School of Humanities and Sciences


Showing 1-19 of 19 Results

  • Chris Chafe

    Chris Chafe

    Duca Family Professor

    BioChris Chafe is a composer, improvisor, and cellist, developing much of his music alongside computer-based research. He is Director of Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). In 2019, he was International Visiting Research Scholar at the Peter Wall Institute for Advanced Studies The University of British Columbia, Visiting Professor at the Politecnico di Torino, and Edgard-Varèse Guest Professor at the Technical University of Berlin. At IRCAM (Paris) and The Banff Centre (Alberta), he has pursued methods for digital synthesis, music performance and real-time internet collaboration. CCRMA's jacktrip project involves live concertizing with musicians the world over. Online collaboration software and research into latency factors continue to evolve. An active performer either on the net or physically present, his music reaches audiences in sometimes novel venues. An early network project was a simultaneous five-country concert was hosted at the United Nations in 2009. Chafe’s works include gallery and museum music installations which are now into their second decade with “musifications” resulting from collaborations with artists, scientists and MD’s. Recent work includes the Earth Symphony, the Brain Stethoscope project (Gnosisong), PolarTide for the 2013 Venice Biennale, Tomato Quintet for the transLife:media Festival at the National Art Museum of China and Sun Shot played by the horns of large ships in the port of St. Johns, Newfoundland.

  • Sarah Chan

    Sarah Chan

    Faculty, Music

    BioSarah Chan, DMA, Lecturer, Department of Music, Stanford University.

    An international concert pianist and teacher, Sarah Chan has performed throughout America, Europe, and Asia, including at Carnegie Hall, Kennedy Center for the Performing Arts, Berlin Philharmonie, National Philharmonic of Ukraine, Salle Cortot-Paris, Künstlerhaus Munich, Sala Atenu-Bacau-Romania, Beifang Performing Arts Hall, and Ningxia Normal Concert Hall. Chan has appeared as concerto soloist with the National "Mihail Jora" Philharmonic of Romania, Romanian State Symphony, New York Concert Artists Symphony, Manhattan Chamber Orchestra, Seattle Philharmonic Orchestra, Fort Worth Symphony, and Enid Symphony Orchestra. Chan’s debut recording album, “Portraits of France and Spain: Piano Music from Impressionism and National Romanticism to the Avant-Garde, 1880-1960", is anticipated for release in 2024.

    Awards and residencies of international, national, institutional, and professional distinction:

    Performance artistry:
    - The American Prize in Piano Performance
    - New York Concert Artists Rising Artist Distinction
    - PianoTexas Festival Professional Prize

    Teaching:
    - 2021 U.S. Presidential Scholar Distinguished Teacher Award of the U.S. Presidential Commission, U.S. Department of Education
    - 2022 California State University-Stanislaus Outstanding Professor Faculty Award
    - Award for Excellence in Teaching, Eastman School of Music of the University of Rochester

    Research, Scholarship, Creative Activity:
    - 2021 California State University-Stanislaus Outstanding Research, Scholarship and Creative Activity Faculty Award

    Artist-Teaching Residencies:
    - Ukraine - “Toloka” Center for Educational Initiatives, University of Educational Management of the National Academy of Pedagogical Sciences of Ukraine, Ukrainian Global School, Mariupol Specialized School of Music.
    - China - Shanghai Conservatory of Music, Beifang University of Nationalities, Ningxia Normal University.
    - U.S. - International Music Festival, Sacramento State University, Oklahoma City University, University of Central Missouri, Charleston Southern University, Erskine College.

    Chan’s work engages a simultaneous depth of focus and breadth of multidimensional expressivity in performance and teaching of interpretive (historical/contemporary), creative (music improvisation/extemporized art), and interdisciplinary (music/visual arts, music in the humanities, music/STEM) engagement. Insight into Chan’s work may be gleaned through interviews on Ukrainian TV (https://youtu.be/z1995uXTiw4), Berlin Fueilletonscout (https://www.feuilletonscout.com/ein-moment-mit-pianistin-sarah-chan-gewinnen-sie-zum-abschluss-der-konzertreihe-the-berlin-debuts-tickets-fuer-das-konzert-in-der-berliner-philharmonie/), and in her journal article, “Innovative Teaching Practices in 21st-c. Music Pedagogy”, Мистецтво та освіта (Art and Education) (No. 3 (93) 2019), published in the international Ukrainian journal founded by the National Academy of Educational Sciences of Ukraine.

