View details for DOI 10.1215/10642684-2005-011
View details for Web of Science ID 000237639900006
- On Race and Plutocracy Bookforum 2006; 35
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Slasher story
ART JOURNAL
2005; 64 (1): 32-41
View details for Web of Science ID 000228545800004
- Notes on Camp Bookforum 2005; 12
- October Revolution Artforum 2005: 324
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Bone of contention - Richard Meyer on Lynda Benglis's controversial advertisement
ARTFORUM INTERNATIONAL
2004; 43 (3): 73-?
View details for Web of Science ID 000224770600006
- La teoría del arte de Jesse Helms Cultura Moderna primavera-verano. 2004: 71–92
- Two on One Artforum 2004: 25-26
- Mind the Gap: Americanists, Modernists, and the Boundaries of Twentieth-Century Art American Art 2004; 18 (3): 2-7
- Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art Boston: Beacon Press. 2004
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The Jesse Helms theory of art (Robert Mapplethorpe)
OCTOBER
2003: 131-148
View details for Web of Science ID 000182491800007
- Identity Critical Terms for Art History edited by Nelson, R. S., Schiff, R. Chicago: University of Chicago. 2003: 345–357
- Representing the Passions: Histories, Bodies, Visions edited by Meyer, R. Los Angeles: Getty Research Institute. 2003
- Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art New York: Oxford University Press. 2002
- The Art Historical Problem of Andy Warhol ArtScene 2002: 51-52
- Mapplethorpe’s Living Room: Photography and the Furnishing of Desire Other Objects of Desire: Collectors and Collecting Queerly edited by Camille, M., Rifkin, A. Oxford: Blackwell Publishers. 2002
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Mapplethorpe's living room: Photography and the furnishing of desire
ART HISTORY
2001; 24 (2): 292-311
View details for Web of Science ID 000169022400007
- Nature Revers’d: Satire and Homosexual Difference in Hogarth’s London The Other Hogarth: Aesthetics of Difference edited by Forte, B., Rosenthal, A. Princeton: Princeton University Press. 2001: 162–173
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Have you heard the one about the Lesbian who goes to the Supreme Court: Holly Hughes and the case against censorship
THEATRE JOURNAL
2000; 52 (4): 543-552
View details for Web of Science ID 000166637800005
- Ongoing: Notes on Contemporary Art and AIDS Bodies of Resistance Hartford, CT: Real Art Ways. 2000: 19–24
- At Home in Marginal Domains Documents 2000; 18: 19-32
- Teaching Feminism: A Questionnaire Documents 2000: 24-49
- Boot Camp About Face: Andy Warhol Portraits Hartford, CT: Wadsworth Atheneum. 1999: 100–109
- On the Value of Queer Self-Portraiture Face: An Exhibit of Queer Expression Through Self-Portraiture San Francisco: South of Market Cultural Center. 1998: 8–11
- Borrowed Voices: Glenn Ligon and the Force of Language Glenn Ligon: Unbecoming Philadelphia: Institute of Contemporary Art. 1998: 12–35
- Rock Hudson's Body The Passionate Camera: Photography and Bodies of Desire edited by Bright, D. New York and London: Routledge. 1998: 340–360
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Kaucyila Brooke
ART IN AMERICA
1997; 85 (11): 134-135
View details for Web of Science ID A1997YC40900047
- Paul Cadmus: The Sailor Trilogy Whitney Museum of American Art New York. 1996: 2–10
- This is to Enrage You: Gran Fury and the Graphics of AIDS Activism But Is It Art? The Spirit of Art as Activism edited by Felshin, N. Seattle: Bay Press. 1995: 51–83
- Warhol's Clones Yale Journal of Criticism 1994: 79-110
- Warhol's Clones Negotiating Lesbian and Gay Subjects edited by Dorenkamp, M., Henke, R. New York and London: Routledge. 1994: 92–122
- Double Foolscap: Leone Whitney Museum at Philip Morris New York. 1994: 1–9
- Robert Mapplethorpe and the Discipline of Photography The Lesbian and Gay Studies Reader edited by Abelove, H., Barale, M. A., Halperin, D. New York and London: Routledge. 1993: 360–380
- Strangers: Philip-Lorca di Corcia Flash Art International 1993; 26 (172): 64
- Rock Hudson's Body Inside/Out: Lesbian Theories, Gay Theories edited by Fuss, D. New York: Routledge. 1991: 258–288
- Group Material's AIDS Timeline University Art Museum Berkeley. 1989: 1–5