School of Humanities and Sciences
Showing 1-10 of 19 Results
Assistant Professor of English
Current Research and Scholarly InterestsGlobal Anglophone literature and its relationship to other literary traditions of the Global South. The conditions for interdisciplinary research in the humanities, especially literature's relationship with medicine and the social sciences.
Professor of Linguistics, Emeritus
BioProf. Martin Kay is Professor of Computational Linguistics at Stanford
U. and Honorary Professor at Saarland U. He studied at Trinity
College, Cambridge. Kay then worked at Rand Corporation, the U. of
California at Irvine and XEROX PARC. Kay is one of the pioneers of
computational linguistics and machine translation. He was responsible
for introducing the notion of chart parsing in computational
linguistics, and the notion of unification in linguistics
generally. With Ron Kaplan, he pioneered research and application
development in finite-state morphology. He has been a longtime
contributor to, and critic of, work on machine translation. In his
seminal paper "The Proper Place of Men and Machines in Language
Translation," Kay argued for MT systems that were tightly integrated in
the human translation process. He was reviewer and critic of EUROTRA,
Verbmobil, and many other MT projects. Kay is former Chair of the
Association of Computational Linguistics and ongoing Chair of the
International Committee on Computational Linguistics. He was a Research
Fellow at the Xerox Palo Alto Research Center until 2002. He holds an
honorary doctorate of Gothenburg U. This year, Kay received the
Lifetime Achievement Award of the Association for Computational
Linguistics for his sustained role as an intellectual leader of NLP
Assistant Professor of Art and Art History
BioSrdan Keca's films A LETTER TO DAD, MIRAGE and ESCAPE screened at leading documentary film festivals, including IDFA, DOK Leipzig, Jihlava IDFF and Full Frame, while his video installations have been exhibited at venues like the Venice Biennale of Architecture and the Whitechapel Gallery.
The found-footage film FLOTEL EUROPA, produced and edited by Keca, premiered at the 2015 Berlin Film Festival, winning the Tagesspiegel Jury Prize. His upcoming feature documentary MUSEUM OF THE REVOLUTION (in postproduction) centers around a community living inside the remnants of one of the most ambitious, and never completed, architectural projects of socialist Yugoslavia. It is supported by the Sundance Documentary Film Fund, the MEDIA Fund of the European Commission, and Al Jazeera Documentary Channel, among others. His project THAT SOUND HIGH IN THE AIR (in development) follows a group of scientists studying climate history and the great migrations of the past in one of the remotest and least explored parts of the Sahara. It was pitched at CPH:FORUM in 2020.
Keca is a graduate of the Ateliers Varan and the UK National Film and Television School (NFTS). Since 2015 he has worked as Assistant Professor in the Department of Art & Art History at Stanford University, teaching in the MFA Documentary Film Program.
Ari Y. Kelman
Jim Joseph Chair in Education and Jewish Studies and Associate Professor, by courtesy, of Religious StudiesOn Leave from 04/01/2021 To 06/30/2021
Current Research and Scholarly InterestsProfessor Kelman's research focuses on the forms and practices of religious knowledge transmission. His work emerges at the intersection of sociocultural learning theory and scholarly/critical studies of religion, and his methods draw on the social sciences and history. Currently Professor Kelman is at work on a variety of projects ranging from a history of religious education in the post-war period to an inquiry about Google's implicit definitions of religion.
BioAlex Ketley is an independent choreographer, filmmaker, and the director of The Foundry. Formally a classical dancer with the San Francisco Ballet, he left the company to create The Foundry as a platform to explore his interests in alternative methods of devising performance. The company has allowed Ketley the freedom to pursue projects that would be difficult to realize within his commissioning career. A few examples of these are; Syntax, an hour long duet systemically using the mechanics of language as an organizing mechanism, Lost Line researched how the application of environment effects the generation of movement and studied in direct response to California’s diverse physical landscapes, Please Love Me jettisoned the structure of performing in a theater context and was developed with a curiosity about how people genuinely connect and experience artwork, and the No Hero Trilogy which was a multi-year project that explored what dance and performance means to the lives of people living throughout rural America.
For his independent work as a choreographer he has been commissioned extensively throughout the United States and has received acknowledgement from the Hubbard Street National Choreographic Competition, the International Choreographic Competition of the Festival des Arts de Saint-Saveaur, the Choo-San Goh Award, the Princess Grace Award for Choreography, four Maggie Allesee National Center for Choreography Residencies, the Gerbode-Hewlett Choreographer Award, the Eben Demarest Award, the National Choreographic Initiative Residency, a Kenneth Rainin Foundation New and Experimental Works Grant, three CHIME Fellowships, the Artistry Award from the Superfest International Disability Film Festival, and his work was featured on national television through an invitation from the show So You Think You Can Dance. His pieces and collaborations have also been awarded Isadora Duncan Awards for Outstanding Achievement in the categories of; Ensemble, Choreography, as well as Full Company, and nominated for Outstanding Achievement in Visual Design.
As an educator he has taught throughout the world and is currently a Lecturer at Stanford University’s Theater and Performance Studies Department and was the founding Resident Choreographer at the San Francisco Conservatory of Dance for 14 years until its closure in 2018.
In 2020 he was awarded a Guggenheim Fellowship, one of the most prestigious honors in the United States recognizing individuals "who have demonstrated exceptional creative ability in the arts.”
The Robert H. N. Ho Family Foundation Professor of Buddhist Studies
BioProfessor Kieschnick specializes in Chinese Buddhism, with particular emphasis on its cultural history. He is the author of the Eminent Monk: Buddhist Ideals in Medieval China and the Impact of Buddhism on Chinese Material Culture. He is currently working on a book on Buddhist interpretations of the past in China, and a primer for reading Buddhist texts in Chinese.
John is chair of the Department of Religious Studies and director of the Ho Center for Buddhist Studies at Stanford.
Ph.D., Stanford University (1996); B.A., University of California at Berkeley (1986).