    Dr. Chan serves as Lecturer in the Department of Music at Stanford University. She also serves as Coordinator of Keyboard Studies and Associate Professor of Music (Keyboard Studies/Music Theory) in the Department of Music at California State University, Stanislaus. Chan trained musically at the Eastman School of Music of the University of Rochester (D.M.A.), Le Conservatoire National Supérieur de Musique et de Danse de Paris (Paris Conservatory of Music), Peabody Conservatory of Music (M.M.), Manhattan School of Music (B.M.), and the University of Michigan. She studied liberal arts with a concentration in French and French Literature at La Sorbonne, Columbia University, and the University of Michigan. Sarah Chan is a standing adjudicator for The American Prize Competitions as well as Board Member for Performance and Chair of the Performance Council for The College Music Society.

  • Hongchan Choi

    Hongchan Choi

    Adjunct Professor, Music

    BioAs a musician/engineer, Hongchan strives to push boundaries of the open web platform for music technology.

    He studied with Jonathan Berger, Chris Chafe, and Ge Wang for my doctoral research at CCRMA between 2010 and 2014. After completing the doctoral thesis 《Collaborative Musicking on the Web》 in 2014, Hongchan joined Google Chrome where he currently leads various web music technology projects as a Technical Lead and Manager.

    Outside of Google, he serves as a co-chair of W3C Audio Working Group driving a collective effort of multiple industry professionals to design advanced audio capabilities for the web platform. Hongchan also continues to engage with academia as an Adjunct Professor at CCRMA, Stanford university.

  • Christopher Costanza

    Christopher Costanza

    Artist in Residence, Music

    BioFor over three decades cellist Christopher Costanza has enjoyed a varied and exciting career as a soloist, chamber musician, and teacher. A winner of the Young Concert Artists International Auditions and a recipient of a prestigious Solo Recitalists Grant from the National Endowment for the Arts, Mr. Costanza has performed to wide critical acclaim in nearly every state in the U.S., and in Canada, Colombia, the Dominican Republic, Australia, New Zealand, China, Korea, Germany, France, the U.K., Italy, Spain, the Netherlands, Belgium, Luxembourg, Romania, and Hungary. His summer festival appearances include the Marlboro, Yellow Barn, Santa Fe, Taos, Chamber Music Northwest, Seattle, Bay Chamber Concerts, Ottawa, and Bravo! Vail Valley festivals. Mr. Costanza is a graduate of the New England Conservatory of Music in Boston, where he studied cello with Laurence Lesser, David Wells, and Bernard Greenhouse, and chamber music with Eugene Lehner, Louis Krasner, and Leonard Shure.

    Mr. Costanza joined the St. Lawrence String Quartet (SLSQ) in 2003, and tours and records extensively with that ensemble, performing over 100 concerts annually throughout the world. As a member of the SLSQ, he is an Artist in Residence at Stanford University, where he teaches cello and chamber music and performs a wide variety of formal and informal concerts each season, from the stages of the University’s concert halls to student dormitories and lecture halls. A strong proponent of contemporary music, Mr. Costanza works regularly with the world’s most notable composers, such as John Adams, Jonathan Berger, Osvaldo Golijov, Mark Applebaum, Pierre Boulez, George Tsontakis, Roberto Sierra, R. Murray Schafer, William Bolcom, John Corigliano, and Bright Sheng. As a student, he had the honor of studying Olivier Messiaen’s “Quartet for the End of Time” under the guidance of the composer.

    Mr. Costanza’s discography includes numerous chamber music and solo recordings on the Nonesuch, EMI/Angel, Naxos, Innova, Albany, Summit, and ArtistShare labels. In 2006, he received a Grammy nomination for his recording of major chamber works for winds and strings by Mozart. Additionally, several St. Lawrence String Quartet recordings on EMI have also been nominated for Juno awards. Mr. Costanza's recordings of the iconic Six Suites for Solo Cello by J.S. Bach, along with his commentary on each suite, can be found on his website, costanzacello.com. In August, 2019, the SLSQ released its latest recording, of all six Op. 20 String Quartets of Haydn, in three formats: CD’s, on-line through streaming platforms, and limited-edition vinyl LP’s.

    Mr. Costanza is frequently heard on radio broadcasts worldwide, including the CBC in Canada, NPR in the United States, and on various European broadcasting networks. He is privileged to perform on an early 18th century Venetian cello, part of the Harry R. Lange Collection of Instruments and Bows at Stanford.

    In addition to his varied musical interests, Mr. Costanza is an avid long-distance runner and hiker. A self-described train enthusiast, he enjoys riding and exploring the passenger railways of the world. He is fascinated by architecture and seeks out innovative architectural offerings of each city he visits on tour. At home in California, he is passionate about cooking, focusing his attention on new and creative dishes which take advantage of the abundance of remarkable organic local produce. Mr. Costanza's wife, Debra Fong, is a wonderful violinist, and their daughter, Isabella, is a terrific violist currently studying at the Glenn Gould School in Toronto.